Bullz-Eye: First of all, I’m supposed to tell you that Donal Logue says, “Hello.”

Megyn Price: Awwwwwww… I love him! We’ve been going back and forth on Twitter. My former TV husband…

BE: Yeah, he and I just did an interview in conjunction with his debut on “Vikings” for the Onion AV Club.

MP: Oh, you did? Oh, great! That’s fun. He’s such a great guy, isn’t he? Did you have a 400-hour interview with him? ‘Cause he can not stop talking. [Laughs.]

BE: Well, actually, it started out a phoner, and then we ended up doing a bit more by email. It was for a feature called Random Roles, and I wanted to try to cover as many of his roles as possible. Lord knows he’s got enough of ‘em…

MP: Oh, God, I bet he loved that! He has the best stories. He used to tell a story about being on “The Patriot” anytime wardrobe would come up to us on “Grounded for Life,” about how there was this stampede, where everyone was getting run over by horses, and he said that wardrobe would come up to him and fix his collar. He’s, like, “Okay, you don’t need to fix my collar. I’m about to get run over by a horse!” [Laughs.]

BE: Okay, on to the topic at hand: your directorial debut. What took you so long to get behind the camera?

MP: It’s hard to get the shot, y’know? There are no small directing jobs. There are small acting jobs, but no small directing jobs. Somebody’s really got to be generous and kind, like our producers were on this show, and give you a shot. And, y’know, I think I had to earn it a little bit. A) I had to have the experience, but B) I had to do a lot of research and a lot of studying with other directors and prove that I was serious about it all.

BE: Was it something that you’d been wanting to do for awhile?

MP: Yes. Like, my whole life. [Laughs.] It’s something where…I always look at shows, look at scenes, look at projects that I choose from the directing standpoint. I mean always. I always think of myself as sort of a reluctant actor, because I think I’m really good at acting, but it only engages one side of my brain, which is the really base monkey brain that just goes and does it. I don’t really think about it. I just can do it. But the directing is much more the analytical side. It’s a creative side as well, but it’s, like, you get both sides of your brain working, which to me is a dream come true.

BE: You mentioned that you had to study with other directors. I’d guess that Ted Wass must’ve been one of those directors, given how many episodes of “Rules of Engagement” he’s helmed over the years.

MP: Actually, no! I’ve worked with Ted a million times, but Ted has a style that is really interactive, so…you almost don’t have to study Ted, because it’s so apparent when he’s working, so I went and shadowed people who are a little quieter. Not that Ted’s a big loudmouth. [Laughs.] But I shadowed Mark Cendrowski, who loves to teach what he knows, and I shadowed Andy Ackerman a couple of times, ‘cause he’s probably my favorite director that I’ve ever worked with. He’s so quiet that I really wanted to just sit on his shoulder and watch was he was doing, which was so informative. It was amazing. And Andy works really well with actors who are having a hard time, which I didn’t know until I watched him. He’s so kind, and he becomes almost like a dad. He was just great. But I think that once I kind of realized that I might have a shot at directing our show, I started hyper-watching everybody who directed our show.

BE: I’m sure you picked up more than a few things, but was there any particular lesson that you learned while shadowing these directors that really surprised you, something that you’d never really noticed before?

MP: [Laughs.] Well, I’ll tell you: the thing that was the most interesting to me was a conversation I had with Anthony Rich, who is one of my dear, dear friends, but he’s also been directing “The Big Bang Theory” for the last couple of years. I think he’s directed six or seven episodes at this point. But I called him the morning of the taping, and I said, “Anthony, I just can’t believe how vulnerable actors are!” He goes, “What are you talking about? You’re one of ‘em!” I said, “No, but I’m not a vulnerable actor! It’s amazing to me that your main job as a director is to make sure the actors are comfortable.” And he said the greatest thing I’ve ever heard: he started laughing, and he goes, “I love that you’re now realizing this. I’ve always called directing…it’s like wrangling unicorns. Because actors are magical people, and if you make them comfortable, their magic turns out…and if you make them uncomfortable, their magic turns off. So that’s your main job: to make sure that everyone’s comfortable enough that they can let their magic show.” And it’s great advice, because it’s so true! I know it from the other side: if I’m worrying about stuff, I’m not a good actor.

BE: Was it weird being on the other side of the camera for your own show?

MP: No, it was weird being an actor the week I was directing. Which sounds completely insane, but it was. It was weird. Because, like I told you, when I act, I don’t think about anything else at all. I’m just totally present, doing my thing. And when I’m acting and I’m directing, my head’s going, “I wonder what this looks like. I wonder if we need to tighten up that shot. Oh, he needs to say that differently…but I can’t say that ‘cause now I’m an actor in the scene!” [Laughs.] It was a bit of a schizophrenic kind of experience. But I think the night of taping I figured out a few tricks to really just turn off my directing head once the shots were set and just actually be an actor, so I didn’t ruin the show.

BE: How was it directing your cast members? Did they treat you with kid gloves, knowing that it was your first big shot behind the camera?

