Blu Tuesday: Dirty Grandpa and The Witch

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Dirty Grandpa”

WHAT: When his recently widowed grandpa Dick (Robert De Niro), whom he used to be close with as a kid, needs someone to drive him to his Florida vacation home, uptight corporate lawyer Jason (Zac Efron) grudgingly volunteers. But as he soon discovers, Dick has ulterior motives for their road trip – namely, to get laid – and takes them on a detour through Daytona Beach to soak up the spring break festivities.

WHY: Robert De Niro has proven himself adept at comedy over the years, but he’s almost always played the straight man, which is what makes “Dirty Grandpa” an interesting choice for the actor, because it allows him to let loose in ways that audiences have never seen before. Though there’s something wrong about watching a screen legend like De Niro acting so raunchy, it’s also part of the film’s strange appeal. It would all be quite embarrassing if De Niro and Efron didn’t appear to be having such a good time, but the two actors form a great team, elevating the juvenile material just enough to earn a few chuckles. Unfortunately, that doesn’t change the fact that “Dirty Grandpa” is an incredibly stupid movie fueled by a never-ending stream of bad language, insults and frat humor that’s shocking for the sake of shock value. The film progressively gets worse the lower it sinks (wasting its supporting cast in the process), and yet despite its indefensible badness, “Dirty Grandpa” is still marginally entertaining, if only because De Niro makes it so.

EXTRAS: There’s an audio commentary by director Dan Mazer and writer John Phillips, a behind-the-scenes look at making the movie, three more featurettes and a gag reel.

FINAL VERDICT: SKIP

“The Witch”

WHAT: In 1630s New England, a devout Christian family is exiled from its village and builds a homestead on the outskirts of an eerie forest. But when their newborn son mysteriously vanishes and their crops suddenly die, the family members begin to turn on each other.

WHY: Praised as the best horror movie in years upon its debut at the 2015 Sundance Film Festival, “The Witch” is a decent but wildly overrated period drama masquerading as a genre flick. Though first-time director Robert Eggers creates an unsettling sense of dread that looms over the entire film, there’s nothing very scary about the events that transpire apart from a few choice moments, like the possession sequence with the family’s middle child, Caleb (Harvey Scrimshaw). “The Witch” is an incredibly slow burn that boasts some beautiful imagery and fantastic atmosphere, but there’s so little to the actual story that it’s easy to lose interest during its many lulls. Thankfully, the cast delivers such compelling performances – especially newcomer Anna Taylor-Joy – that it’s never as boring as it could have been. While “The Witch” is definitely worth experiencing once, the movie has too many issues (for instance, the manner in which it plants the seed of paranoia within the family) to warrant the kind of acclaim that’s been thrust upon it.

EXTRAS: There’s an audio commentary by director Robert Eggers, a making-of featurette, a Q&A with Eggers and star Anna Taylor-Joy, and a photo gallery.

FINAL VERDICT: RENT

  

You can follow us on Twitter and Facebook for content updates. Also, sign up for our email list for weekly updates and check us out on Google+ as well.

Blu Tuesday: Deadpool and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Deadpool”

WHAT: After he’s diagnosed with cancer, mercenary Wade Wilson (Ryan Reynolds) agrees to participate in an experimental treatment that grants him special healing abilities but horribly scars his body in the process. Upon escaping the secret facility, Wade sets out to exact revenge on the deranged mutant (Ed Skrein) responsible for both saving and ruining his life.

WHY: The road to bringing “Deadpool” to the big screen may have been riddled with challenges, but it only makes the finished product that much more satisfying, because it’s a fresh and wildly entertaining action-comedy that demonstrates why studios should take more risks. Rhett Reese and Paul Wernick’s screenplay nails the dark, twisted and juvenile tone of the wisecracking antihero, and the decision to dole out his backstory in bits and pieces via flashback is a clever way of getting around the tediousness of the typical superhero origin story. The film also completely earns its “R” rating with enough violence and foul-mouthed language to please diehard fans. But while “Deadpool” has clearly been made with those fans in mind, the movie stretches beyond sheer fan service thanks to the strength of the script and Ryan Reynolds’ pitch-perfect performance (completely atoning for the bastardized version of the character in “X-Men Origins: Wolverine”) to deliver a hilariously self-aware take on the genre that audiences unfamiliar with Deadpool will enjoy as well.

EXTRAS: In addition to a pair of audio commentaries (one with director Tim Miller and Deadpool co-creator Rob Liefeld, and the other with star Ryan Reynolds and writers Rhett Reese and Paul Wernick), there’s a making-of featurette, five production galleries, deleted scenes and a gag reel.

FINAL VERDICT: BUY

Read the rest of this entry »

  

Blu Tuesday: Joy, The 5th Wave and Easy Rider

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Joy”

WHAT: After giving up her dreams to help take care of her family, Joy (Jennifer Lawrence) gets a second chance to make something of herself when she invents a self-wringing mop that has the potential to launch a business empire… if only her destructive family would get out of the way.

