March Madness is considered the greatest sporting event of the year by many. The bracket challenges are an event unto themselves. This year, Infiniti is giving basketball enthusiasts the chance to do some good with their brackets. The company has teamed up with NCAA Men’s Basketball to help Coaches vs. Cancer raise as much as $500,000.

To participate, simply fill out a round-by-round bracket at CBSSports.com. For more details about how your correct picks will help a great cause, watch the video above.

If you’ve paid any attention whatsoever to the entertainment news coming out of Hollywood in the past few weeks, then you can’t help but be aware of Charlie Sheen’s increasingly strange shenanigans and how they’ve directly affected the rest of the cast and crew of CBS’s long-running and ridiculously-successful sitcom, “Two and a Half Men.” Who would’ve thought that the infamous hotel incident in October 2010 would’ve proven to be one of the lesser moments on the actor’s ever-lengthening list of embarrassing incidents?

Now, after making the decision to bypass traditional rehab in favor of curing his drug and alcohol issues with his mind, Sheen has been running off at the mouth so much that CBS has pulled the plug and decided to call off the remainder of the episodes that had been planned for this season.

But what of next season? More importantly, given all of the nasty remarks that Sheen’s made toward series creator Chuck Lorre, will there even be a next season?

We know that CBS, Warner Brothers Television, and Lorre have ostensibly ruled out continuing “Two and a Half Men” without Sheen, but if we’re to be honest, it seems like the better tactic would be for the whole lot of them to say, “Hey, Charlie, read our lips: one monkey don’t stop no show,” then find a new man to join Jon Cryer and Angus T. Jones and keep the title intact. We know things are kind of crazy over there at the moment, though, so we thought we’d at least try to help them a bit with the casting process.

Sure, they say they won’t continue without Charlie…but, then, they haven’t seen our suggestions yet.

First, let’s get the jokes out of our system, shall we? Yes, we chuckled at the thought of having Martin Sheen step into his son’s shoes, and we also had a laugh over the idea of Emilio Estevez taking over, since, really, what else has he got going on? We considered the possibility of Michael J. Fox getting a little bit of “Spin City” payback by having him replace Charlie, and at one point we also said, “Hey, how about Randy Quaid? If anyone can make Charlie Sheen look like the sane one…”

The following folks, however, are men that we think really would help keep “Two and a Half Men” on the air without having the number of laughs per minute fall below acceptable levels.

Woody Harrelson

Why he’d be a perfect fit: Harrelson got his first big break in television, thanks to playing dim-bulb bartender Woody Boyd on “Cheers,” but even though he eased into a perfectly reasonable feature-film career during the late ’90s, he wasn’t afraid to step back onto the small screen for a recurring role (seven episodes) on “Will & Grace” in 2001. These days, Harrelson’s mostly been pulling supporting-role parts, and although “Zombieland” was a pleasant exception, we can still see him accepting another sitcom gig, especially since the reality of the situation is that he’d pick up a decent chunk of change for a job that A) would be relatively short-term, and B) he could pretty much do in his sleep.

Jamie Kennedy

Why he’d be a perfect fit: Although your personal mileage may vary on his effectiveness, mainstream America has embraced Kennedy’s comedy on several occasions over the past decade. Between his self-titled “Experiment” running for three seasons on The WB and the continued cult success of his films “Malibu’s Most Wanted” and “Kickin’ It Old School” on DVD, he definitely qualifies as a proven comedic commodity for the “Two and a Half Men” crowd. Plus, he’s got at least a little bit of sitcom street cred behind the scenes as well, having co-created and written for The WB’s “Living with Fran,” Fran Drescher’s short-lived post-”Nanny” series. Most importantly, though, Kennedy secured honest dramatic work from 2008 to 2010 as part of the “Ghost Whisperer” cast, which means that he has a recent history as a member of the CBS family.

D.B. Sweeney

Why he’d be a perfect fit: Well, for one thing, we’d be willing to bet that most guys still think first and foremost of Sweeney for the work he did alongside the man he’d be replacing, in “Eight Men Out.” The ladies, however, tend to think of him…and still swoon over him…in conjunction with a different sport: hockey. Indeed, I am assured that any woman whose heart doesn’t go pitter-pat at the mere thought of “The Cutting Edge” should officially consider themselves to be a disgrace to their gender. Sweeney’s never really gotten a fair shake on television – none of the shows on which he’s been a full-fledged regular (“Strange Luck,” “C-16: FBI,” “Harsh Realm,” and “Life as We Know It”) have survived beyond their first season – but given that he’s capable of playing the bad boy and getting both girls and laughs, he strikes us as a highly viable candidate.

Seann William Scott

Why he’d be a perfect fit: Do we really need to spell it out for you? Scott may not be thrilled that he’s gotten more than a little bit typecast as his “American Pie” character, but a Stifler-esque type is exactly what “Two and a Half Men” needs to fill the vacuum that would be left by Charlie Sheen’s departure. Given Scott’s decreasing returns on the big screen in recent years, we’re a little surprised he hasn’t shown up in a sitcom yet, anyway, but this would be a perfect opportunity to revive his declining star power by playing up the comedic attributes that made him hot in the first place.