MP: They were beyond incredible. Talk about turning on their magic! They turned on their magic in rehearsal. They were unbelievable. They were so great. And I will tell you that, when you work with people for seven years on a show, there are many weeks when – I myself included – do not bring the A-game during rehearsal. [Laughs.] But they really did. Every single one of ‘em. And it was a rough week for David (Spade) and Adhir (Kalyan), because they had tricky stuff to do. I know you haven’t seen the episode, but…well, it’s called “Timmy Quits,” and they had to kind of play it real a little bit, because it was kind of an intense thing that Timmy was quitting, and then there was a joke five seconds later. So it was a tricky week for them, but they worked their little buns off.

BE: You guys are coming up on the end of the season, and CBS’s press department has already released a photo from the finale which shows Audrey and Jeff holding their new baby. Now, when I talked to Patrick Warbuton a few years ago, he said he’d fight against it if they ever tried to add a baby to the mix, and the last time I talked to you, you said, “Oh, God, every time we read even hints of that, we’re, like, ‘That can’t happen.’”

MP: [Laughs.] Yeah, famous last words, huh? Well, you know, we knew it was inevitable. I think that Patrick and I had been fighting against having a baby on the show the same way we’d fight against having a monkey on the show: we’d love having a monkey on the show, but that’d be a big, difficult shoot, wouldn’t it? Every time we have all eight thousand of Liz’s cats on the show, it takes two extra hours to film! But once we had an actual baby on the set, well, of course we just melted. We’re a couple big, sappy idiots.

BE: So what’s the status of the show? Is it still in flux? Will there be a Season 8?

MP: You know, every year we say it’ll take a miracle, and this year it felt done. I mean, we did 100 episodes, and it felt like, “Well, that’s an amazing number for any show to get to.” But as ever with this show, I guess you never know.

(Writer’s note: Funnily enough, if you go back and look at the interview I did with Warburton during the show’s third season, when I ask him about the possibility of Jeff and Audrey having a baby, he replied, “Yeah, well, hopefully, that will be season eight.”)

BE: When you look back at the run of the show thus far, do you have a particular favorite – or favorites – that leap to mind immediately?

MP: Oh, man, I have a million. And the truth is, my favorite…I don’t think of a whole episode as a favorite, generally, as much as particular scenes. Oh, no, wait, there is one. It’s called “Atlantic City.” Jeff lies to Audrey that he’s going to Atlantic City, and Audrey lies to Jeff that she’s going to a spa, but they’re both telling each other complete and total untruths for absolutely no personal gain. And then it just keeps avalanching, snowballing down a hill, lie upon lie upon lie, with both of them trying to race home to prove that the other one is lying while still somehow covering up their own lie. And yet, again, none of it is for personal gain. They’re not doing anything that the other would even care about! [Laughs.] So, yeah, I love that one, ‘cause to me it feels like a Noel Coward play. It was crazy, and very fun to do. But I love anything with Jeff and Audrey just talking about life. Nothing big happening, just their interaction. To me, it always sounds like a real couple. A real messed-up couple, but a real couple nonetheless.

BE: It really is a realistic dynamic that they’ve got between them.

MP: Yeah. I don’t know which one of the writers’ relationships it is, or if it’s an amalgamation of all of them. [Laughs.] It makes me feel sad for their wives.

BE: “Rules of Engagement” is one of those shows that’s been a stalwart of the CBS lineup even as it pretty consistently flies under the critical radar. Does that bother you, or are you just glad that you’ve got the dependable fans who keep coming back to watch the show?

MP: Well, I’ll tell ya: it falls under the critical radar except when they criticize it, but it makes us really appreciative of the people who notice the little things. Like, Patrick called me a couple of weeks ago, and he was, like, “I can’t believe this! I can’t believe this!” In USA Today, one of the writers had written that our relationship was the most realistic, funniest couple that’s ever been on television. And I’m, like, “What, in Season7 They just wrote that?” He said, “Yeah, there’s a whole article about how great our characters are!” And I was, like, “That’s, uh, unbelievably kind!” [Laughs.] Because, y’know, I feel like a lot of fans know that, but we haven’t really heard it in the press too much.

But, then again, our show has been a little inconsistent. I mean, when you have only a few episodes each year, or when you’re pulled and then put back on…we turned over a lot of writing staff, so I think there were years when it was a really, really well-written show, there were years when it was okay, there were years when we had new writers, and years when we had amazing writers who then left and, uh, went to do “Modern Family.” [Laughs.] It’s tough to keep your writing staff consistent when you never know when you’re coming back.

BE: In regards to the writing, is there any plot development related to Audrey that just rang untrue for you?

MP: [Long pause.] Yeah. I think it was very tough for me to constantly…well, I shouldn’t say “constantly,” but it was tough for me to do anything that rings in my ears to be, like, Clichéd Sitcom Wife. So if I’d have scenes where I’m going, “Hey, you’re supposed to be taking care of your health, we’re having a baby,” or that sort of thru-line, it’d just make me nuts. Cliché sitcom couple stuff has always been my biggest pet peeve, starting with taking the show with Donal. The only reason I wanted to do “Grounded for Life” was because that was not a couple that I had seen on TV. So for this couple, for me, every time Audrey feels like any other TV wife, I just get my hackles up.

BE: Well, to start wrapping up, since you brought up “Grounded for Life,” I have to tell you that, in the comments section for that interview I did with Donal, one of the recurring motifs involved people first praising the show, then praising “the hot wife.”

