Bullz-Eye’s 2013 TV Power Rankings


When we published our first TV Power Rankings in 2005 listing the best shows on television, the revolution in TV viewing habits was well underway with cable shows like “The Sopranos” raising the bar for TV dramas. Meanwhile, DVDs and on-demand viewing started to change the way we watched our favorite programs and discovered new ones. Since then, the changes have only accelerated, and now many teenagers and people of all ages are addicted to streaming TV, watching everything by their own schedules. Many have even “cut the cord” and eliminated their cable TV subscriptions altogether. Water-cooler discussions about “must-see TV” have given way to shows aimed at niche audiences.

With these developments, the quality of the shows has improved dramatically. That may not be true for sitcoms and most of the stuff on network TV, but many have called this the new “golden era of television,” as the cable networks in particular have given talented writers and directors the freedom to create masterpieces like “The Wire” and “Breaking Bad.” Now with Netflix triumphantly entering the fray with the excellent “House of Cards,” the bar keeps getting raised even higher. I watch fewer movies these days as the quality rarely matches that of the best TV shows, which also have the advantage of developing characters over a much longer time period.

“Breaking Bad” has been one of our favorites for years, and it tops our list again as it completes its final season. When it’s all said and done, it will be part of every conversation of the best TV shows ever. Our list is dominated by cable TV dramas and we’ve left off reality shows. Some are entertaining, but none match the quality of the programs on our list.

We’ve kept spoilers to a minimum, but you might want to avoid some of the write-ups if you want to avoid learning about plot developments.

1. Breaking Bad


Expectations for the fifth season of Vince Gilligan’s “Breaking Bad” would’ve been running high anyway, given that Season 4 concluded with Walter White (Bryan Cranston) bringing an explosive end to Gus Fring (Giancarlo Esposito) while also revealing just how far he was willing to sink to get things his way. It doesn’t get much lower than poisoning a child to trick your former partner into working for you again, but the knowledge that it truly was the beginning of the end (i.e. the final season) really amped up the adrenaline. With posters for Season 5 showing Walt surrounded by stacks of cash and emblazoned with the tagline “Hail to the King,” the question at hand was whether or not Mr. White would be able to keep his ego in check successfully enough to take over Gus’s meth empire. The answer: not entirely. Although Mike (Jonathan Banks) agreed to join the operation more out of an attempt to help keep Jesse (Aaron Paul) safe, he quickly grew frustrated and tried to bail out, only to end up in a terminal tussle with Walt. Meanwhile, the domestic situation in the White house has reached all new levels of tension, thanks to a power struggle of sorts between Walt and Skyler (Anna Gunn). As the first half of Season 5 wrapped up, however, the biggest reveal of all took place, with Walt’s DEA-agent brother-in-law, Hank Schrader (Dean Norris), finally discovering that he’s the infamous Heisenberg. This show has yet to disappoint, and there’s no reason to think it’s going to start now. – Will Harris. Check out our “Breaking Bad” blog here and our Fan Hub page here.

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Breaking Bad 5.11 – “Confessions”

As happy as I am that Vince Gilligan has been given the opportunity to take “Breaking Bad” to its conclusion on his own terms, allowing him to end it now rather than a season or two down the road, each new episode of this final batch continues to further cement just what a tremendous, gaping hole is going to be left in my television viewing habits when the series is gone for good.


I’m not trying to paraphrase the immortal Stiff Records slogan here—there are plenty of series beyond “Breaking Bad” that most certainly are worth a fuck—but no other show on television has ever…and I mean ever…grabbed me the collar the way this one does, making me so profoundly love and so deeply loathe its characters, often shifting between the two extremes within the same scene.

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Breaking Bad 5.10 – “Buried”

(CAVEAT: Portions of this review originally appeared in the AntennaFree.TV piece, ‘Breaking Bad’ Critics’ Thread: Secrets are Unearthed in ‘Buried’, which also features reflections from Joel Keller, Mike Moody, and Mekeisha Madden Toby, all of whom are pretty damned fine writers in their own right.)

When this week’s episode of ‘Breaking Bad’ kicked off, the only thing that was running through my mind was a comment I read somewhere last week: “Join us next time on ‘Breaking Bad’ when Walt breaks the uncomfortable silence and asks, ‘So, Hank, you, uh, gonna open the garage door?’” Before we reached that point, though, we had a quick pre-credits look at what happened in the wake of Jesse’s free-money spree. Last week, I wrote, “It’s only a matter of time before someone identifies the car and says, ‘Let’s see if he’s got any more,’” but that’s not exactly what happened, although someone did end up following the trail back to where it began.


