Movie Review: “Neighbors”

Starring
Seth Rogen, Zac Efron, Rose Byrne, Dave Franco, Christopher Mintz-Plasse
Director
Nicholas Stoller

Everything about “Neighbors” screams bro – had we been tasked with pitching the script to a producer, we would have said, “’Tin Men,’ with bros” – and then a funny thing happens: Rose Byrne comes along and wipes the floor with every man in the cast. She puts on a master class in comedy here, and in the process (unintentionally, for sure), she out-funnys the funny guy. This is okay, mind you, and in fact wouldn’t even be a problem if the movie had a coherent script, but it doesn’t. It’s a funny script, and it hits all of the right notes in the end, but the path it takes to get there is dubious, to be sure. Someone, anyone, should have gotten arrested.

New parents Mac and Kelly Radner (Seth Rogen and Byrne) have bought a new home, and love their idyllic grown-up existence. The house next door is up for sale, and to their horror, a fraternity moves in. Mac and Kelly, eager to maintain their youth while dealing with being new parents, try to play the part of the cool neighbors at first, but as the frat’s continuous late-night antics threaten to wake their baby girl, they call the police on them after their attempts to contact them go unanswered. The president of the fraternity, Ted (Zac Efron), declares war, and the two sides engage in a series of escalating stunts designed to put the other side down for good, yet they’re strangely chummy the entire time.

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Premium Hollywood talks to the guys from “Get Him to the Greek”

Jonah Hill and Russel Brand.

Get Him to the Greek” could easily become this summer’s “The Hangover,” a rollicking comedy filled with enough laughs to keep you out of the heat for an hour and 49 minutes. Bob Westal at our entertainment blog, Premium Hollywood, had a chance to catch up with the cast from the “Get Him to the Greek” as well as the film’s director, Nicholas Stoller.

“The big movements of this story really locked into place pretty quickly,” Stoller said. “I knew that I wanted to go to London, New York, Vegas and LA. I knew it needed to end with a threesome. There were like a few things I knew very early on — ‘I’m building towards this threesome, how do we get there? Really, every movie should end with a threesome. That’s my comedy theory — it’s in Syd Field’s Screenplay. ”

There you have it. Three of the world’s greatest cities, two of comedy’s funniest people, and a director (who’s not in porn, mind you) who just came out and said his whole film is “building towards this threesome.” Check out our “Get Him to the Greek” review to see how Stoller pulled together the summer’s first solid comedy.

  

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