WHY: Writer/director David O. Russell could seemingly do no wrong after the one-two-three punch of “The Fighter,” “Silver Linings Playbook” and “American Hustle,” but that hot streak has finally ended with this surprisingly joyless dramedy that’s all over the place. Though his films have always been slightly offbeat, Russell’s latest effort is a tonally inconsistent mess that bounces between family farce and soap opera, sometimes quite literally. The first 30 minutes are particularly bad as it figures out what kind of movie it wants to be, and while “Joy” eventually finds its groove once the titular character gets her big break at QVC, it makes you wish that more of the film was set within that world. Jennifer Lawrence is great as usual, showcasing her full range of talent, but the rest of the cast is hindered by shallow, underwritten characters. There’s a really great movie in here somewhere (perhaps one that more closely follows co-writer Annie Mumolo’s original biopic idea about HSN queen Joy Mangano), but unfortunately, this isn’t it.

EXTRAS: There’s a making-of featurette and a TimesTalk interview with director David O. Russell and star Jennifer Lawrence.

FINAL VERDICT: RENT

Read the rest of this entry »

  

Blu Tuesday: Jane Got a Gun, Ride Along 2 and Krampus

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Jane Got a Gun”

WHAT: When her outlaw husband (Noah Emmerich) returns home riddled with bullets after an altercation with the dastardly John Bishop (Ewan McGregor), Jane (Natalie Portman) recruits her bitter ex-lover (Joel Edgerton) to help protect them once John’s gang comes to finish the job.

WHY: “Jane Got a Gun” had such a rocky road to the big screen – including shakeups in the cast and crew, lawsuits and distribution problems – that it’s a miracle the film survived to see the light of day, let alone turned out as good as it did. Though the movie is a bit of a slow burn, the recurring use of flashbacks helps to break up the tediousness of the present-day action while also providing important backstory for its three lead characters. “Jane Got a Gun” isn’t quite the female empowerment Western that its title suggests, but it’s still a pretty decent genre flick that’s anchored by a top-notch cast. While Ewan McGregor is sadly wasted in the generic villain role, Joel Edgerton and Natalie Portman deliver solid work as the former lovers brought back together under difficult circumstances. Director Gavin O’Connor’s stripped-down approach gives the performances room to breathe, and it’s during these quieter moments, when he’s able to explore the emotional complexities of the central love triangle, that the movie really shines.

EXTRAS: Nothing to see here folks.

FINAL VERDICT: RENT

Read the rest of this entry »

  

Blu Tuesday: Star Wars and Mojave

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Star Wars: The Force Awakens”

WHAT: Three strangers from different backgrounds – orphaned scavenger Rey (Daisy Ridley), conflicted Stormtrooper Finn (John Boyega) and Resistance pilot Poe Dameron (Oscar Isaac) – join forces to stop the evil Kylo Ren (Adam Driver) and the First Order, which has risen from the ashes of the Galactic Empire.

WHY: “Star Wars: The Force Awakens” is an exciting return to form for the franchise that recaptures the childlike sensation of watching the original trilogy for the first time. It’s thrilling, funny and surprisingly emotional. While the inclusion of familiar faces like Han Solo, Chewbacca and Leia is great fan service that also functions as a passing of the torch to the new characters, director J.J. Abrams never lets you forget that this is their movie. Daisy Ridley, John Boyega, Oscar Isaac and Adam Driver all shine in their respective roles, although it’s playful droid BB-8 who ultimately steals the show. If there’s one complaint, it’s that Abrams packs too many characters into the story, resulting in several unanswered questions that are dangled in front of the audience like a carrot on a stick. But those kinds of mysteries have always been a part of the “Star Wars” ethos, and “The Force Awakens” is “Star Wars” to the core, blending the old with the new to produce an excellent continuation of the saga that leaves you wanting more.

EXTRAS: In addition to a feature-length documentary on the making of the movie, there’s a behind-the-scenes look at the cast table read, featurettes on creature design, visual effects and shooting the climactic lightsaber battle, as well as some deleted scenes.

FINAL VERDICT: BUY

“Mojave”

WHAT: After melancholy filmmaker Tom (Garrett Hedlund) has a dangerous encounter with a homicidal drifter (Oscar Isaac) in the desert, he’s pulled into a deadly game of cat-and-mouse when the stranger follows him back to Los Angeles and continues to stalk him.

WHY: William Monahan may have an Oscar for writing “The Departed,” but you wouldn’t know it based on this pseudo-intellectual thriller, which is both a giant waste of time and talent. Though Oscar Isaac keeps things mildly interesting with a performance that’s so over the top it feels like he’s in a completely different movie, the rest of the cast looks absolutely bored out of their minds. Mark Wahlberg must have owed Monahan a favor; Walton Goggins has maybe five lines of dialogue; and Garrett Hedlund proves yet again why he’s one of the most overrated actors of his generation. The real faults, however, lie in Monahan’s aimless script and some poor pacing. It’s not that the film’s philosophical ideas are lost on me, either – “Mojave” just doesn’t do a very good job of presenting them in an engaging or coherent manner. Perhaps something got lost in translation along the way, but as writer and director, the only person Monahan has to blame is himself.

EXTRAS: There’s a making-of featurette and deleted scenes.

FINAL VERDICT: SKIP

  

Related Posts