Matthew McConaughey

Why he’d be a perfect fit: What, you mean besides the fact that the female demos for “Two and a Half Men” would shoot into the stratosphere? I don’t think anyone will deny that McConaughey is still a proven box-office draw when he’s playing against an equally pretty leading lady in a vapid romantic comedy, but the last time he tried to step outside that mold, we got “Surfer, Dude,” a film which might as well have gone straight to video, given how few theaters cared enough to screen it. Not that the movie jobs aren’t continuing to roll in, anyway, but we know how badly McConaughey wants to make “The Grackle,” a film which he describes variously as “the funniest script I’ve ever, ever read,” “a game-breaker,” and “a rule-changing role and movie.” Taking a high-profile sitcom gig would help raise his stock in Hollywood and might well put him in the position to finally make “The Grackle” come to fruition.

John C. McGinley

Why he’d be a perfect fit: Although McGinley might not immediately come to mind when considering someone to step into Sheen’s shoes, the actors have actually shared the screen before, albeit in a slightly more dramatic capacity. (After all those years of seeing him as Dr. Cox, you’re forgiven if you’d forgotten that McGinley was in both “Platoon” and “Wall Street.”) Admittedly, we wouldn’t be surprised if he wasn’t interested in taking on another sitcom gig so soon after wrapping “Scrubs,” especially if he has any desire whatsoever to make a significant play for more feature-film work, but he was so darned good at berating Zach Braff that we’d be lying if we didn’t admit to being kind of excited at the thought of pitting him against Cryer and Jones.

Joe Rogan

Why he’d be a perfect fit: Although he was seen by far more eyes as the host of “Fear Factor” than he ever was as a cast member of the late, great “NewsRadio,” the latter gig demonstrated how well Rogan could work in an ensemble-comedy setting. In recent years, he’s been splitting his time between stand-up, podcasting, and – oddly enough – serving as the UFC’s go-to interviewer, but we think the time could be right for Rogan to return to the sitcom world.

Michael Madsen

Why he’d be a perfect fit: Not to undercut anyone else’s reputation, but given that IMDb would have us believe that Madsen currently has twenty goddamned film projects in various stages of production (along with another two on which he’s merely rumored), with James Brown no longer with us, we have no qualms about declaring him to be The Hardest Working Man in Show Business. Isn’t it about time the guy got a chance to sit back and relax – relatively speaking – with a sitcom gig? He cuts a figure that’s the complete antithesis of Cryer’s character, and although he doesn’t necessarily have a longstanding history in comedy, the man knows his way around a deadpan remark. Plus, you know you want to see him go head-to-head with Holland Taylor and Conchata Ferrell…

Bronson Pinchot

Why he’d be a perfect fit: As recently as six months ago, this would’ve seemed like a completely left-field suggestion (and we’re willing to concede that you may still consider it one), but damned if Pinchot hasn’t turned up on Monday nights on two different occasions this season, first on “Chuck,” then on “Hawaii Five-0.” To our way of thinking, the time couldn’t be more right for him to have a career renaissance. I mean, the dude was kicking some serious comedy ass in the late ’80s, what with stealing scenes from Eddie Murphy in “Beverly Hills Cop” and picking up an Emmy nod for his work as Balki Bartokomous on “Perfect Strangers,” but aside from a nice – if small – role in “True Romance,” the ’90s weren’t over kind to him, and although the ’00s gave him a few nice guest roles, his only regular TV role during the decade involved spending a season on “The Surreal Life.” After an experience like that, surely anyone would have earned a chance to step out of the limelight and into a proper spotlight. Pinchot’s been playing more dramatic roles in recent years, and successfully at that, but we miss seeing him get the chance to be funny. This could be that chance. (Hey, if nothing else, give us some credit for thinking outside the box, huh?)

Andrew McCarthy

Why he’d be a perfect fit: Um…because this photo proves that he can cut down on the show’s outrageous bowling-shirt budget by bringing his own wardrobe to the table?

Oh, okay, we admit it: this is the least serious suggestion we’re bringing to the table, but, seriously, how awesome would it be to see McCarthy and Cryer together again? ‘Cause, like, what if there was an episode where they ended up vying for the same girl’s affections? And then on the same episode, McCarthy’s character had a complete douche of a best friend who came to visit?

Can you smell the pink and pretty concoction that Bullz-Eye’s cooking up…? If so, please make sure that the scent wafts its way over to CBS, because even if they blow the show’s entire guest-star budget for the 2011 – 2012 season to bring in Molly Ringwald and James Spader, I’m telling you, this is Sweeps Week magic just waiting to happen.

Here endeth Bullz-Eye’s list of suggestions for possible Charlie Sheen replacements…but rather than simply throwing a list of names into Chuck Lorre’s lap and saying, “Okay, now you guys go do the heavy lifting,” we’d like to close the proceedings by letting our resident “Two and a Half Men” fan, Ross Ruediger, offer up a few fully-formed (well, mostly, anyway) ideas for how the series can move forward without stepping outside the show’s existing cast of characters…which, come to think of it, is probably what actual devotees would prefer, anyway.

A Modest Proposal

by Ross Ruediger

Given the sheer amount of time that Jon Cryer has put into “Two and a Half Men,” there’s really no question that he’s just as much of a lead as Charlie Sheen is on that show. Sure, Sheen gets the girls and gets to do all the fun shit, but not only has Cryer done his time, he’s actually won an Emmy while doing it.

