5 Questions with Hollywood Stuntman/Dove Men + Care Spokesman Bobby Holland Hanton‏

Bobby Holland Hanton is the Michael Jordan of his profession. Hollywood’s top stunt double, Holland Hanton has doubled as Christian Bale (in “The Dark Knight Rises”), Daniel Craig (in “Skyfall”), Ryan Reynolds (in “Green Lantern”), and he recently filmed “Thor: The Dark World” with Chris Hemsworth. Bullz-Eye got to ask the latest spokesman for Dove’s Men + Care line of products for men five questions about his career.

Bullz-Eye: Of all the Hollywood studs you’ve served as a stuntman/body double for, who is the one you would most like to be for an entire week and why?

Bobby Holland Hanton: Between Batman, James Bond and Thor, this is an extremely difficult question. I would have to say Batman and Bond are equally as intriguing, with Thor being a close second. Batman is a superhero, who fights crime behind a mask and no one knows who he is – that is pretty cool. Whereas Bond is more realistic, he’s a slick and suave hero that everyone can see and root for. On Thor, Chris Hemsworth looked great and is a character that carries a heavy hammer — he is always particularly well-groomed and keeps his face fresh.

BE: What did you want to be when you were 10 years old? And how did you become a stunt double?

BHH: When I was 10 I wanted to be Batman, Thor and James Bond. No, I’m only kidding. I wanted to be a professional soccer player. Growing up, I followed in my older sister’s footsteps and took on gymnastics. I loved the physicality of the sport and I loved to train. However, soccer was always my passion, and then I found myself just enjoying the regimented training and working out.

BE: What’s the most gruesome injury you’ve suffered as a result of being in your profession?

BHH: I suffered a bad back injury while filming “Green Lantern.” I performed four back-focused stunts in a short period of time, which took a lot of hits to my back over and over. It took its toll after a while, and I found out ultimately that I had sciatic nerve damage. I needed to have two operations on my back, one of which was an emergency surgery, and it took about 9 months to regain full strength. I hope I can say that will always be the worst injury I’ve ever suffered.

BE: What do you do to stay in shape? What type of training do you do, what do you eat and how frequently?

BHH: It is all dependent on who I am doubling. With Chris Hemsworth in “Thor,” I was on a very strict workout plan to gain the strength and muscle. Whereas for Daniel Craig, who is slimmer, I did not work out as often, and focused on my diet and nutrition plan. I have found that between movies it has been best to maintain a middle ground, and I have been blessed to have the ability to change body types rather easily; I thank genetics, I guess. I believe in a strict regimen all day, every day in order to keep workouts and nutrition intact. I wake up every morning and take a shower before I start my day. I am a huge fan of products like the Dove Men+Care Aqua Impact body wash, because it prevents me from smelling bad on set after performing stunts all day, which would be embarrassing in the company of so many movie stars. I also make sure I eat regular portions throughout the day, every two hours, balancing high protein, high carbohydrates and high fats.

BE: Was there a movie star you’ve met who left you completely start struck? Who is the hottest female celebrity you’ve ever seen in person?

BHH: I have been fortunate to work with some of the greatest stars of all time. I would say Morgan Freeman, Anthony Hopkins and Gary Oldman struck me the most. Chris Nolan is a spectacular director, and I loved working with him on “Batman”. In terms of the hottest female celebrity I have seen, I would go with Emily Blunt or Rachael McAdams — they are gorgeous!

Check out the full line of Dove Men + Care products at www.dovemencare.com.

  

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The Drinks of Hollywood Blvd, or TCM 2013: A Booze Odyssey

Booze and the movies go way back. From the self-medicating part-time hooker heroine of 1931′s “Safe in Hell” — a highlight of 2013′s Turner Classic Movies Festival — to the lovable dipsomaniacs of “The Thin Man” and “Harvey” and on into more recent times with such frequently soused superheros as James Bond and Tony Stark, the movies have glamorized alcohol. When the movies wanted to, they could make habitual drunkenness charming, funny, and, of course, sexy.

While the movies once celebrated cigarette smoking as well, modern day Hollywood Boulevard makes it tricky for smokers to indulge in their passion, give or take some hookah bars and a medical marijuana “clinic.” Booze, however can be obtained with great ease. All you need is plenty of ready cash to afford the inflated prices or a clean credit card or two and you can have your fill of cocktails.

