Blu Tuesday: The Amazing Spider-Man 2, Only Lovers Left Alive and Rosemary’s Baby

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Amazing Spider-Man 2″

WHAT: Peter Parker (Andrew Garfield) faces his biggest challenge yet as Spider-Man when an Oscorp employee named Max Dillon (Jamie Foxx) is transformed into the supervillain Electro and wreaks havoc on New York City. Meanwhile, Peter’s relationship with Gwen Stacy (Emma Stone) is tested just as his childhood friend Harry Osborn (Dane DeHaan) returns home seeking Peter’s help in curing a deadly disease.

WHY:The Amazing Spider-Man 2” isn’t nearly the disappointment that some have painted it as, but it doesn’t capitalize on the promise of its predecessor either. The problem with the film is that it’s bursting at the seams with material, and although there’s some cool world building along the way, just like “Iron Man 2,” it spends more time looking ahead to the future than focusing on telling the best story possible. But for as messy as the movie may be from a narrative standpoint, the performances are strong enough to keep you entertained, especially stars Andrew Garfield and Emma Stone. The former really seems to understand what makes Peter Parker and Spider-Man tick, and his chemistry with real-life girlfriend Stone continues to sparkle with charisma, even if the film wastes a lot of time reestablishing the Peter/Gwen romance. And while Jamie Foxx makes for a pretty dull villain (through no fault of his own), Dane DeHaan is fantastic as Norman Osborn, swinging between vulnerable and menacing, often in the same scene. It’s just too bad that Webb isn’t as adept at handling the superhero elements as he is with the human drama, because that’s one of the biggest obstacles standing in the way of the franchise’s continued success: making the costumed hero as interesting as the man under the mask.

EXTRAS: The Blu-ray release includes a six-part making-of featurette that runs just over 100 minutes, an audio commentary with writers Alex Kurtzman and Jeff Pinkner and producers Matt Tolmach and Avi Arad, seven deleted scenes and a behind-the-scenes look at scoring the film.

FINAL VERDICT: RENT

“Only Lovers Left Alive”

WHAT: Reclusive, depressed vampire Adam (Tom Hiddleston) has grown tired of living in a world populated by “zombies,” and sensing that he may be worse for wear, his centuries-old lover Eve (Tilda Swinton) leaves her home in Tangier to visit him in Detroit. But when Eve’s rambunctious sister Ava (Mia Wasikowska) shows up uninvited, she threatens to ruin the pair’s idyllic lifestyle.

WHY: I’ve never been a big fan of Jim Jarmusch’s work, but “Only Lovers Left Alive” is definitely one of the director’s better films. That might sound like damning with faint praise, but while the movie doesn’t work for me as a whole, there are bits and pieces that are actually quite good. In fact, the film gets off to a pretty solid start as Jarmusch explores the unconventional but fascinating relationship between Adam and Eve, going so far as to dress one in black and the other in white to symbolize their yin and yang bond. Unfortunately, the paper-thin plot becomes more noticeable in the second half, especially when Mia Wasikowska’s juvenile troublemaker enters the story. Wasikowska’s character doesn’t serve much purpose other than to create a problem that Adam and Eve must solve, which causes Jarmusch’s script to feel like it’s being stretched beyond its limits. Tom Hiddleston and Tilda Swinton are both great in their respective roles, and the pitch black humor delivers some unexpected laughs, but while “Only Lovers Left Alive” presents a unique and interesting take on the vampire genre, much like its immortal protagonists, the movie outlives its welcome.

EXTRAS: In addition to a 50-minute video production diary focusing on director Jim Jarmusch, there’s some deleted and extended scenes and a music video.

FINAL VERDICT: RENT

“Rosemary’s Baby”

WHAT: When Rosemary (Zoe Saldana) and her husband Guy (Patrick J. Adams) move to Paris for an incredible job opportunity, they’re befriended by a wealthy couple who present them with an offer they can’t refuse: an apartment at the most prestigious address in the city. But as Rosemary learns more about its haunted past, she begins to suspect her new friends are Satan worshippers hell bent on taking the baby she’s carrying.