“Two and a Half Men” gets a lot of shit, and, okay, so it’s not the best show in the world, but it’s still funny, and God knows it’s popular. Still, we’ve all seen that Charlie Sheen has aged quite visibly this season, and it’s probably no coincidence that the character of Charlie Harper has been going downhill, too. I feel like it could really give the show a jolt of energy if Chuck Lorre and the writers just said, “Fuck it, we’re moving on. Charlie’s gone, someone else has got his money…now let’s see what happens.”

Join us now for…

Bullz-Eye: I understand you’ve got a little bit of laryngitis working on you.

Billy the Exterminator: (Laughs) Yessir, a little bit.

BE: Well, I’m battling a sore throat myself, so you may consider me sympathetic.

BtE: Well, thank you!

BE: I’ve got to tell you that I’ve only just discovered the show, thanks to these DVD sets of Seasons 1 and 2, but my wife and I are now both officially addicted to it.

BtE: Oh, well, cool! I appreciate that, man! I appreciate all the support I get.

BE: Hey, no problem. What’s funny is that I’m a TV critic, but somehow I missed out of the show, so when we got the DVD sets, my wife put on Disc 1 of Season 1 just on a whim, really. But it’s hard to stop watching!

BtE: Cool! I appreciate the compliment, thank you!

BE: So your show was a long time coming, wasn’t it? I mean, they first filmed you for “Dirty Jobs” in 2004, correct?

BtE: Yessir, that’s when we went international…or the United States, at least. (Laughs) But we’d been filmed for the local news since about ’96.

BE: How did that come about? Did the news approach you?

BtE: No, sir, basically…we live in a small town: Benton, Louisiana. There’s about 2,000 people here. In northwest Louisiana, there’s 72 companies, and we just called them all and told them to send us their undesirable work that they won’t do. Of course, that draws media attention, newspapers and magazines. They would upload the information on the internet, and some producers found the footage, fell in love with the family, and the rest is history.

BE: So how did you get involved in pest control in the first place? Did the company exist before you got involved with it?

BtE: No, sir, I went into the Air Force to be a cop, but the ASVAB test determined that my natural aptitude was in biology. So they put me in the field of entomology, and since I was trained in that, that’s the work I’ve been doing for the last 23 years. When my dad retired, we were living in New Jersey. He invested his retirement money into me and Ricky, and we opened up a pest control company in Louisiana. And, once again, the rest is history. (Laughs)

BE: When you left the military, did you ever consider the possibility that you might return to it someday, or were you pretty sure that that was the end of it for you?

BtE: No, I did well in the military and learned a lot of stuff, but I’m just not a…I’m too free of a spirit. I don’t do well in classrooms or anything that’s organized like that. It’s just not my cup of tea. I did very bad in school. It was the worst learning environment for me, because I’m a very social thinker. A lot of people are kind of inward micro-thinkers. They think about themselves and their viewpoint of the world always stems from themselves as the primary. I never really thought like that, so I was always tripped out in large crowds. Like, I don’t like going to ballgames and stuff, because I always feel like, “If a riot broke out, I’m trapped!” I’ve always had those kinds of thoughts. And, of course, now with me being famous, it’s tough sometimes. I’ll pull in for gas, and I’ll get mobbed and I can’t get out. It can be taxing. But I’m always patient. I never yell. But I get yelled at constantly for my time, because I’m late all the time during the day. Everyone gets down on me about it.

BE: Even with the face time on the local news, you must’ve been pretty excited when you got the national exposure through “Dirty Jobs.”

BtE: Oh, yessir, that was the launching pad. Our debut hit 1.72, so I figured we were in good standing. Also, the show had spiked when…we were on 20 minutes into it, and it was running at about .8 or .9 in the ratings, and then it spiked to a 1.72 as soon as we came on. I think that freaky thing that happened there was that the pest control industry tuned in and just shot that rating up. (Laughs)

BE: So what was Mike Rowe like?

BtE: Mike Rowe’s really cool. Discovery Channel had a bunch of jobs that had one thing in common – they were all kind of dirty jobs – and Mike Rowe was doing voiceover work, but he volunteered to go ahead and interview some of these companies. And during what turned into Season 1 of “Dirty Jobs,” they were going to find a company out of the ones he interviewed, and make a reality show out of one of them. Well, people liked him so much that they kept the show, and Mike’s been doing it ever since. He’s the same guy on and off camera, and the cool thing about him is that he didn’t want to be on TV. He was just trying to help out the network, and he got famous kind of accidentally…and that’s exactly what happened to me! (Laughs)

BE: Before you ended up on camera, were you already wearing some approximation of the uniform that we see on the show?

BtE: Yessir. I was born in 1968, and I’ve been following heavy metal my whole life, from Black Sabbath to HIM. I know it all and I’ve heard it all.

BE: So you were always wearing that general attire, then?

BtE: Yes, I was. Actually, Mom forced me to get a haircut for “Dirty Jobs.” So that real short hair where everybody’s, like, “Oh, Billy, you sold out, you used to have short hair,” uh, no, my mom made me cut it. (Laughs) And Mom didn’t want me wearing our normal uniforms, either. She wanted me to dress real nice: khaki pants, polo shirt. I told her I’d cut my hair, and that was it. (Laughs)

BE: The show’s obviously a family affair, with your mom, your dad, and your brother, but the family dynamic has changed a bit. Was that jut the result of Pam and Mary not wanting to appear on camera, or was it just normal family drama?