MP: That’s hilarious! You know, I once overheard these kids talking about me when I was on a plane. We were actually in the middle of shooting “Grounded,” and I was trying to get home from Arizona, and my flight was canceled. So I wound up with the last available seat on a Southwest flight back to L.A., so I could make it back for shooting. So I’m sitting in the middle of the aisle in the back of a Southwest plane, and these two teenage boys are sitting behind me, and they keep punching each other and arguing, and they’re whispering back and forth. Finally, one of ‘em goes, “Dude! If that was the hot mom from ‘Grounded for Life,’ she’d have her own plane!” [Laughs.] That’d be nice, wouldn’t it, my own plane? Mostly, though, I was going, “They think I’m hot? That’s so cool!” I also got free flip-flops at a surf store once because the clerk had been 16 when “Grounded for Life” was on!

BE: Okay, lastly, I just wanted to let you know that you were directly responsible for one of my wife’s favorite moments from the Television Critics Association press tour. It was at a Sony party a couple of years ago, and you were talking to my wife when Matthew Perry came up. You and he talked for a few minutes, but then you got called away to do an interview, at which point Matthew Perry turns to my wife and says, “So I suppose you want to talk to me now.” And because she’s not a journalist, she just looks at him and says, “Oh, GOD, no.” His jaw dropped. Then he burst out laughing.

MP: Oh. My. God. That is hilarious! That is so funny. He always loves to bring up how I blew him off when he was doing “Friends.” I was at Jennifer Aniston’s birthday party, and I was totally ignoring him, and he walked up to me and he goes, “I don’t think you understand, little girl: you better date me now, ‘cause my star is on the rise!” And I think in his head he was totally kidding…or he wasn’t, and now he claims that he was kidding. Because at the time it did not sound like he was kidding. I was, like, “How big is your ego, dude? Move on!” [Laughs.] So, yeah, now he likes to bring up how I misunderstood that he was joking. Uh-huh. Sure he was. In the heat of “Friends,” I’m real sure…

My favorite Television Critics Association story was when we were launching “Grounded for Life,” and there was all this talk about how I was only 10 years older than Lynsey Bartilson, who played my daughter, and…I mean, they just could not get off the subject. And finally, this big, fat guy raises his hand and goes, “Hey! Megyn! How old are you?” And I’m up on the dais, in front of this huge group of people. And I go, “How much do you weigh? Can we move on from the rude questions, mister?” It’s, like, “How rude are you, asking ‘how old are you’ to an actress?” And he said it in such a rude way. Thankfully, everybody in the whole room starting laughing, but, I mean, seriously, how inappropriate is that question? But I will say that usually I have fun at the TCAs. They tell you, “Oh, I’m sorry, you have to go to this thing,” but I like it, because it’s not all Hollywood types. It’s normal people. Well, you know, for the most part. [Laughs.]

666 Park Avenue (Sun., 10–11PM): At the ominous address of 666 Park Avenue, anything you desire can be yours. Everyone has needs, desires and ambition. For the residents of The Drake, these will all be met, courtesy of the building’s mysterious owner, Gavin Doran (Terry O’Quinn). But every Faustian contract comes with a price. When Jane Van Veen (Rachael Taylor) and Henry Martin (Dave Annable), an idealistic young couple from the Midwest, are offered the opportunity to manage the historic building, they not only fall prey to the machinations of Doran and his mysterious wife, Olivia (Vanessa Williams), but unwittingly begin to experience the shadowy, supernatural forces within the building that imprison and endanger the lives of the residents inside. Sexy, seductive and inviting, The Drake maintains a dark hold over all of its residents, tempting them through their ambitions and desires, in this chilling new drama that’s home to an epic struggle of good versus evil.

The Neighbors (Wed., 9:30–10 PM): How well do you know your neighbors? Meet the Weavers, Debbie (Jami Gertz) and Marty (Lenny Venito). Marty, in hopes of providing a better life for his wife and three kids, recently bought a home in Hidden Hills, a gated New Jersey townhome community with its own golf course. Hidden Hills is so exclusive that a house hasn’t come on the market in 10 years. But one finally did and the Weavers got it! It’s clear from day one that the residents of Hidden Hills are a little different.

For starters, their new neighbors all have pro-athlete names like Reggie Jackson (Tim Jo), Jackie Joyner-Kersee (Toks Olagundoye), Dick Butkis (Ian Patrick) and Larry Bird (Simon Templeman). Over dinner, Marty and his family discover that their neighbors receive nourishment through their eyes by reading books, rather than eating. The Weavers soon learn that the entire community is comprised of aliens from Zabvron, where the men bear children and everyone cries green goo from their ears.

The Zabvronians have been stationed on Earth for the past 10 years, disguised as humans, awaiting instructions from home, and the Weavers are the first humans they’ve had the opportunity to know. As it turns out, the pressures of marriage and parenthood are not exclusive to planet Earth. Two worlds will collide with hilarious consequences as everyone discovers they can “totally relate” and learn a lot from each other.