WHY: Setting aside the popularity of Roman Polanski’s 1968 cult classic, this TV version of “Rosemary’s Baby” isn’t just a bad adaptation or remake, but a bad film period. Though presented as a two-part miniseries in an attempt to make it feel like more of an “event,” the bloated 170-minute runtime is completely unwarranted, as none of the new material adds anything to the story. The acting is also pretty dreadful for the talent involved, particularly Zoe Saldana, whose wooden performance only adds to the fact that her character is incredibly annoying. Rosemary’s constant mood swings (from hysterical in one scene, to abnormally calm in the next) occur without any explanation, and her decision-making skills are so terrible that she’s extremely difficult to root for. The rest of the cast doesn’t fare much better, save for Carole Bouquet, who delivers an enjoyably creepy turn as the maternal coven leader. Unfortunately, Bouquet is about the only good thing that this version of “Rosemary’s Baby” has going for it, which makes me wonder why anyone thought it would be a good idea to remake such a famous movie in the first place, especially one entirely lacking any sort of suspense.

EXTRAS: There’s a making-of featurette and a look at the film’s production design.

FINAL VERDICT: SKIP

  

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Blu Tuesday: Muppets Most Wanted, Locke and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Muppets Most Wanted”

WHAT: After embarking on an international tour arranged by slick talent agent Dominic Badguy (Ricky Gervais), Kermit the Frog is framed by his evil lookalike, Constantine, and shipped off to a Siberian prison. Meanwhile, Dominic and Constantine plot to steal a series of artifacts that will enable them to pull off the ultimate heist, using the Muppets’ tour to cover their tracks.

WHY: Like many people, I walked into “Muppets Most Wanted” convinced that it would be a colossal disappointment. But while this follow-up to the 2011 Muppets reboot starring Jason Segel doesn’t quite live up to its predecessor, the movie comes surprisingly close. In addition to the screenplay by returning director James Bobin and co-writer Nicholas Stoller, which retains the Muppets’ trademark humor, charm and heart, Bret McKenzie provides half a dozen original songs that are incredibly witty and catchy, and among the film’s many highlights. The human co-stars aren’t as developed as Segel’s character, but Ricky Gervais, Tina Fey (as a Siberian prison guard) and Ty Burell (as a Jacques Clouseau-like Interpol agent) all fare remarkably well alongside their respective Muppet partners. If there’s one complaint, it’s that many of the supporting Muppets are relegated to the background in order to make room for all the new faces, though it certainly helps that Constantine is such a fun villain. It’s that sense of playfulness that makes “Muppets Most Wanted” such a success, and considering how bad things could have turned out, that’s a massive win for fans of Jim Henson’s felt-covered friends.

EXTRAS: The Blu-ray release includes an “unnecessarily extended” cut of the film, a blooper reel, music videos and some other goofy bits, but nothing really substantial.

FINAL VERDICT: RENT

“Locke”

WHAT: Ivan Locke (Tom Hardy) is a dedicated family man and successful construction foreman, but on the eve of the biggest job of his career, he receives a phone call triggering a series of events that threaten to shatter his seemingly perfect life.

WHY: By far one of the most unique moviegoing experiences of the year, Steven Knight’s “Locke” takes a relatively simple premise and squeezes every last drop from its pulpy body, to the point that it’s actually quite incredible just how much the director was able to do with so little. The single-location setting is a bit gimmicky, but it serves a purpose as you watch the life of an otherwise decent man – literally trapped in a horrible situation but determined to make it right the only way he knows how – implode before your very eyes. It’s nothing short of heartbreaking at times, and although the supporting cast (including Olivia Colman, Ruth Wilson and Andrew Scott, who appear as voices over the phone) is essential to making the film work, Tom Hardy is the heart and soul of the movie, delivering an absolutely brilliant performance that will leave you spellbound for the entirety of its taut 84-minute runtime. Though some of the plot turns feel contrived and it starts to drag in the final act, “Locke” is so immersive in its minimalistic approach that even the film’s flaws are more of a nuisance than a distraction.

EXTRAS: There’s an audio commentary by writer/director Steven Knight and a behind-the-scenes featurette on making the film.

FINAL VERDICT: RENT

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Blu Tuesday: Divergent, Need for Speed and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Divergent”

WHAT: In a dystopian future where society has been divided into five factions – Abnegation, Erudite, Dauntless, Amity and Candor – 16-year-old Beatrice Prior (Shailene Woodley) discovers that she’s Divergent, one of the rare few with an aptitude for multiple factions. But there are those that feel threatened by her kind, so Beatrice joins Dauntless in an attempt to hide her secret, finding an unlikely ally in trainer Four (Theo James).