BtE: Oh, it was a lot of different things. You know, everything gets amped up when it’s on TV. People see it, they talk about it every day, and…like, it drives my brother crazy. He doesn’t like talking about Pam. And Mary’s extremely uncomfortable on camera. Producers tend to manipulate situations for entertainment value, and that upsets a lot of the family from time to time. Season 3 they didn’t manipulate too much, and it seems to be getting better. I’m a very good candidate for television. I’ve got thick skin, I’ll believe in my philosophies ‘til my dying breath. I know who I am, and comments and negative energy…? I just surf right through it.

BE: So do you think the show’s found a pretty good groove at this point, then?

BtE: I think the show has gotten into kind of a groove, but I’ve got plans for amping it up even more and bringing new stuff, so we’ll see in the future what’ll go down. I’m pretty sure everybody’s going to be pretty impressed.

BE: I’ve seen you go up against some intimidating stuff. What assignments have been the most disconcerting for you?

BtE: Maybe the last few shows in Season 3. They’re probably good examples. We had an 8-foot alligator that we had to pull out of four feet of water in a binding area. Me and three other guys got in there, we’re trying to pull the gator out, and he bit two of the four of us, but we finally got him up on land. And then we had to pull a 10-foot alligator out of a culvert that had a 2-foot diameter. I had crawled in there a little bit, threw a lasso over its head, and drug it out…and it was close to 500 pounds and fighting like a wild animal would.

BE: What’s the worst kind of bug for you to deal with?

BtE: I guess I hate cockroaches the most. And fire ants. Cockroaches and fire ants I just can’t stand.

BE: What about small animals?

BtE: Well, rats are probably the worst there. They chew wire, they defecate and urinate everywhere, they’ve got over 33 diseases. They’re just…terrible little things. I mean, I’m firmly of the belief that those are curses and plagues, not parts of the natural order that we should love. I’ll never love a rat, and I’ll never love a cockroach.

BE: What’s the most unique challenge you’ve had?

BtE: Well, as I go around, the last 23 years, I’ve been in meat processing plants, rail yards, hospitals, Masonic lodges, millionaire homes. I’ve seen things, I know things. I was stationed out near Area 51. Because I get into every situation, I think I have a very good view of the world and a perspective that most people don’t know or see. And my opinion is that most of the world has no idea what the reality is. I think that we’re all kind of in dreamland. But maybe one day we’ll wake up.

BE: This is kind of a left-field question, but what are your thoughts on monster films that focus on, like, giant bugs or giant rats? Given that you deal with them all day long for real, are there any that you have a soft spot for, just because they’re so ridiculous?

BtE: Well, you know, I have a soft spot for Mother Nature, and I try my best to…I do my job to be as respectful to her as I possibly can, but…no, I don’t really favor any animal over the other. I guess I really like European hornets, though. I think they’re pretty bad.

BE: (Laughs) Well, actually, I was talking about monster movies.

BtE: Oh! (Laughs) Okay, I gotcha now. You’re talking about, like, that tarantula movie and all that stuff. I mean, that stuff doesn’t scare me. That’s just not scary at all, so it’s hard to take it seriously.

BE: Right, but I was wondering if you’d maybe seen anything that just made you laugh out loud because it was so ridiculous.

BtE: (Long pause) No, I’m sorry, man, I can’t come up with anything off the top of my head. Sorry!

BE: No, it’s cool. I’m a geek about that stuff, so I was just curious. Like, I love “Alligator,” with the giant alligator in the sewer, and then you’ve got “Food of the Gods,” with its giant rats.

BtE: Oh, okay. I mean, I’m deeply disturbed by the alien vampire movies. (Laughs)

BE: I will accept that. Do you watch any reality TV?

BtE: No, sir, I don’t watch hardly any TV. I’m mostly an avid reader. I read philosophy, history…anything that’s non-fiction.

BE: Do you find some people are surprised at how intellectual you are? Because…and I’m absolutely not trying to be rude when I say this…I don’t think a lot of people necessarily think in terms of an exterminator as being a high-intellect profession.

BtE: No, no, absolutely, I get it. But, I mean, I own my own business, I’m on TV, and I’ve had…just this past summer, I was helping out a guy and this homeowner looks at me and says, “Aren’t you a little bit old for this? What is this? Like, your summer job or something?” And I said, “No, it’s my entire career, and I’m internationally famous for it.” He just rolled his eyes and walked off. (Laughs)

BE: Who’s the most surprising person that you’ve heard was a fan of your show?

BtE: I’d have to say Lilith.

BE: Uh, okay.

BtE: (Laughs) Do you know who Lilith is?

BE: Not unless you’re talking about Lilith from “Cheers.” (Laughs)

BtE: Lilith was…well, in Jewish text, she was Adam’s first wife, but…uh, this is going to sound pretty crazy… (Laughs) …but there’s this woman who watches the show, she’s got glowing eyes, and she claims that she’s…well, she likes to call herself Lilith.

BE: Fair enough. Lastly, I have a very serious question that many viewers have been dying to know: are your sunglasses prescription?

BtE: (Laughs) No. They’ve got hot lights on me constantly, and I just can’t look into the lights. It drives me insane. I started wearing sunglasses, but they said, “No, you can’t do that, because you can see the reflection of the camera.” I said, “If I can get a pair that doesn’t reflect, can I wear them?” They said, “Sure.” So I slimmed up a pair of safety glasses and, using a grinder, I shaved them down…and they couldn’t see any reflection. So that’s why they allowed me to wear them. (Laughs)

BE: All right, man, I think that’s it…well, except that one of my friends wanted me to thank you for keeping the mullet alive. And I’m pretty sure they were serious.