Nashville (Wed., 10–11 PM): Chart-topping Rayna James (Connie Britton) is a country legend who’s had a career any singer would envy, though lately her popularity is starting to wane. Fans still line up to get her autograph, but she’s not packing the arenas like she used to. Rayna’s record label thinks a concert tour, opening for up-and-comer Juliette Barnes (Hayden Panettiere), the young and sexy future of country music, is just what Rayna needs. But scheming Juliette can’t wait to steal Rayna’s spotlight. Sharing a stage with that disrespectful, untalented, little vixen is the last thing Rayna wants to do, which sets up a power struggle for popularity. Could the undiscovered songwriting talent of Scarlett O’Connor (Clare Bowen) be the key to helping Rayna resurrect her career? Complicating matters, Rayna’s wealthy but estranged father, Lamar Hampton (Powers Boothe), is a powerful force in business, Tennessee politics, and the lives of his two grown daughters. His drive for power results in a scheme to back Rayna’s handsome husband, Teddy, in a run for Mayor of Nashville, against Rayna’s wishes.

Last Resort (Thu., 8–9 PM): 500 feet beneath the ocean’s surface, the U.S. ballistic missile submarine Colorado receive their orders. Over a radio channel, designed only to be used if their homeland has been wiped out, they’re told to fire nuclear weapons at Pakistan. Captain Marcus Chaplin (Andre Braugher) demands confirmation of the orders only to be unceremoniously relieved of duty by the White House. XO Sam Kendal (Scott Speedman) finds himself suddenly in charge of the submarine and facing the same difficult decision. When he also refuses to fire without confirmation of the orders, the Colorado is targeted, fired upon, and hit. The submarine and its crew find themselves crippled on the ocean floor, declared rogue enemies of their own country. Now, with nowhere left to turn, Chaplin and Kendal take the sub on the run and bring the men and women of the Colorado to an exotic island. Here they will find refuge, romance and a chance at a new life, even as they try to clear their names and get home.

Malibu Country (Fri., 8:30–9 PM): When Reba Gallagher (Reba) discovers that her husband, Bobby, (Jeffrey Nordling) a country music legend, has a cheatin’ heart, her world is turned upside down. Reba dreamt of becoming a country star herself, but put her career on hold to raise a family. Now she’s questioning all of that, big-time. With the ink on her divorce barely dry, Reba packs up her sharp-tongued mother, Lillie May (Lily Tomlin), her two kids and the U-Haul and heads for sunny California to begin a new chapter. Leaving Nashville in the rear view, they start over at their Malibu residence — the last remaining asset they have. Reba gets to know her new open and loving neighbor Kim (Sara Rue) and her son, Sage, but also discovers that relocation to Southern California is going to be quite an adjustment for a traditional southern belle: the West Coast seems like the polar opposite of Music City, and Reba feels like an outsider. Still, with the support of her family she sets about finding her voice, jump-starting her music career with the help of her new music agent, Geoffrey (Jai Rodriguez), and embracing this chance to begin again.

Partners (Mon., 8:30–9 PM): a comedy based on the lives of creators David Kohan and Max Mutchnick, about two life-long best friends and business partners whose “bromance” is tested when one of them is engaged to be married. Joe (David Krumholtz) is an accomplished architect who leads with his head and not his heart, especially in his love life. That’s in stark contrast to his gay co-worker, Louis (Michael Urie), who is spontaneous, emotional and prone to exaggeration. Both have found joy in their love lives: Joe is newly engaged to Ali (Sophia Bush), a beautiful and sophisticated jewelry designer, while Louis is dating Wyatt (Brandon Routh), a vegan nurse who Louis insists is just a promotion away from becoming a doctor. As news of Joe’s engagement settles, time will tell if their business and personal bond can adapt to the addition of two other important relationships.

Vegas (Tue., 10–11 PM): Dennis Quaid and Michael Chiklis star in VEGAS, a drama inspired by the true story of former Las Vegas Sheriff Ralph Lamb, a fourth-generation rancher tasked with bringing order to Las Vegas in the 1960s, a gambling and entertainment mecca emerging from the tumbleweeds. Ralph Lamb (Quaid) wants to be left in peace to run his ranch, but Las Vegas is now swelling with outsiders and corruption which are intruding on his simple life. Recalling Lamb’s command as a military police officer during World War II, the Mayor appeals to his sense of duty to look into a murder of a casino worker – and so begins Lamb’s clash with Vincent Savino (Chiklis), a ruthless Chicago gangster who plans to make Vegas his own. Assisting Lamb in keeping law and order are his two deputies: his diplomatic, even-keeled brother Jack (Jason O’Mara) and his charming but impulsive son, Dixon (Taylor Handley). Ambitious Assistant District Attorney Katherine O’Connell (Carrie-Anne Moss), who grew up on the ranch next to the Lambs, also lends a hand in preserving justice. In Vegas, two powerful men – Lamb and Savino – are engaged in a fierce battle for control of the budding oasis, and for both of them, folding is not an option.

Elementary (Thu., 10–11 PM): stars Jonny Lee Miller as detective Sherlock Holmes and Lucy Liu as Dr. Joan Watson in a modern-day drama about a crime-solving duo that cracks the NYPD’s most impossible cases. Following his fall from grace in London and a stint in rehab, eccentric Sherlock escapes to Manhattan where his wealthy father forces him to live with his worst nightmare – a sober companion, Dr. Watson. A successful surgeon until she lost a patient and her license three years ago, Watson views her current job as another opportunity to help people, as well as paying a penance. However, the restless Sherlock is nothing like her previous clients. He informs her that none of her expertise as an addiction specialist applies to him and he’s devised his own post-rehab regimen – resuming his work as a police consultant in New York City. Watson has no choice but to accompany her irascible new charge on his jobs. But Sherlock finds her medical background helpful, and Watson realizes she has a knack for playing investigator. Sherlock’s police contact, Capt. Tobias “Toby” Gregson (Aidan Quinn), knows from previous experience working with Scotland Yard that Sherlock is brilliant at closing cases, and welcomes him as part of the team. With the mischievous Sherlock Holmes now running free in New York solving crimes, it’s simple deduction that he’s going to need someone to keep him grounded, and it’s elementary that it’s a job for Watson.

