Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

WHAT: Down-on-their-luck punk band The Ain’t Rights accept a gig playing at a skinhead hangout on the outskirts of Portland. But when guitar player Pat (Anton Yelchin) accidentally witnesses a murder backstage, the band is thrust into a fight for survival against the club’s ruthless owner (Patrick Stewart) and his gang of backwoods neo-Nazis.

WHY: If Jeremy Saulnier’s slow-burning sophomore effort “Blue Ruin” announced him as a filmmaker to watch, then “Green Room” confirms that he’s the real deal. A brilliantly taut and grisly horror-thriller that defies genre conventions at every turn, “Green Room” is one of the most intense moviegoing experiences in recent years. There’s hardly a single wasted frame in this tightly-paced siege film, turning the screw on its characters (and the audience itself) with some nail-biting tension that doesn’t let up. The violence is gory but never gratuitous, while the lived-in performances – particularly Anton Yelchin’s frightened musician and Patrick Stewart’s surprisingly calm and rational white supremacist – lend an unsettling authenticity to the proceedings. The movie is at its best when the band is trapped inside the titular room, and although the suspense is slightly deflated once the action spills out into the rest of the building, becoming a more visceral affair where duct tape and a box cutter are the primary tools for survival, “Green Room” maintains its vice-like grip on the audience.

EXTRAS: There’s an audio commentary by writer/director Jeremy Saulnier and a making-of featurette.

FINAL VERDICT: RENT

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Shailene Woodley, Theo James, Kate Winslet, Ansel Elgort, Miles Teller, Naomi Watts, Jai Courtney, Mekhi Phifer

Robert Schwentke

No movie franchise embodies the term “meh” better than the “Divergent” tetralogy, because although the second installment is a competently made sci-fi thriller, it suffers from many of the same problems as the last movie – namely, a troubling lack of excitement, suspense and emotion. You’d think the fact that “Insurgent” isn’t bogged down by the same tedious exposition would allow the film to dig deeper into its characters and mythology, but you don’t learn much more about the main players by the end of the movie than when it began. That might be forgiven if author Veronica Roth’s universe was the least bit interesting, but the whole faction concept is so silly and contrived that it’s a wonder no one thought to question it sooner. And to think there’s an entire faction dedicated to intelligence.

“Insurgent” picks up several days after the events of the first film, with Erudite leader Jeanine (Kate Winslet) denying involvement in the attack on Abnegation, instead placing the blame on Tris (Shailene Woodley), Four (Theo James) and the rest of their sympathizers, who have since sought refuge with Amity. When Jeanine recovers a mysterious box containing a message from the colony’s founding fathers that requires a Divergent to unlock it, she sends bulldogs Eric (Jai Courtney) and Max (Mekhi Phifer) to round up Divergents to put through the box’s rigorous testing process. Meanwhile, Tris and Four unite their Dauntless friends with the factionless rebels – which is led by Four’s presumed-dead mother, Evelyn (Naomi Watts) – to take down Jeanine and the whole faction system.

It shouldn’t come as a surprise to anyone that “special one” Tris is the key to unlocking the film’s MacGuffin, which apparently doesn’t even appear in Roth’s novel, because there isn’t a single original idea in the movie. The generic plot device doesn’t serve much purpose, either, other than to keep Jeanine busy and provide a staging ground for the special effects-heavy final act that puts Tris through a series of virtual reality simulations designed to test her aptitude in all five factions. The problem, however, is that with the exception of the final 20 minutes and a few small character moments, “Insurgent” doesn’t do enough to progress the overarching story to warrant an entire film. The big reveal at the end will undoubtedly change the direction of the series going forward, and hopefully for the better, but the real question is whether anyone will still care by that point.

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