Adrianne Palicki has been breaking hearts ever since she first appeared on NBC’s football drama “Friday Night Lights,” but these days, the Ohio-born actress has been making a name for herself on the big screen with roles in action films like “Red Dawn” and the upcoming “G.I. Joe: Retaliation” as fan favorite Lady Jaye.

Though she’s a far cry from the more butch version of the character we grew up watching on the 1980s animated series, it’s not the first time that Palicki has played an iconic female warrior. Her stint as the title character on David E. Kelley’s “Wonder Woman” reboot may not have made it past the pilot stage, but if early stills from the show are any indication, it’s certainly not because the actress didn’t look the part.

It remains to be seen how her version of Lady Jaye will be received by longtime “G.I. Joe” fans, but we’re digging the updated image, which combines Palicki’s natural beauty with her tough, don’t-mess-with-me personality. In other words, she can kick ass and look good doing it.

After suffering through the doldrums of winter, it’s encouraging to see that the quality (and selection) of movies will improve along with the weather. Though many of this month’s films probably won’t be remembered by the time summer rolls around, there are a few indie flicks with real cult potential and a pair of tentpole-type movies based on popular properties that will benefit from opening during a less competitive time of year.

Who: Nicholas Hoult, Ewan McGregor, Eleanor Tomlinson, Ian McShane and Bill Nighy
What: When a young farmhand unwittingly opens a gateway between our world and a fearsome race of giants, he must fight for his kingdom and the princess he loves.
When: March 1st
Why: It’s been awhile since Bryan Singer directed a movie that I was genuinely excited about, and unfortunately, “Jack the Giant Slayer” doesn’t break that trend. Though the fantasy film sounds great in theory, the trailers don’t look very promising, particularly in regards to its uneven tone (is it for children, adults or the whole family?) and cartoonish CGI. It doesn’t even bare much resemblance to the fairy tales on which it’s based, and while the cast is filled with some great actors (Nicholas Hoult appears to be the real deal), there’s probably a good reason why the original summer release date was axed.

Who: Mia Wasikowska, Nicole Kidman, Matthew Goode and Jacki Weaver
What: After India’s father dies, her Uncle Charlie comes to live with her and her unstable mother, only to discover that he has ulterior motives.
When: March 1st
Why: Continuing the Korean invasion that kicked off in January with Kim Ji-woon’s “The Last Stand,” Park Chan-wook’s English-language debut hits theaters in time for U.S. audiences to get accustomed to the director’s unique style ahead of the long-awaited remake of his 2003 cult hit “Oldboy.” It’s taken longer than expected for Park to export his talents to Hollywood, but “Stoker” is the perfect project if there ever was one. It’s also clear from the cast he’s assembled that the director is well-admired within the industry, and all three leads don’t seem to be holding back. Early buzz has been mostly positive, drawing comparisons to Hitchcock, and that alone should be enough to get you excited.

Who: James Franco, Michelle Williams, Mila Kunis, Rachel Weisz and Zach Braff
What: A small-time magician with questionable ethics arrives in a magical land and must choose between becoming a good man or a great one.
When: March 8th
Why: Disney is putting a lot of faith in Sam Raimi’s “Wizard of Oz” prequel, no doubt hoping that it can reach “Alice in Wonderland” levels of success, but was anyone really clamoring for another movie? It’s not even based on any of L. Frank Baum’s novels, despite the fact that Disney owns the rights to nearly every book in the Oz series, and though it’s supposedly inspired by his works, the risk of upsetting fans of the original film doesn’t seem worth it. Then again, “Oz the Great and Powerful” is exactly the kind of franchise-ready cash cow that Disney loves to produce (i.e. “Pirates of the Caribbean”), and while it’s depressing to see Raimi wasting his talents, at least it’s in good hands.