Made in Jersey (Fri., 9–10 PM): a drama about a young working-class woman who uses her street smarts to compete among her pedigreed Manhattan colleagues at a prestigious New York law firm. Martina Garretti (Janet Montgomery) finds her firm’s cutthroat landscape challenging, but what she lacks in an Ivy League education she more than makes up for with tenacity and blue-collar insight. After just a few weeks, firm founder Donovan Stark (Kyle MacLachlan), takes note of Martina’s ingenuity and resourcefulness, as does her sassy secretary Cyndi Vega (Toni Trucks). With the support of her big Italian family, including her sexy older sister Bonnie (Erin Cummings), Martina is able to stay true to her roots as a bold, passionate lawyer on the rise in a new intimidating environment.

Revolution (Mon., 10–11 PM): Our entire way of life depends on electricity. So what would happen if it just stopped working? Well, one day, like a switch turned off, the world is suddenly thrust back into the dark ages. Planes fall from the sky, hospitals shut down, and communication is impossible. And without any modern technology, who can tell us why? Now, 15 years later, life is back to what it once was long before the industrial revolution: families living in quiet cul-de-sacs, and when the sun goes down lanterns and candles are lit. Life is slower and sweeter. Or is it? On the fringes of small farming communities, danger lurks. And a young woman’s life is dramatically changed when a local militia arrives and kills her father, who mysteriously – and unbeknownst to her – had something to do with the blackout. This brutal encounter sets her and two unlikely companions off on a daring coming-of-age journey to find answers about the past in the hopes of reclaiming the future.

From director Jon Favreau (“Iron Man,” “Iron Man 2″) and the fertile imaginations of J.J. Abrams (“Lost,” “Person of Interest”) and Eric Kripke (“Supernatural”), comes a surprising “what if” action-adventure series, where an unlikely hero will lead the world out of the dark. Literally. The series stars Billy Burke (“The Twilight Saga”), Tracy Spiridakos (“Being Human”), Anna Lise Phillips (“Terra Nova”), Zak Orth (“Romeo + Juliet”), Graham Rogers (“Memphis Beat”), J.D. Pardo (“A Cinderella Story”), Giancarlo Esposito (“Breaking Bad”), David Lyons (“The Cape”), Maria Howell (“The Blind Side”), Tim Guinee (“Iron Man”) and Andrea Roth (“Rescue Me”).

Go On (Tue., 9–9:30 PM): Misery loves company. Unless you’re sportscaster Ryan King (Matthew Perry, “Friends,” “Mr. Sunshine”) who thinks misery should just be left alone. After taking some time off, Ryan – who recently lost his wife in a car accident – is now ready to get back to work. And while he seems like his same old charming, cocky self, his boss won’t set him back on the air until he seeks counseling. So, Ryan reluctantly joins a support group with one goal in mind: get in, get out and get back on the radio as quickly as possible. Played by the fast-talking, sarcastic, and charismatic Perry, Ryan gives grief a real run for its money. Within one day of group therapy, he hijacks the meeting and suddenly the downtrodden are cajoled into playing a game of “who’s got the best sob story?” And in no time all of them are battling it out, trying to one-up each other’s despair. Now, this is fun! Ryan’s total lack of interest in healing might be just what this group needs – and maybe, exactly what he needs to move on with his life. Also starring are Tony winner Laura Benanti (“The Playboy Club”), Julie White (“Transformers”), Suzy Nakamura (“Dodgeball”), Khary Payton (“General Hospital”) and Allison Miller (“Terra Nova”).

The New Normal (Tue., 9:30–10 PM): These days, families come in all forms – single dads, double moms, sperm donors, egg donors, one-night-stand donors… It’s 2012 and anything goes. Bryan (Andrew Rannells, “Girls,” “The Book of Mormon”) and David (Justin Bartha, “The Hangover”) are a Beverly Hills couple and they have it all. Well, almost. With successful careers and a committed and loving partnership, the one thing missing is a baby. And just when they think the stars will never align, enter Goldie (Georgia King, “One Day”), an extraordinary young woman with a checkered past. A Midwestern waitress and single mother looking to escape her dead-end life and small-minded grandmother (Ellen Barkin, “Ocean’s Thirteen”), Goldie decides to change everything and move to L.A. with her precocious 8-year-old daughter. Desperate and broke – but also fertile – Goldie quickly becomes the guys’ surrogate and quite possibly the girl of their dreams. Surrogate mother, surrogate family.