BtE: (Laughs) In that case, tell them they’re welcome.

BE: Good talking to you, Billy.

BtE: Thanks, man. You, too!

It’s no secret that Chrysler has been struggling over the course of the last decade. The company has probably taken more than its fair share of the media beating, though, especially considering the positive moves it’s been making in the past couple years.

As Tom Orlando has it at Dashboard News, Chrysler is poised for a comeback. Here’s an excerpt from his thoughts on Chrysler’s development:

Chrysler sales in 2010 are up almost 20 percent from 2009 and with eleven all-new or seriously refreshed Chrysler, Jeep, Dodge, Ram Truck and Fiat vehicles to be launched during the fourth quarter of 2010 and first quarter of 2011, the march is on for a larger slice of the market. Also in the mix is the venerable Fiat 500, which will add some flair to the Chrysler/Fiat stable and don’t be surprised if that little 500 becomes a cult hit. Many thought the days were numbered for Chrysler and it wasn’t easy to change perceptions but in the auto world, many are taking notice of what Chrysler and all of her brands are building and selling.

The Dodge brand has seen sales steadily climb and has new product that could seriously put them on a roll with the gorgeous 2011 Dodge Durango, the stylish and tough-looking 2011 Dodge Charger, the sharp crossover 2011 Dodge Journey, the new 2011 Dodge Avenger, the upgraded 2011 Dodge Grand Caravan, and the badass Dodge Challenger SRT8 392. We had a chance to drive some of these cars and were very impressed. The 2011 Dodge Charger is the flagship of the Dodge brand and appears to be ready to rock and roll in the sales department, with a re-design that looks awesome.

For more about the future of the Chrysler brand, including a sneak peek at the 2011 Chrysler 300, head over to Dashboard News.

Fortunately, this is a problem which can now be easily remedied, thanks to a new coffee-table book from Titan Books entitled “The Avengers: A Celebration – 50 Years of a Television Classic.”

Written by Marcus Hearn and kicking off with an introduction by John Steed himself, Patrick Macnee, it’s a fantastic collection which delves into the original “Avengers” series (alas, “The New Avengers” doesn’t rate) and offers a tremendous number of photographs, many of which you’ve likely never seen before. Mainstream America never really felt the same kind of love for the series as the Brits did, and God knows the 1998 film didn’t help the situation any, but if you find yourself feeling giddy as you flip through the below photo gallery (Emma Peel does tend to have that effect), you’ll want to pick up a copy of this book for yourself…or, if your wallet’s feeling a bit light as the holidays approach, you could always add it to your Christmas list.

Then again, I’ve heard reports that Santa is actually an agent for The Ministry, so he probably already knows you want it, anyway.

Here’s what Titan’s press release on the tome has to say:

During 1975 and 1976, renowned underground photo-journalist Kim Gottlieb, and her husband, Island publicity head Jeff Walker, documented what is now widely recognized as the Golden Age of Reggae. Over two years of historic trips to Jamaica and exclusive meetings in Los Angeles, Kim took iconic photographs of the artists who would go on to define the genre and captivate a generation. Bob Marley and the Golden Age of Reggae features candid and intimate photographs of all of the musicians, artists and producers who brought the reggae sound to the international stage, including Peter Tosh, Bunny Wailer,Toots Hibbert, Burning Spear, Jacob Miller, Third World, Lee Scratch Perry and, of course, Bob Marley. Kim’s photographs include never-before-seen performance shots, candid behind-the-scenes footage of Bobs home in Jamaica, and exclusive records of key moments in reggae history, such as Bob’s first US television appearance, the historical Dream Concert with Stevie Wonder in Jamaica, and Bob meeting George Harrison backstage at the Roxy in 1975.

Acclaimed rock journalist and director Cameron Crowe (“Almost Famous”) introduces this volume with a rousing foreword describing the time he accompanied Jeff and Kim to Jamaica to witness the burgeoning music scene there. Reggae historian Roger Steffens writes lucidly about the significance of those early years in reggae, and describes the pivotal moments documented in Kims photographs, many of which have not been seen in over 30 years, and many more of which have never been released to the public. Intimate and revealing, Bob Marley and the Golden Age of Reggae is a rare and beautiful record of one of the most exciting moments in music history, told through the photographs of a true artist.

Titan kindly provided us with several shots from the book for your viewing pleasure. Don’t be surprised if you’re tempted afterward to click here and order a copy for yourself.

There are some artists who transcend their musical genre, and given how many people have a copy of Legend in their CD collection without having a single other reggae disc to accompany it, it's fair to say that Bob Marley is one of those artists. If you're a fan, then you may be interested to learn that Titan Books has just released "Bob Marley and the Golden Age of Reggae," a collection of photographs of Mr. Marley and many of his musical peers, all taken by Kim Gottlieb Walker during 1975 and 1976.