And that’s exactly what I did between classic, near classic, and merely really interesting movies the weekend of the 2013 TCM Fest. What follows is a (relatively) brief journal of the drinks I found going up and down the boulevard we call Hollywood the final weekend of April.

Now, I should add that this listing is my no means exhaustive and is, with one exception, limited to cocktails one can purchase on Hollywood Boulevard proper, no side streets allowed. They can all be obtained within a fairly easy walk of Sid Grauman’s old Chinese and Egyptian Theaters and the legendary Hollywood Roosevelt Hotel, the heart of Hollywood and the home base of the TCM Fest.

And so we begin our journey across the street from the Egyptian at what is still Los Angeles’s most famous bar.

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007 One by One: On Her Majesty’s Secret Service

Bullz-Eye continues its look back at every James Bond film, 007 One by One, as part of our James Bond Fan Hub that we’ve created to celebrate the 50th anniversary of the first Bond film.

You’ve seen “Skyfall,” now how about taking a look at the other best James Bond movie you’ve never seen?

Ask a hardcore Bond aficionado what his favorite 007 entry is, and there’s a very good chance the answer will be “On Her Majesty’s Secret Service.”

We don’t necessarily want to make bold claims as to what the best Bond movie is, as it differs from person to person, but “Majesty’s” should be Top Five material for any die-hard fan of the franchise. The film is littered with all kinds of “firsts” and “onlys” — both in front of and behind the camera — but the most obvious is of course its lead, George Lazenby, and it’s with Lazenby that, for better or worse, most talk of the film begins (but should by no means end).

In the year 2013, we take for granted the changing of the lead actor within the Bond series, as we’ve now had a half a dozen different 007s, but back in the late sixties there was only one James Bond, and his name was Sean Connery. During the production of “You Only Live Twice,” Connery decided to exit the franchise that made him a household name (though as we now know today, he’d return to the character not once, but twice), however, quite understandably, the producers of the series weren’t finished telling their stories, and the public seemed far from tired of 007’s adventures.

So there was really only one option and that was to recast. The search was extensive, but in the end Bond producers decided on a complete unknown – Lazenby – a model with virtually zero acting experience. Regardless, Albert Broccoli was certain he could transform the man into his new James Bond.

The debate has raged for over 40 years as to whether or not the recasting was successful, with many schools of thought on the matter. Having viewed “Majesty’s” numerous times, we feel confident in saying that it’s a shame Lazenby didn’t give it at least one more go in the part (the decision to not return was, amazingly, his own), because as it stands, he cannot help but be somewhat swallowed up by the richness of his surroundings. One thing is for certain: Lazenby in no way ruins it, or keeps “Majesty’s” from being the best film it can be. “On Her Majesty’s Secret Service” is a fine, fine movie, and one that deserves to stand on its own, away from the greater picture of the whole franchise, and Lazenby – as any lead would be – is at least partly responsible for its artistic success.

The Plot: “On Her Majesty’s Secret Service” relies heavily on Ian Fleming’s original text, the last Bond film to really do so until 2006’s “Casino Royale.” The story is two in one: the first is about Bond’s hunting for and eventual finding of Ernst Stavro Blofeld, and the second is about Bond falling in love and getting married (yes, you read that right) to an initially suicidal young woman named Tracy. Her father, Draco, runs a crime syndicate, and has info about Blofeld’s whereabouts, which James requires. Turns out Blofeld is posing as a high-profile allergist in Switzerland. Bond tracks him there, and infiltrates his organization by posing as a genealogist. Once the jig is up, all hell breaks loose, and Bond finds himself on the run, and only one person can help him…

The Girls: Blofeld’s mountaintop Swiss hideaway, Piz Gloria, stockpiles quite the cache of babe-alicious flesh – including a very young Joanna Lumley (“Absolutely Fabulous”) as well as the lovely Catherine Schell (“The Return of the Pink Panther”). Odd then that James zeroes in on the homeliest looking one of the bunch, Ruby Bartlett (Angela Scoular). But then again, this is also that unique Bond flick wherein James falls in love, and perhaps going for runt of the litter was the only way for him to rationalize cheating on his beloved Tracy.