Animal Practice (Wed., 8–8:30 PM): Meet Dr. George Coleman (Justin Kirk, “Weeds”), a top-dog New York veterinarian. With an unorthodox style of operating, George’s success comes from his undeniable gift with animals of all kinds. That is, all but the human kind. Dorothy Crane once held the key to George’s heart, but today she also holds the key to the family business as she takes over Crane Animal Hospital. Not only is she George’s new boss, but her romantic history with him and her lack of experience with animals is seriously cramping his style. Dorothy is whip-smart and ambitious, and she’s going to make George pay for the past. Needless to say, he’s determined not to make any changes in his (animal) kingdom — which includes poker games with a resident capuchin monkey. Also starring are Tyler Labine (“Reaper,” “Sons of Tucson”) as Dr. Doug Jackson, a vet who’s great with animals but hapless in matters of the heart, Bobby Lee (“Harold & Kumar”) as Dr. Yamamoto, and newcomer Betsy Sodaro as Angela.

Guys with Kids (Wed., 8:30–9 PM): From Emmy winner and executive producer Jimmy Fallon comes a new comedy about three thirty-something dads trying to hold on to their youth, while holding onto their new babies’ hands. Easy, right? Thankfully, Chris (Jesse Bradford, “The West Wing”), Nick (Zach Cregger, “Friends with Benefits”) and Gary (Anthony Anderson, “Law & Order”) have each other to help navigate their survival as new dads, while still trying desperately to remain dudes. Balancing work or staying at home, painfully married or happily divorced, they know that taking care of the little ones while maintaining a social life is a daily challenge. Whether it’s hosing the little squirt down in the kitchen sink or hitting the bar strapped with a baby björn, these guys are on a roller-coaster adventure – parenting like you (and they) have never seen before. Also starring are Jamie Lynn Sigler (“The Sopranos”) and Tempestt Bledsoe (“The Cosby Show”). Someone once said it is much easier to become a father than to be one. These three guys are about to find out just how true that is.

Chicago Fire (Wed., 10–11 PM): No job is more stressful, dangerous or exhilarating than those of the Firefighters, Rescue Squad and Paramedics of Chicago Firehouse 51. These are America’s everyday heroes — the courageous men and women who forge headfirst into danger when everyone else is running the other way. But the enormous responsibilities of the job also take a personal toll. Big reputations and hefty egos, coupled with the pressure to perform and make split-second decisions, are bound to put squad members at odds. When a tragedy claims one of their own, there’s plenty of guilt and blame to go around. In the middle of a divorce, Lt. Matthew Casey (Jesse Spencer, “House M.D.”) tries to go about business as usual but can’t help butting heads with the brash Lt. Kelly Severide (Taylor Kinney, “The Vampire Diaries”) of the Rescue Squad – and each blames the other for their fallen team member. When it’s “go-time” though, they put aside their differences and put everything on the line for each other.

Do No Harm (Sun., 10–11 PM): Dr. Jason Cole (Steven Pasquale, “Rescue Me”) is a highly respected neurosurgeon who has it all – a lucrative career, confident charm, the gift of compassion. But he also has a deep, dark secret. One morning when he wakes up disoriented in a wrecked hotel room amidst several near-naked women he’s never seen before, he knows one thing: it’s happening again. Every night at the same hour, something inside Jason changes, leaving him almost unrecognizable – seductive, devious, borderline sociopathic. This new man is his dangerous alternate personality who goes by the name of ‘Ian Price.’ For years he’s battled Ian, keeping him in check with a powerful experimental sedative. But now his – their – body has developed a resistance to the serum, setting Ian free once again. And to make matters worse, after being suppressed for so long, Ian’s hell-bent on taking revenge on his oppressor. With everyone Jason cares about at risk – patients, friends, coworkers and even the woman he loves – he’s got to stop Ian once and for all. Will they find some common ground, or will they bring each other down? Hell hath no fury like an alter ego scorned. Also starring are Alana De La Garza (“Law & Order”), Mousa Kraish (“Superbad”), Michael Esper (“A Beautiful Mind”), Ruta Gedmintas (“The Borgias”) and Phylicia Rashad (“The Cosby Show”).

The Mob Doctor (Mon., 9–10 PM): For most physicians, the Hippocratic oath is sacred. But for one Chicago doctor, who is indebted to the mafia, saving lives isn’t her only concern. THE MOB DOCTOR is a fast-paced medical drama featuring a brilliant young female cardiothoracic surgeon who is split between two distinct worlds as she juggles her promising medical career with her lifelong debt as a doctor to Chicago’s Southside mob. DR. GRACE DEVLIN (Jordana Spiro, “My Boys”) is a top resident at Chicago’s Roosevelt Medical Center. Smart and self-assured, she’s heralded as one of the country’s most promising young surgeons. But family ties keep her glued to her Southside roots. To pay off her brother’s life-threatening gambling debt, she makes a deal with the devil and agrees to work “off book” for the mafia men she once despised.

