Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

WHAT: In the wake of Jon Snow’s murder, Ramsay Bolton (Iwan Rheon) tightens his grip on the North just as Cersei (Lena Headey) struggles to retain her power in King’s Landing. Meanwhile, Daenerys (Emilia Clarke) plans her escape from Dothraki captivity, Arya (Maisie Williams) begins her apprenticeship at the House of White and Black, and Bran (Isaac Hempstead Wright) continues his training under the Three-Eyed Raven (Max von Sydow)… all while the threat of the White Walkers looms on the other side of the Wall.

WHY: The sixth season of “Game of Thrones” was undeniably the Year of the Woman, with characters like Cersei, Daenerys, Arya, Sansa, Yara and Brienne all emerging as genuine power players across the Seven Kingdoms. It’s also a season that, despite the dense and complex nature of its storytelling, really put the pedal to the floor as the show barrels towards its inevitable conclusion, inspiring the hashtag #EfficiencyisComing in the process. And this year was nothing if not efficient, even if it spent two whole episodes pretending that Jon Snow was permanently dead when everybody knew that wasn’t the case. Minor quibbles aside, Season Six is one of the best in the show’s history, boasting strong performances from Peter Dinklage, Lena Headey and Nikolaj Coster-Waldau (among many others) and top-notch episodes like “The Door” (RIP Hodor) and the Miguel Sapochnik-directed twofer “Battle of the Bastards” and “The Winds of Winter.” For a season that could have easily felt like the banal but necessary prelude to the much-anticipated climax, it doesn’t disappoint, delivering all the drama, political intrigue, action and comedy that “Game of Thrones” fans have come to expect.

EXTRAS: There’s a massive amount of bonus material, including cast and crew audio commentaries on every episode (and two each in the case of episodes 5, 9 and 10), a behind-the-scenes look at filming the Battle of the Bastards and creating Vaes Dothrak, featurettes on the mythology of Westeros and Ethos, deleted scenes and more.

FINAL VERDICT: BUY

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Ellen DeGeneres, Albert Brooks, Ed O’Neill, Hayden Rolence, Kaitlin Olson, Ty Burrell, Idris Elba, Dominic West

Andrew Stanton & Angus MacLane

Well, this is disturbing: Pixar, which for years was the most creative, most consistent studio in Hollywood (that includes live-action films and animation), has five films in various stages of production, and four of them are sequels. If you go back to 2010, Pixar has produced seven sequels, as opposed to four films based on new ideas. Three of those four new-idea films have been released. One of them (“Inside Out,” one of only a handful of reviews I’d like to rewrite after misinterpreting a key plot point) has already ascended to classic status. The other two were two of Pixar’s weakest efforts (“Brave” and “The Good Dinosaur”). The fourth one, “Coco,” is inspired by the Mexican holiday Dia de Los Muertos (Day of the Dead), which is the exact setting for Fox’s 2014 film “The Book of Life.” Ahem.

The first of the five films in production is “Finding Dory,” the follow-up to 2003’s “Finding Nemo,” far and away Pixar’s most successful film until “Toy Story 3” made over $1 billion worldwide in 2010. Thirteen years is a long time to be away, and Pixar is clearly mindful of the gap, because the story structure is part sequel, part remake. Several jokes from the first film are rehashed, with diminishing returns from all but one (the sea lions). For the most part, the film plays it maddeningly safe, and then the third act arrives, at which point all hell breaks loose in the most glorious, adorable way possible. In addition, it appears they even threw in an homage to “Inception” for the adults.

After a cute but heartbreaking sequence involving a toddler Dory and her parents, then later lost tween and adult Dory trying to find her parents, the story eventually settles a year after the events of “Nemo,” where Dory (Ellen DeGeneres) has a sudden urge to, yep, find her parents (Diane Keaton and Eugene Levy). With a vague memory that she was raised off the coast of California, Dory, Marlin (Albert Brooks), and Nemo (Hayden Rolence) enlist the help of an old friend (no spoilers) to take them on the roughly 7,000-mile journey. Shortly upon arrival, Dory is snagged in a plastic six-pack ring and picked up by employees of the local marine institute, which treats marine life for release back into the ocean. Dory recalls living in one of the exhibits and convinces a standoffish mimic octopus named Hank (Ed O’Neill, in a bit of inspired casting) to help her. Meanwhile, Marlin and Nemo are concerned that without them, Dory will forget where she is and why she’s there, and embark on their own adventure to save their friend.

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