Here's what Titan's press release on the tome has to say:

During 1975 and 1976, renowned underground photo-journalist Kim Gottlieb, and her husband, Island publicity head Jeff Walker, documented what is now widely recognized as the Golden Age of Reggae. Over two years of historic trips to Jamaica and exclusive meetings in Los Angeles, Kim took iconic photographs of the artists who would go on to define the genre and captivate a generation. Bob Marley and the Golden Age of Reggae features candid and intimate photographs of all of the musicians, artists and producers who brought the reggae sound to the international stage, including Peter Tosh, Bunny Wailer,Toots Hibbert, Burning Spear, Jacob Miller, Third World, Lee Scratch Perry and, of course, Bob Marley. Kim's photographs include never-before-seen performance shots, candid behind-the-scenes footage of Bobs home in Jamaica, and exclusive records of key moments in reggae history, such as Bob's first US television appearance, the historical Dream Concert with Stevie Wonder in Jamaica, and Bob meeting George Harrison backstage at the Roxy in 1975.

Acclaimed rock journalist and director Cameron Crowe ("Almost Famous") introduces this volume with a rousing foreword describing the time he accompanied Jeff and Kim to Jamaica to witness the burgeoning music scene there. Reggae historian Roger Steffens writes lucidly about the significance of those early years in reggae, and describes the pivotal moments documented in Kims photographs, many of which have not been seen in over 30 years, and many more of which have never been released to the public. Intimate and revealing, Bob Marley and the Golden Age of Reggae is a rare and beautiful record of one of the most exciting moments in music history, told through the photographs of a true artist.

Titan kindly provided us with several shots from the book for your viewing pleasure. Don't be surprised if you're tempted afterward to click here and order a copy for yourself.

Check out some of the other (non-exclusive) covers after the jump, along with HBO’s press release for Season 2 of “Eastbound & Down” and a couple of clips to further assist you in surviving ’til Sunday night.

Arrogant, washed-up big league pitcher Kenny Powers thought heʼd scored a shot at a comeback in the majors, but the offer turned out to be bogus. Now, having left his North Carolina life behind, heʼs making a fresh start in a small Mexican town, where he can both nurse his wounds and bless the locals with his awesomeness. “Eastbound & Down” kicks off its seven-episode second season Sunday, Sept. 26 (10:30-11:00 p.m. ET/PT), with other new episodes debuting subsequent Sundays at the same time.

Starring Danny McBride (“Up in the Air,” “Tropic Thunder”), “Eastbound & Down” tells the story of Kenny Powers, who used to be a star pitcher until his self destructive behavior knocked him out of Major League Baseball. In the first season of the series, he returned home to North Carolina to teach Phys Ed at the middle school he once attended, and eventually scored another big-league job offer – or so he imagined.

“Eastbound & Down” also stars Steve Little as Stevie Janowski, the high-school band teacher who idolizes Kenny; Michael Pena as Sebastian Cisneros, owner of the local Mexican baseball team; Ana de la Reguera as sultry lounge singer Vida; Marco Rodriguez as Roger Hernandez, manager of the baseball team; Efren Ramirez as his new neighbor Catuey; Elizabeth De Razzo as Maria, another new neighbor; Deep Roy as Aaron, one of Kennyʼs new sidekicks; and Joaquin Cosio as Hector, Kennyʼs other new sidekick.

As such, Bullz-Eye is going to try to tackle more stories from the medium…and when I was sent a copy of “Ides of Blood,” a new series from DC / WildStorm which is – at least according to the press release – not entirely unlike a blend of “True Blood” and “Rome,” it certainly seemed like something that our readership might be interested in learning more about.

God bless DC’s publicity department: they quickly put me in touch with series creator Stuart Paul, who gladly answered a few questions for us about his own introduction to comic books, the origins of “Ides of Blood,” his semi-controversial decision to have characters in ancient Rome use modern colloquialisms, which of DC’s stable of superheroes he’d like to take a shot at writing, and much much more.

Since I’ve seen the phrase “new to comic books” used in conjunction with your history of writing for the medium, what’s your personal background with comics? And don’t be shy: if your memory stretches back that far, feel free to offer up the very first comic you remember buying.

My childhood experience with comics was pretty limited. Other than reading the occasional issue of Moon Knight or X-Men at my friend’s house, the only comics I personally bought were “Star Trek” comics—mostly “Next Generation” and some of the original crew that took place in the post-”Wrath of Khan” time period. It wasn’t until college that my girlfriend reintroduced me to comics through Sandman. Once I realized there were comics for adults out there, I started reading them more and more. Initially, I stuck with the superstars—Neil Gaiman, Alan Moore, Brian K. Vaughan, Garth Ennis. I was kind of a Vertigo whore at first. I guess I still kind of am, but not as much. I have to hear a lot of good buzz about something before I’ll invest in a whole series like Walking Dead, but I’ve definitely branched out. Once I discovered Urasawa’s Pluto, I started getting into manga more. Right now, I’ve got 20th Century Boys, Basilisk and Lone Wolf and Cub to read. I also went through a period of reading a lot of DC superheroes. Jeph Loeb’s Batman stuff is my favorite. Sometimes I’ll still read X-Men, but it’s pretty rare for me to read superheroes these days. My favorite series right now is probably Okko. I think Archaia is doing some of the most creative and well-made comics today. Also, Chew is the only series I read on a monthly basis. Everything else is TPB’s, although the iPad is kind of changing that.

There’s been much talk about how fans of both “True Blood” and “Rome” will find much to enjoy in Ides of Blood. Is that combination what led to the concept for this series? If not, what were its origins, and how do you feel about those points of comparison?