I was completely convinced we were going to follow the old man on his path of picking up packets of bills until he met up with someone else who was following the money trail from the other end, at which point things would go terribly wrong…but, no, the trail instead led straight to Jesse, literally going in circles on the playground merry-go-round. It’s a great overheard shot, and knowing this show, the whole going-in-circles thing is probably meant as a metaphor, since he’s clearly wracked with guilt and has no idea what the hell he’s supposed to do. We don’t actually see what happens after the old man stumbles upon him, but he clearly ends up in police custody at some point. (I’m just hoping the old guy ends up keeping a decent amount of cash for himself.)

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Breaking Bad 5.9 – “Blood Money”

“Breaking Bad” has always had a way with an opening shot, and the first image of the series’ final eight episodes is no exception, offering a slow, gradual pull-out from a bunch of skate rats to reveal that their choice of locate is the decidedly empty and apparently long-dormant White house. Moments later, when a heavily haired Walter White pulls up, it’s clarified that we’re back in the timeline established in the early moments of the first half of Season Five, when Walt purchased some serious firepower from his now-regular weapons guy (played by Jim Beaver). And, oh, what a dark timeline it must be, based not only on Walt’s haggard look, but on the graffiti he finds when he’s forced to break into his own house. If things are destined to reach a point where the world at large has not only identified him as Heisenberg but, indeed, has had his identify spray-painted across his living room wall…well, let’s just say these are going to be the longest eight episodes viewers have seen in a very long time.

Wandering through the wreckage that once was his house, Walt manages to confirm that, despite all the carnage surrounding him, one of his hiding places has remained secure: underneath the electrical outlet. I couldn’t quite see what he retrieved – was it the vial of ricin? – but I’m sure we’ll find out soon enough…much as we’ll find out exactly what the hell happened to make his poor neighbor Carol react in such a horrified fashion to the mere sight of Walt. Clearly, it’s no fun living next door to Heisenberg.


Post-credits, it’s back into Walt’s bedroom, except we’ve flashed back to where we were when we last left “Breaking Bad.” It’s impossible to get completely inside Hank’s head, but we come pretty damned close with the help of director…Bryan Cranston? True. The man’s come a long way behind the camera, clearly learning as much as possible from the folks who’ve helmed past episodes of the series, because he nails the panic, anxiety, and horror in Hank’s gradual realization of what his brother-in-law has been doing for the past five seasons.

As Hank and Marie drive away from the White house, Walt, Skyler, Junior, and Holly look like the perfect little family, don’t they? But then, the whole “appearances can be deceiving” has been Walt’s stock and trade since the beginning of his meth-making operation, and one could argue that the same premise applies to Hank as well. He started out as a loudmouth blowhard who seemed more like a former high school quarterback who kept his ego intact when he entered the work force, but we’ve seen several different sides of the guy now, and it’s never been more evident than it is in this episode that he’s a great goddamned detective. It’s hard to say that he’s applying Occam’s razor here, since the idea of Walt being the mastermind behind a major meth operation is the simplest explanation, but it’s a thing of both beauty and sadness to watch him work out everything that Walt’s been responsible for. It’s clear that he still doesn’t fully accept it ‘til the very end of the episode, but when that chilling exchange in the garage takes place…

Oh, but I’m getting ahead of myself.

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The Light from the TV Shows: Gifts for the TV Geek

You’ve no doubt already seen the TV-DVD recommendations in Bullz-Eye’s Holiday Gift Guide, but what if you’ve got a TV geek on your gift list who already has every single DVD set on our list? Fortunately for you, I’ve rounded up a few not-at-all-cheap suggestions.

“Community” Holiday Exclusive Gift Set

Features a “Troy & Abed in the Morning” coffee cup (“With a generous capacity of 15 ounces, refills are not needed!”), a Warhol-inspired Troy & Abed poster, a t-shirt featuring the Greendale Seven in video game form. and a plush Human Being…which, if you’re not already a fan of the show, probably warrants a bit of explanation. Per the NBC online store, “The Greendale Community Human Being plush mascot reflects the diversity of Greendale and our species by being nothing at all. Now you can have your own creepy version!” If that doesn’t sound like the icing on a delicious “Community” cake, then…well, uh, you’re probably not the target demo. But maybe you know someone who is, so keep it in mind just in case. ($50.00)

“Dexter” LOOK/SEE Limited Edition Sunglasses

Described as “perhaps the greatest Dexter usable collectable out there,” what you get is a set of sunglasses with white frames spattered in blood, stored in a wooden case which, not coincidentally, looks quite a bit like Dexter’s “trophy case.” The case also includes blood slides and a syringe. Move fast, though: it’s a limited edition set – there are only 500 units being produced, and each wooden case is individually numbered. ($149.95)

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