During the day, Grace must deal with the emotionally compelling cases at Roosevelt Medical – a toddler in need of a heart transplant, an elderly man desperate to donate a lung to his sick wife, the mass chaos in the wake of a two-train collision on the ‘L.’ But in her other vastly different world, she must juggle an onslaught of mob-related demands, including operating in mob-sanctioned locations, removing bullets from dead bodies to hide incriminating evidence, saving a juiced-up race horse and covertly helping an aging mobster with his erectile dysfunction. All the while, Grace must keep her dual life a secret from everyone: her protective best friend, NURSE ROBERTA “RO” ANGELI (Floriana Lima, “Glory Daze”); her handsome, blue-blooded boyfriend, DR. BRETT ROBINSON (Zach Gilford, “Off The Map,” “Friday Night Lights”); her boss at Roosevelt Medical and Chief of Surgery, DR. STAFFORD WHITE (Zeljko Ivanek, “The Event,” “Damages”); her rival, DR. OLIVIA WATSON (Jaime Lee Kirchner, “Necessary Roughness,” “Mercy”); even her well-meaning screw-up brother, NATE (Jesse Lee Soffer, “As the World Turns”), and her overly dramatic mother, DANIELLA (Wendy Makkena, “NCIS”).

The only one who knows the true scope of Grace’s activities is the man to whom Grace owes her debt: the charming and diabolical Southside mob boss CONSTANTINE ALEXANDER (William Forsythe, “Boardwalk Empire”), an oddly compassionate killer whose relationship with Grace is more than it seems. Recently released from prison, the former head of the Chicago mob looks to reclaim his place in the organization, with the help of his right-hand associate – and Grace’s ex-boyfriend – FRANCO (James Carpinello, “The Good Wife”). As Grace tries to heed the demands of these two conflicting worlds – not to mention the needs of her own slightly dysfunctional family – her moral center comes into direct conflict with the very immoral things she’s asked to do. But with nerves of steel and a tough-as-nails exterior, she somehow manages to make it all work – at least for now.

Ben and Kate (Tue., 8:30–9 PM): What happens when an exuberant, irresponsible dreamer who always says “yes” moves in with his overly responsible little sister to help raise her five-year-old daughter? BEN AND KATE, a new single-camera young ensemble comedy, follows these odd-couple siblings as they push each other out of their comfort zones and into real life. KATE FOX (Dakota Johnson, “The Social Network”) followed the rules all her life…until she got pregnant in college and dropped out just shy of graduation. After the birth of her daughter, MADDIE (Maggie Jones, “We Bought a Zoo,” “Footloose”), Kate put her twenties on hold. Now working as a bar manager to make ends meet and maximize her time with five-year-old Maddie, she’s uber-prepared for every possible catastrophe – except for the arrival of her older brother, BEN FOX (Nat Faxon, “Bad Teacher”).

Ben likes trouble a lot more than his sister does. His infectious energy makes you want to follow him into any number of bad ideas. He’ll totally screw up your life, but somehow, you’ll feel good about it. Where Kate is all about planning and preparing, Ben is big on spontaneity and out-of-the-box ideas. But don’t let the Velcro wallet fool you – he’ll probably be a millionaire someday. When Ben comes to crash on Kate’s couch for a few days, he finds a sad state of affairs. Kate’s surviving, but not living. Ben realizes that for the first time in their lives, Kate needs his help and he’s determined to bring some much-needed chaos into her overly stable world. He starts by offering to help look after Maddie so Kate can get back to experiencing her mid-twenties and making mistakes, since the one real “mistake” she’s made turned out to be the best thing that ever happened to her.

Always there to help with Ben’s crazy schemes is his partner-in-crime, TOMMY (newcomer Echo Kellum), who worships Ben like a hero and nurses a serious crush on Kate. Kate’s British best friend, BJ (Lucy Punch, “Bad Teacher”), is a cocktail waitress at the bar that Kate manages and an all-around hot mess who would do anything for Kate, even if her advice is often questionable and occasionally illegal.

The Mindy Project (Tue., 9:30–10 PM): a new single-camera comedy from Emmy Award-nominated writer/producer and New York Times best-selling author Mindy Kaling (“The Office”) that follows a woman who, despite having a successful career, desperately needs to break bad habits in her personal life. After all, how many doctors make inappropriate toasts at their ex-boyfriend’s wedding, nearly drown at the bottom of a stranger’s pool and get arrested for disorderly conduct just moments before having to deliver a baby?

Funny, impatient and politically incorrect, MINDY LAHIRI (Kaling) can quote every romantic comedy starring Meg Ryan that exists. She loves the good ones and the bad ones, because the girl always gets the guy. Mindy is determined to be more punctual, spend less money, lose weight and read more books – all in pursuit of becoming a well-rounded perfect woman…who can meet and date the perfect guy. Mindy is a skilled OB/GYN and shares a practice with a few other doctors, none of whom make life any easier for her. JEREMY REED (British writer/comedian Ed Weeks) is the walking definition of total bad news. He not only shares a practice with Mindy, but sometimes her bed as well – despite her best efforts to resist. He is funny, self-absorbed and super sexy.

In contrast, DANNY CASTELLANO (Chris Messina, “Damages”) is a hothead and guys’ guy who has a habit of stealing Mindy’s patients. Danny criticizes her for everything, including her struggling love life and her lack of professionalism – even though it’s obvious to everyone except Mindy that he secretly admires her work. His blue-collar childhood gives him a big chip on his shoulder, but he is a dedicated physician, which Mindy can’t stand to admit because he’s always getting on her case. Rounding out the office staff are the receptionists – BETSY PUTCH (Zoe Jarman, “Huge”), young, earnest and easily excitable, who thinks the world of Mindy and is always trying to impress her; and SHAUNA DICANIO (newcomer Dana DeLorenzo), a self-assured Jersey Girl who is indifferent to Mindy, always knows where the cool party is and carries a poorly concealed torch for Danny.