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The Light from the TV Shows: A Chat with Famke Janssen (“Hemlock Grove”)

Famke Janssen made both her film and television debuts in 1992, but it wasn’t until a few years later, when she became a Bond girl by the unforgettable name of Xenia Onatopp in “GoldenEye,” that everything started to come up roses for her. In the intervening years, Janssen has made multiple films, most notably starring as Jean Gray in the “X-Men” franchise, but 2013 marks her inaugural foray into a full-time TV series gig…and by “TV series,” what I really mean is a Netflix series. “Hemlock Grove,” produced by Eli Roth, kicks off its first season on Friday, April 19, but Bullz-Eye was fortunate enough to chat with Janssen way back in January, at the Television Critics Association press tour, about her new series as well as a few of her past films.

FamkeHemlock1

Bullz-Eye: “Hemlock Grove” marks the first time you’ve ever taken on a series-regular role for television. Did you have any trepidation about taking that kind of a plunge for a show that’s being delivered to viewers in a non-traditional manner, or was that part of what drew you to it?

Famke Janssen: Trepidation about that element? No. Doing a series, period? Yes. [Laughs.] But to me, I think the fact that it was for Netflix and not your traditional network or cable show was one of the deciding factors—or certainly an added bonus, anyway—because it felt like we were kind of in the wild west, with new territory to explore. It wasn’t this whole weight of a specific way of working that we had to carry through in some way. So with that, I was hoping that there would be less control coming from above, and not so much like a big studio standing there with a whip, making you feel like you’re more of a puppet than anything else. Also, the whole 13-episode part was attractive as well, because I’m designed my life in such a way now that I’m trying to go back and forth between writing and directing and acting, and signing up for something that would’ve taken an entire year, as a network show would’ve…I hadn’t considered that at all, just because I don’t have the time for it. I don’t want to tie myself down. So in that regard, it was a perfect set-up, because I can make money and then I can pursue my passion of writing and directing in my free time.

BE: So what can you tell us about Olivia Godfrey without divulging anything too spoiler-y?

FJ: Olivia’s still mysterious even to me, and I’ve lived with her now for 13 hours onscreen, not to mention many more hours shooting the series, of course. She’s married into this Godfrey family, a family with a lot of money, but she comes from a lot of money as well…or she seems to, anyway. But whether she does come from a lot of money or where she really comes from or what her deal really is, nobody really knows, and maybe nobody will ever find out. [Laughs.] She’s highly manipulative. She loves her children, but she’s also somebody who just has an agenda most of the time. And she’s in love with her husband’s brother, and…there are all sorts of integral relationships with bizarre things going on within this small town as well as with these family members. [Shrugs.] It feels like “Twin Peaks” to me. That’s what it felt like. That’s the reason why I really liked it: because it is, in a good way, nonsensical. It’s not linear. You’re not gonna…not everything is going to be explained. There are going to be a lot of mysteries surrounding it all. Nothing is going to be wrapped up with a neat bow.

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DVD REVIEW: Top Gear – 50 Years of Bond Cars

At first glance, this disc looks like a bit of throwaway fluff, but after watching it? If you are a Bond fan, you will love this 60 minute “Top Gear” special. Period. Host Richard Hammond – who so very clearly loves Bond as much as we do – takes viewers on a guided tour through Bond film history, packed with clips, stories and trivia. Now, I call myself a Bond freak, but there are probably a half-dozen different behind the scenes stories Hammond relates here that were entirely new to me. One involved the procuring of the iconic Aston Martin DB5 for use in “Goldfinger”; another detailed a stunt for “The Man with the Golden Gun” with the AMC Hornet that could have gone disastrously wrong.

A great deal of attention is paid to the DB5, but an equal amount of love is given to the Lotus Esprit from “The Spy Who Loved Me.” Surely you remember that one? It’s the sleek white job that turned into a submarine and made cinematic history. Though the tech of 1977 wouldn’t allow for the actual creation of such a vehicle, Hammond puts today’s technology to the test by attempting to make a fully functional Lotus submarine. You have got to see this. If that doesn’t do it for you (though how it couldn’t is baffling), there’s also his comical attempt at making an invisible car with the help of flatscreen TVs and cameras!

You can tell Hammond’s a take no prisoners fan, too. When the series starts to go to shit in the Brosnan era, he takes it to task for its failure to create proper vehicular thrills. The special also features Hammond chatting up directors Guy Hamilton and Vic Armstrong, Roger Moore, Daniel Craig, and producer Michael G. Wilson on the set of “Skyfall.” Speaking of “Skyfall,” if you’ve not yet ordered your copy from Amazon, this disc will nicely pad out your order so you can get free shipping.

  

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