Famke Janssen made both her film and television debuts in 1992, but it wasn’t until a few years later, when she became a Bond girl by the unforgettable name of Xenia Onatopp in “GoldenEye,” that everything started to come up roses for her. In the intervening years, Janssen has made multiple films, most notably starring as Jean Gray in the “X-Men” franchise, but 2013 marks her inaugural foray into a full-time TV series gig…and by “TV series,” what I really mean is a Netflix series. “Hemlock Grove,” produced by Eli Roth, kicks off its first season on Friday, April 19, but Bullz-Eye was fortunate enough to chat with Janssen way back in January, at the Television Critics Association press tour, about her new series as well as a few of her past films.
Bullz-Eye: “Hemlock Grove” marks the first time you’ve ever taken on a series-regular role for television. Did you have any trepidation about taking that kind of a plunge for a show that’s being delivered to viewers in a non-traditional manner, or was that part of what drew you to it?
Famke Janssen: Trepidation about that element? No. Doing a series, period? Yes. [Laughs.] But to me, I think the fact that it was for Netflix and not your traditional network or cable show was one of the deciding factors—or certainly an added bonus, anyway—because it felt like we were kind of in the wild west, with new territory to explore. It wasn’t this whole weight of a specific way of working that we had to carry through in some way. So with that, I was hoping that there would be less control coming from above, and not so much like a big studio standing there with a whip, making you feel like you’re more of a puppet than anything else. Also, the whole 13-episode part was attractive as well, because I’m designed my life in such a way now that I’m trying to go back and forth between writing and directing and acting, and signing up for something that would’ve taken an entire year, as a network show would’ve…I hadn’t considered that at all, just because I don’t have the time for it. I don’t want to tie myself down. So in that regard, it was a perfect set-up, because I can make money and then I can pursue my passion of writing and directing in my free time.
BE: So what can you tell us about Olivia Godfrey without divulging anything too spoiler-y?
FJ: Olivia’s still mysterious even to me, and I’ve lived with her now for 13 hours onscreen, not to mention many more hours shooting the series, of course. She’s married into this Godfrey family, a family with a lot of money, but she comes from a lot of money as well…or she seems to, anyway. But whether she does come from a lot of money or where she really comes from or what her deal really is, nobody really knows, and maybe nobody will ever find out. [Laughs.] She’s highly manipulative. She loves her children, but she’s also somebody who just has an agenda most of the time. And she’s in love with her husband’s brother, and…there are all sorts of integral relationships with bizarre things going on within this small town as well as with these family members. [Shrugs.] It feels like “Twin Peaks” to me. That’s what it felt like. That’s the reason why I really liked it: because it is, in a good way, nonsensical. It’s not linear. You’re not gonna…not everything is going to be explained. There are going to be a lot of mysteries surrounding it all. Nothing is going to be wrapped up with a neat bow.
Tags: Barbara Broccoli, Bringing Up Bobby, City of Industry, Daniel Craig, David Lynch, Deep Rising, Deran Sarafian, Eli Roth, Famke Janssen, GoldenEye, Harvey Keitel, Hemlock Grove, Ivana Onatopp, James Bond, Jean Gray, Monument Ave., Netflix, Robert Altman, The Gingerbread Man, The Light from the TV Shows, Will Harris, X-Men