Mindy is in constant communication with her beloved best friend from college, GWEN GRANDY (Anna Camp, “The Good Wife”), who also happens to be the governor’s daughter. Gwen is a hilarious, sometimes too-blunt friend, and secretly a former carefree party girl (which only Mindy seems to remember). Although Gwen is now happily married to a financial analyst, with a six-year-old daughter, this lawyer-turned-Pilates mom remains squarely in Mindy’s corner. As Mindy attempts to get her career off the ground and meet a guy who passes her red flag test (no drug habits, no skinny jeans and no secret families, among others), only time will tell if she gets her romantic comedy ending.

Emily Owens, M.D. (Tue., 9–10 PM): At long last, Emily Owens feels like she is an actual grown-up. She can finally put her high school days as the geeky-girl-with-flop-sweats behind her; she’s graduated from medical school and is now a first-year intern at Denver Memorial Hospital, where she’ll have the chance to work with world-famous cardiologist Dr. Gina Beckett – and where, not-so-coincidentally, her med-school crush Will Rider is also an intern. So why does everyone keep warning her that the hospital is just like high school?

Emily soon finds out the hard way – her high school nemesis, the gorgeous, popular Cassandra Kopelson, is also just starting out at Denver Memorial, and it seems like they’re rivals all over again – not only as surgical interns, but for Will’s attention. Fellow intern Tyra Granger warns Emily that the cliques at Denver Memorial are all too familiar: the jocks have become orthopedic surgeons; the mean girls are in plastics; the rebels are in the ER, and Tyra has her own awkward place as the principal’s kid – her father is the chief resident.

Emily’s the new kid all over again, and it’s just as awkward as high school. Only this time around, Emily will have to balance the personal and emotional turmoil of social politics with the high-stakes world of life-and-death medical decisions. At least she has fellow intern Tyra and nerdy-but-cute resident Micah, to count on as friends. Emily is growing to realize that although she may be a geek, she may also grow to be a great doctor, flop sweats and all. The series stars Mamie Gummer as Emily, Justin Hartley as Will, Michael Rady as Micah, Aja Naomi King as Cassandra, Kelly McCreary as Tyra and Necar Zadegan as Gina.

Arrow (Wed., 8–9 PM): After a violent shipwreck, billionaire playboy Oliver Queen was missing and presumed dead for five years before being discovered alive on a remote island in the Pacific. When he returns home to Starling City, his devoted mother Moira, much-beloved sister Thea, and best friend Tommy welcome him home, but they sense Oliver has been changed by his ordeal on the island. While Oliver hides the truth about the man he’s become, he desperately wants to make amends for the actions he took as the boy he was. Most particularly, he seeks reconciliation with his former girlfriend, Laurel Lance.

As Oliver reconnects with those closest to him, he secretly creates the persona of Arrow – a vigilante – to right the wrongs of his family, fight the ills of society, and restore Starling City to its former glory. By day, Oliver plays the role of a wealthy, carefree and careless philanderer he used to be – flanked by his devoted chauffeur/bodyguard, John Diggle – while carefully concealing the secret identity he turns to under cover of darkness. However, Laurel’s father, Detective Quentin Lance, is determined to arrest the vigilante operating in his city. Meanwhile, Oliver’s own mother, Moira, knows much more about the deadly shipwreck than she has let on – and is more ruthless than he could ever imagine. The series stars Stephen Amell as Oliver Queen, Colin Donnell as Tommy, Katie Cassidy as Laurel Lance, David Ramsey as John Diggle, Willa Holland as Thea Queen, with Susanna Thompson as Moira Queen and Paul Blackthorne as Detective Quentin Lance.

Beauty and the Beast (Tue., 9–10 PM): Detective Catherine Chandler is a smart, no-nonsense homicide detective. Several years earlier, Catherine witnessed the murder of her mother at the hands of two gunmen. Catherine would have been killed too, but someone – or something – saved her. No one has ever believed her, but she knows it wasn’t an animal that attacked the assassins…it was human. Years have passed, and Catherine is a strong, confident, capable police officer, working alongside her equally talented partner, Tess. While investigating a murder, Catherine discovers a clue that leads her to a handsome doctor named Vincent Keller, who was reportedly killed by enemy fire while serving in Afghanistan in 2002.

Catherine learns that Vincent is actually still alive and that it was he who saved her many years before. For mysterious reasons that have forced him to live outside of traditional society, Vincent has been in hiding for the past 10 years to guard his secret – when he is enraged, he becomes a terrifying beast, unable to control his super-strength and heightened senses. Catherine agrees to protect his identity in return for any insight he may have into her mother’s murder.

Thus begins a complex relationship between Catherine and Vincent, who are powerfully drawn to each other yet understand that their connection is extremely dangerous for both of them. The series stars Kristin Kreuk (“Smallville,” “Chuck”) as Catherine, Jay Ryan (“Terra Nova”) as Vincent, Max Brown (“The Tudors,” “MI-5″) as Evan, Nina Lisandrello (“Nurse Jackie”) as Tess, Nicole Gale Anderson (“Make It or Break It”) as Heather, Austin Basis (“Life Unexpected”) as J.T., and Brian White (“The Shield,” “The Cabin in the Woods”) as Joe.