WHY: Yet another young adult book series adapted for the big screen, “Divergent” spends so much time trying to educate the audience on all the nuts and bolts of author Veronica Roth’s complex universe that it never quite gets off the ground. The mythology itself is pretty sketchy, with so many unanswered questions about how the faction system operates and the motivation behind certain characters’ actions that it’s difficult to fully invest in the story. Though there’s an interesting concept regarding government and societal classes at its core, “Divergent” ultimately feels like two and a half hours of (mostly boring) exposition – the setup to the bigger story that is seemingly explored in the other books. The problem, however, is that despite assembling a stellar cast of young up-and-comers, Oscar winners and veteran character actors, director Neil Burger fails to make you care enough to want to see those future installments. “Divergent” is apparently very faithful to the source material, and in that regard, fans won’t have much to complain about, but as a potential franchise-starter, it falls disappointingly short.

EXTRAS: The Blu-ray release includes a pair of audio commentaries (one with director Neil Burger and another with producers Douglas Wick and Lucy Fisher), a making-of documentary, a featurette on the five factions and some deleted scenes.

FINAL VERDICT: RENT

“Need for Speed”

WHAT: After an illegal racing accident lands small-town mechanic Tobey Marshall (Aaron Paul) in prison, he emerges determined to exact revenge on the man responsible, former rival Dino Brewster (Dominic Cooper), by competing in a top secret, invite-only race called the DeLeon. But before he can get justice, Tobey must race against the clock to get from New York to San Francisco in time for the event, all while evading the various law enforcement authorities hot on his trail.

WHY: It’s amazing that it’s taken this long for another studio to exploit the success of the “Fast and Furious” franchise with a racing movie of its own, but considering that Electronic Arts’ “Need for Speed” video game series predates the adventures of Dominic Toretto and Brian O’Connor by several years, you can hardly blame DreamWorks for wanting a piece of the pie. Unfortunately, apart from casting Aaron Paul in the lead role, there’s not much to like about Scott Walsh’s racing flick, which takes itself a little too seriously compared to the winking self-awareness of the “Fast and Furious” movies. “Need for Speed” is in desperate need of a lot of things – a better script, stronger direction, better pacing – but one thing you wouldn’t think it’d be lacking is excitement, and although the film has more its share of piston-pumping driving sequences, most of them are pretty tame, often dragging on for too long or cutting away to needless reactions from other characters. Gearheads will get some joy out of watching the assortment of beautiful cars speeding around the screen, but “Need for Speed” fails to be a worthy competitor to the “Fast and Furious” series, let alone a potential heir to the grease-streaked throne.

EXTRAS: The Blu-ray includes an audio commentary by director Scott Walsh and actor Aaron Paul, four production featurettes covering things like the car race sequences and sound production, a handful of deleted scenes and a short outtakes reel.

FINAL VERDICT: RENT

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Blu Tuesday: Noah and The Other Woman

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Noah”

WHAT: Noah (Russell Crowe) receives a message from the Creator to build an ark that will harbor the innocent (his family and the planet’s animals) from the impending apocalyptic flood designed to cleanse the world of wickedness. But when the self-appointed king of mankind, Tubal-cain (Ray Winstone), learns of Noah’s plans, he leads a massive army to overtake the ark and seek refuge from certain death.

WHY: This isn’t the first time that Darren Aronofsky has tackled something as ambitious as “Noah,” but unlike his experimental time-traveling drama “The Fountain,” this movie already had a built-in audience of sorts with varying ideas of how it should be told. And since Aronofsky has taken more than a few liberties with the source material – including a race of fallen angels called the Watchers that look like stop-motion rock monsters straight out of Ray Harryhausen’s workshop – he’s received a fair share of criticism for his efforts. As someone who isn’t religious, it’s difficult to be too damning of how Aronofsky has interpreted the text, but while it’s not quite the sacrilegious disaster that many feared, it isn’t very good either. Though Russell Crowe, Jennifer Connelly and Emma Watson deliver some good performances, you don’t really care about any of the characters, expect perhaps Watson’s orphaned Ila. The decision to turn the story into an epic adventure movie with a big battle sequence as its centerpiece was likely intended to add a little excitement to the proceedings, but it’s still a fairly dull affair that’s hampered by the lame attempts to make it an allegory for the current state of our planet.

EXTRAS: Sadly, there’s no audio commentary by director Darren Aronofsky, but the Blu-ray does include a two-part featurette on the construction and filming of the ark and a behind-the-scenes look at location shooting in Iceland.

FINAL VERDICT: RENT

“The Other Woman”

WHAT: During a surprise visit to her boyfriend’s house, Carly (Cameron Diaz) discovers that he’s already married to suburban housewife Kate (Leslie Mann). The two eventually bond over their shared hatred for Mark (Nikolaj Coster-Waldau), and when they learn that he’s cheating on both of them with another woman (Kate Upton), they team up with her to plot their revenge.