No, neither show existed when I originally came up with the idea and wrote the first draft. I mean, I don’t have a problem with people using those as points of reference. It’s an effective shorthand, but it’s the type of thing you’d bring up in a Hollywood pitch meeting. The problem is that you don’t necessarily know what connotations those shows have for the reader and also, they’re such current references that it makes the comic sound like it’s just trying to exploit the zeitgeist. I mean, if you said it’s “Gladiator” meets… well, actually, “Dracula” might have too much baggage attached to the name, so I guess “True Blood” probably is a good descriptor. The point is, I don’t mind the comparison, but I do think it has as much potential to put-off readers as it does to draw them in. Anyway, the concept for the series came out of boredom. I don’t really like vampires, so it started as a challenge to myself to figure out what I’d have to do to make vampires interesting to me. Julius Caesar just popped into my head.

Are you at all concerned about a possible vampire backlash, given how many of these bloodsuckers are popping up in pop culture nowadays, or do you think the creative setting of ancient Rome will be enough for vampire enthusiasts to grant you some leeway? (i.e., “Okay, I thought he was just a bandwagon jumper, but I have to admit, this is something we haven’t seen before.”)

The backlash has definitely been a factor, and I think it probably has somewhat hurt the comic’s reception. I’m just as sick of vampire stuff as the rest of you. And it’s easy for people to assume, especially when you’re dealing with a genre-mash-up like this, that the idea came out of some douchebag who was, like, “What’s hot these days? Vampires! What else is hot these days? Ancient Rome! What if we put them together?” But like I said, I started working on this idea five years ago, long before anyone had even heard of “Twilight.” That being said, I think that a lot of people have kept an open mind and thought the concept was cool enough that they’d give it a try. By the end of the first issue, I feel like we proved that we weren’t just in it for the quick buck, but that this is a fully-realized world that is truly trying to do something original. A couple of reviewers have even said that they picked up the book not expecting to like it but the comic changed their mind. It won’t work for everybody, and there’s some people who won’t let their mind be changed no matter what, but I am very grateful to those who came to Ides with an open mind and let themselves buy into the world.

Speaking of vampires, I’d be curious about some of your favorites, especially if your list contains any obscurities that you’re particularly proud of and would like to trumpet.

There aren’t many. There really are only two I can actually list as favorites. The first is “Let the Right One In.” It’s just brilliant filmmaking. The mood is so powerful, and the relationship between the kids is unique. I’d never seen a story like it before. The other is “Martin.” This is a George Romero movie about a kid who thinks he’s a vampire but doesn’t actually have supernatural powers. He goes around drugging women with hypodermic needles and drinking their blood. It’s very 70’s and sexual and psychological and it has a fantastic ending. The same girlfriend who introduced me to Sandman showed me this movie. I ended up marrying her, which I think was a wise choice.

I like Anne Rice’s Interview With the Vampire and Stephen King’s Salem’s Lot, but neither of them to a fantastic degree. “True Blood” has some boring characters, but it just got awesome with the King of Mississippi. I like Murnau’s “Nosferatu” better than Tod Browning’s “Dracula.” It’s a shame “Shadow of the Vampire” didn’t live up to its potential.

One of the things about the miniseries that threw me at first was the characters’ usage of modern colloquialisms. Was there any point when you considered using some semblance of era-accuracy with their dialogue? And what would you say to those who might find themselves disconnected from the concept because of the decision to go this route?

It’s been a very divisive choice, and I totally get why it might not work for everyone, but there’s a couple reasons I went this way with it. At first the book was going to be a “For Mature Readers” title, so I was going to have people use profanity, much like “Rome.” But when Wildstorm told me I couldn’t do that, I changed all the curses to Latin. This actually worked fantastically, and I was happy I took out the modern profanity. But apparently this didn’t fly either ‘cause they didn’t want kids Googling Latin curse words. Personally, I think anything that educates kids about foreign languages is a good thing, but so be it. So when I needed another way to express things, I decided to go colloquial with it. It’s how the characters would have sounded to each other.

Plus, I thought it fit the genre. As the story became more of a noir, I though it would be cool to give it a bit of a pulp, Mickey Spillane flavor. More importantly, we’ve seen attempts at realistic dialogue before. It usually ends up with everyone sounding like the Royal Shakespeare Company. I also feel that the idea of realism or accuracy in dialogue in period pieces is a fallacy. First off, these people didn’t speak English—they spoke Latin. So already by translating it, you’ve altered everything. A lot of nuance of specific concepts is immediately gone. If you accurately translated what these characters actually said, it wouldn’t sound right to our ears. A lot of people also seem to think that simply using more formalized dialogue and adding “fuck,” that somehow you’ve reinvented the wheel. I disagree. That’s one of the reasons I think “Deadwood” was brilliant. It was not historically accurate. It was David Milch’s version of the Old West—and not just regarding curse words. Those were the most eloquent *********** I’ve ever met. I mean, you’ve got these uneducated miners and tinhorns who speak better than most college professors with their ditchwater Victorian monologues. The thing is, he was expressing an aspect of the Old West and interpreting it in his own way. The words weren’t authentic, but the interactions and spirit were.

Look, man, everything should be tried at least once. Would I want all period pieces written with modernized dialogue? Of course not. That would be terrible. But if it’s not appropriate for an alternate-history pulp-noir swords-and-sandals yarn where Julius Caesar has conquered Transylvania and made vampires into slaves, when is it appropriate?

