There’s a movie out right now called “Paris-Manhattan” but that is actually just a pretty massive coincidence. I haven’t seen this French homage to the films of Woody Allen, but I’m certainly willing to piggy-back on it by accident. What actually happened was I was looking for a cocktail that justified the big bottle of rather expensive St. Germain elderflower liqueur I’d recently sprung for. The Paris Manhattan is what I found.

As it happens, this drink is not an ancient classic like its antecedent, the Manhattan, but was developed in the mid 2000s, reportedly by famed cocktail writer and entrepreneur Simon Difford. (As far as I know, no relation to the very talented Chris Difford of the band, Squeeze.)

Difford apparently was somehow involved in the creation of St. Germain, which has become the go-to elderflower liqueur for almost everyone, and he therefore has a vested interest in this cocktail. Indeed, I personally think he put just a bit too much of it in his drink. No worries, though, because I’ve fixed it!

The Paris Manhattan

2 ounces rye, Canadian, or bourbon whiskey
3/4 ounce St. Germain/elderflower liqueur
1/2 ounce dry vermouth
2 dashes of aromatic/Angostura bitters
1 cocktail cherry or orange twist (garnish)

Combine the liquid ingredients in cocktail shaker or mixing glass and stir vigorously. Strain into glass and add the cherry or orange twist garnish of your choice. Drink to Paris, Manhattan, some other city, or just drink. You’ll be fine.

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I actually tried shaking this one, but it really didn’t work. The extra water and ice crystals simply didn’t add anything, while nevertheless detracting from the flavor.  More importantly, I found that I thought the original recipe, which called for a full ounce of St. Germain, was too sweet — though I liked the results better with the remainder of my nearly consumed Templeton Rye than with Old Fitzgerald bonded bourbon. Oddly enough, no recipes I found online called for any less of the very sweet, you might say honeyish, liqueur.

I nevertheless tried it with only half an ounce of the elderflower liqueur, and that was a major disappointment. It didn’t taste any less sweet but was just kind of sharp in an unpleasant way.  Then, I tried only 3/4 of an ounce with the rye and — because I was running out, just a whiff of Canadian Club Sherry Cask. Bingo.

Anyhow, with the return of the Meyer lemon to stores in my vicinity and with my recently rekindled interest in the eggier side of the sour family of cocktails, I decided to see if the juice of the more edible lemon worked as well with 100 proof bourbon as it did with the ever-so gentle, and merely 80 proof, Canadian Club I used last year. I’m happy to say that, if anything, it’s even better — as long as you like your cocktails boozy and sweet as heck.

The Meyer 100 Proof Bourbon Semi-Sour

2 ounces 100 proof (more or less) bourbon
3/4 ounce freshly squeezed Meyer lemon juice
1/2 large egg white
2 teaspoons superfine sugar
1 dash orange bitters (very optional)
1 maraschino/cocktail cherry (optional garnish)

If you’ve read my other recent sour recipes, you can probably guess what the drill will be. Combine the bourbon, juice, sugar and (if you’re using them) bitters in a cocktail shaker without ice. Shake the contents to emulsify the egg white. Then, add ice, shake a bunch more, and strain into a well chilled rocks glass. Garnish with cherry and salute the late citrus pioneer, Mr. Meyer, and mourn his untimely and mysterious passing in 1918.

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I used my personal default bourbon, the highly underrated, little known, and very reasonably priced Old Fitzergald’s Bonded in Bond 100 proof (aka “Old Fitzgerald Green Label”). I can’t be sure, but I suspect this recipe would also work with very high proof bourbons or something even as meek as Maker’s Mark, which I guess is going to remain 90 proof indefinitely after that brouhaha last week. (All I can say, is where were you people when Canadian Club and countless other brands went from 86 to 80 proof sometime in the 1980s or 1990s?)

Re: bitters. I originally tried using Angostura in this, but found it an unwelcome distraction. Then I tried it without bitters at all, and found the drink absolutely wonderful. Then, I tried it again with Regan’s Orange Bitters and found the drink tasted tangier and even sweeter and not quite as much to my personal liking. However, one of my test subjects here at DOTW Manor was very pleased with this version, so I’m leaving you the option of throwing the orange bitters in. Try it both ways, I say.

Finally, there is the question of how you determine that you’re using half an egg white. I’m sure there’s a way to do that with measurements — though measuring egg whites can be a hassle, or you can do like I’d probably do and just sort of eyeball it. This time, I took the easiest and least wasteful way out and just doubled up and made two Meyer 100 Proof Bourbon Semi-Sours at the same time. This is a drink worth sharing.

Moreover, if today’s beverage  reminds you a little bit of the Negroni, then count yourself among the cocktail elect as this drink basically is that cocktail classic, but substituting whiskey — usually bourbon but some recipes say you can do it with rye and possibly even Canadian — which makes it also a bit like a Manhattan.

Still, while some writers have wondered out loud why this semi-forgotten prohibition era beverage is less well known than those undisputed classic beverages, I can see why it hasn’t become a household name. While I find the Negroni and the Manhattan difficult to mess up and nearly always amazing, the Boulevardier is more elusive. On the other hand, if you manage to get it really right, it can be pretty darn nifty — especially if you like whiskey and the powerful bitter-sweetness/sweet bitterness of Campari as I much as I do.

The Boulevardier

1 1/2 ounces bourbon
1 ounce Campari
1 ounce sweet vermouth

Combine the ingredients in a cocktail shaker. Stir if you must be a classicist, but I say you should shake this drink, damnit. Whichever you choose, strain into our old friend, the chilled cocktail glass or — especially if it’s as hot where you are as it is right now at DOTW Central — into an ice-filled rocks glass. Imbibe this beverage sure in the knowledge that you don’t really have to watch the rather turgid 1957 film version of Hemingway’s aforementioned novel with Tyrone Power and an all middle-aged-ish cast, which is dead wrong considering that “The Sun Also Rises” is kind of a higher quality early draft of “Less Than Zero” with booze, booze, and more booze substituting for booze, coke, Quaaludes, and more booze and a higher species of jerkwads for characters. Where was I? Oh, yeah, cocktail blog.

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The earliest version of this drink actually calls for equal parts bourbon, Campari, and vermouth. While I’ve found it works just dandy for a Negroni, that wasn’t the case here. Even using my go-to 100 proof Old Fitzgerald’s bourbon, I found the sweetness a bit overpowering despite the bitter Campari comeback, especially when I tried this one stirred. Things were much improved when I went with a more contemporary version which upped the proportion of bourbon.

I was concerned taht  the merely 80 proof Basil Hayden’s Kentucky Straight Bourbon Whiskey featured here just last week would prove too delicate to stand up to the Campari and vermouth. However, I once again badly underestimated this subtle yet powerfully flavorful Jim Beam high end brew. The resulting Boulevardier was subtly complex, with just the right level of sweetness to bitterness and with a few of the more savory-ish notes of the Basil Hayden mellowing things out.

I’m going to try this one with rye pretty soon, but that brings us awfully close to another drink, the Whiskey Rebellion inspired 1794, which I’m saving for another occasion.