WHY: “The Other Woman” is one of the worst movies you’ll see this year – the kind of film that gives female-centric comedies such a bad name that it’s no wonder Hollywood doesn’t make them more often. Though not quite as misogynistic as some have claimed, it’s basically just a bunch of girl power drivel that doesn’t empower its women so much as make the two-timing Mark such a massive asshole that his punishment seems justified. (For the record, poisoning someone is not cool, no matter what they’ve done to you.) The movie also thinks so little of its female characters that they’re not given any depth beyond generic labels like “wife,” “lawyer” and “boobs,” while poor Nikolaj Coster-Waldau is forced to do some pretty embarrassing stuff involving female hormones and laxatives. The biggest problem, however, is that none of it is funny. Director Nick Cassavetes seems to think that he’s making a light and fun romp about women getting sweet revenge, but there’s nothing entertaining about a couple of insecure women bickering with one another for 109 minutes, especially when it’s as mind-numbingly stupid and boring as this.

EXTRAS: There are some deleted scenes and a gag reel, but that’s all.

FINAL VERDICT: SKIP

  

Blu Tuesday: Transcendence, Sabotage and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Transcendence”

WHAT: When anti-technology extremists assassinate Dr. Will Caster (Johnny Depp) – a renowned scientist in the field of artificial intelligence – as part of a series of synchronized attacks, his wife Evelyn (Rebecca Hall) uploads his consciousness to a supercomputer. But once Will achieves transcendence, he proves to be far more dangerous than those trying to stop him.

WHY: It’s difficult to pinpoint where “Transcendence” went so horribly wrong, because it’s a colossal mess of a movie that is neither entertaining nor inspires the kind of thought-provoking discussion that it likely intended. Though Jack Paglen’s screenplay topped the 2012 edition of the Black List (an annual survey of the best unproduced scripts in Hollywood), whatever made people so excited about it must have been lost in translation. That blames mostly falls on Wally Pfister, who doesn’t seem to have a very good grasp on what to do with Paglen’s sophisticated premise. Pfister may be one of the best cinematographers in the game, but he probably should have chosen something a little less ambitious for his directorial debut, because he bit off more than he could chew with this high-concept techno-thriller, which moves like molasses and isn’t terribly engaging. Maybe he thought that assembling an impressive ensemble cast would be enough to hide the film’s narrative flaws, but the performances are just as poor, especially Johnny Depp, who phones in his performance as the ghost in the machine. “Transcendence” certainly had the makings of an excellent cerebral thriller, but instead, it will only give you a headache thinking about all the wasted potential.

EXTRAS: The Blu-ray release includes a quartet of mini-featurettes on things like Wally Pfister’s creative process and the potential of artificial intelligence, as well as some viral videos from the film’s marketing campaign.

FINAL VERDICT: SKIP

“Sabotage”

WHAT: An elite DEA task force steals $10 million during a drug raid on a cartel safe house, but when they go back to retrieve the hidden money, they discover that it’s missing. As members of the team start to get picked off in brutal fashion, their leader John “Breacher” Wharton (Arnold Schwarzenegger) joins up with a homicide detective to track down the people responsible, with the surviving agents suspecting it could be someone from within their own ranks.

WHY: Arnold Schwarzenegger has been hard at work since his return from retirement, but he’s still yet to make a film that measures up to his more iconic roles. “Sabotage” certainly had the potential to be that movie, but this modern-day twist on Agatha Christie’s “Ten Little Indians” is just another disappointing genre flick. More of a slow-burning crime thriller than the action-packed film the trailers suggested, “Sabotage” represents an interesting change of pace for Schwarzenegger. This is the most subdued that the actor has ever been, but he’s just not as entertaining without his larger-than-life charisma to fall back on, with his co-stars constantly upstaging him. In fact, the movie’s best moments come from the frat-like camaraderie between the task force members, so when they start dropping like flies, so does the enthusiasm earned from the high-octane set piece that opens the film, eventually devolving into a dull whodunit. The route that David Ayer and Skip Woods’ script takes wouldn’t feel so anticlimactic if it weren’t lacking so badly in any sort of tension, because there’s nothing about “Sabotage” that’s even remotely surprising, except perhaps for the fact that a movie with such a cool premise and awesome cast could be this boring.

EXTRAS: There’s a short making-of featurette, a pair of alternate endings and some deleted scenes.

FINAL VERDICT: SKIP

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