How did you and Christian Duce first cross paths? Did DC / Wildstorm put the two of you together, or had you already known him? And how did your vision of what the characters would look like evolve after he came onto the project?

Shannon Eric Denton at Wildstorm put us together. We didn’t really have any direct interaction until after Christian had penciled the first couple issues, so there weren’t any discussions about the character designs. Fortunately, Christian is a brilliant artist who has an uncanny, almost telepathic ability to visualize what I’m trying to express in my scripts, so he pretty much nailed the characters.

Actually, my favorite character design he came up with is for one of the minor characters, Cassius. I wanted Cassius to be a sort of blowhard puppet who follows whatever Brutus says, since Cassius has traditionally been more of a Lucifer figure, and there’s just something about Christian’s character design (it may be the mutton chops) that fills me with glee.

Ides of Blood is a creator-owned series, of course, but given the chance, which of DC’s established heroes would you be interested at taking a crack at one of these days?

That’s a tough question. I have a great idea for a Flash limited series that also plays around with ancient history that I would love to do. That being said, I really like Batman. It would be a really enjoyable challenge to find new ground to cover for his character. Green Lantern would be fun just because I could do lots of stuff in outer space. But really, other than the Flash idea, if I had my pick of the litter, I’d probably have to go with Superman just because he’s Superman. You can create such amazing images with his powers, I’d love to see what unique situations I could put him in. Also, I feel that unlike Batman, there’s a lot more to his character that hasn’t been mined yet.

I’ve seen the trailer for “Orion Slave Girls Must Die,” so it’s clear you’ve got more than a little bit of a “Star Trek” background as well. What’s your favorite memory (or memories, if you can’t narrow it down) of attending either a “Trek” or comic convention? And feel free to divide it into “fan” and “creator” memories, if you need to do so.

Ha! Yeah, man. I loves me some Star Trek. DS9 is my favorite TV show of all time. I guess my favorite Trek convention memory is when my parents and I went to my first convention in Pasadena and John DeLancie, who played Q, was speaking. Instead of telling old Trek anecdotes or a Q and A, he read a short story he wrote. I don’t remember the title, but it was about a guy who is playing dice with the devil for his soul. At the end, a fly lands on the die and takes a shit, changing the number so that the guy loses. Being a story about demons and fly-shitting, my parents were mildly scandalized, but I was totally enraptured by the story when he was telling it. In fact, he’s the only speaker whose presentation at all stuck with me.

Looking back, how much growth do you see in your work as a screenwriter between “Confessions of a Late Bloomer” and “Orion Slave Girls”?

Man, someone’s been using IMBD! Well, they were both student projects I wrote while in film school, and the first things I’d written that I didn’t direct myself (and had actual budgets). “Confessions of a Late Bloomer” was really a reflection on my high school experience. I think it’s well-made and director Jen McGowan did a great job with it, but it’s not really told in my voice. It’s pretty conventional. I feel it was less about expressing my POV as a writer and more about proving to myself that I could apply the things I was learning in school and make a basic 3-act movie (albeit a short one). “Orion Slave Girls” definitely had more of myself in it. Whenever I’m strapped for ideas, I usually end up coming back to “Star Trek” in one way or another. It was more inspired by that thing in college where you realize you and your high school friend are going down different paths in life. I think the gags are more clever in “Orion,” and obviously the style and subject matter are more up my alley, but I’m not sure how much actual growth you can see between the two projects, particularly since the final product was the director’s creation as well as mine, but I definitely think I felt more comfortable with playing around with the narrative structure in “Orion.”

And, lastly, are you keeping your fingers crossed that “Ides of Blood” might serve as the kickstart for a gig as a screenwriter? Also, given how quickly Hollywood is snapping up comic projects for development, I’m curious if you’d even finished punctuating your pitch for DC / Wildstorm before you’d been approached by a studio. Mind you, I’m not necessarily asking for specific details. I’m just wondering if indeed there’s been movement on that front for “Ides of Blood” already.

(Sighing) It’s a pretty common Hollywood story. I write film and TV as well, so the way this all started was that I wrote Ides of Blood as a screenplay. I got it to DC’s film people, and they thought it would make a great movie, so I wrote up a pitch for the comic series that we sent to Wildstorm. So we were doing the whole reverse-engineering thing. Afterwards, we started prepping the film pitch. Then DC went through this reshaping, which put a halt to the project, so right now the prospects of a film are in limbo until the new guard decides what to do. These things happen all the time, though. I’ve learned not to believe anything is a sure thing in Hollywood because it can all fall through up until the last possible moment. Hopefully DC will pick the project up again and indeed hire me to write the screenplay, but really there’s no guarantee. I wish every comic creator had right of first refusal to write the screenplay. I find it somewhat heinous that the WGA offers no protection to screenwriters who became comic writers and now face the prospect of getting bumped off their own creation. But, when you’re a young writer, you just have to go in, pitch the hell out of yourself and hope for the best.

Closing note: Paul dropped a line a few minutes after answering the last question, clarifying, “I hold no grudges against any of the staff at DC. They were nothing but supportive of me and Ides.” I hadn’t got the impression that he might’ve felt otherwise, so maybe you didn’t, either, but I figured he’d still prefer it if I included his clarification, so there you have it!