Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.
WHAT: Set in New York City during 1981, Abel Morales (Oscar Morales) finds his heating oil company embroiled in a turf war at the worst time possible. He’s just gone into escrow on a waterfront fuel yard that could take his business to the next level, but when a young district attorney (David Oyelowo) launches an investigation into Abel’s company, everything that he’s worked so hard to create threatens to come tumbling down.
WHY: Over the course of three movies, J.C. Chandor has established himself as one of the most promising American filmmakers of his generation, and “A Most Violent Year” is his best one yet. A smartly directed character study of a man fighting to uphold the antiquated ideals of the American Dream, the movie is very much a product of its time period, owing a lot to the work of Sidney Lumet and other 1970s classics like “The French Connection” and “The Godfather.” You’d never imagine that a film about the heating oil industry could be so absorbing, yet that’s exactly what makes “A Most Violent Year” so unique, defying the typical gangster movie conventions every chance it gets. Oscar Isaac has never been better, commanding the screen with an ice-cold intensity that evokes Al Pacino in his prime, while Jessica Chastain delivers a deliciously fierce turn as his mob-connected wife. Much like last year’s underrated crime drama “The Drop,” “A Most Violent Year” is the kind of movie that Hollywood doesn’t make often enough, but with brave new voices like Chandor behind the camera, it’s hard to argue against the need for more just like it.
EXTRAS: In addition to an audio commentary by writer/director J.C. Chandor and producers Neal Dodson and Anna Gerb, there’s a pair of production featurettes, an interview with stars Oscar Isaac and Jessica Chastain, and some deleted scenes.
FINAL VERDICT: RENT
WHAT: Jerry Hickfang (Ryan Reynolds) is a socially awkward but overall nice guy who’s just trying to lead a normal life in the wake of a family tragedy. But when he gets stood up by office crush Fiona (Gemma Arterton), only to cross paths with her later that night, he inadvertently murders her in the middle of the woods. At least, he thinks it’s an accident, but Jerry hasn’t been taking his meds lately, which is why he’s starting to hear voices – namely, his loyal dog Bosco and sociopathic cat Mr. Whiskers – urging him to kill again.
WHY: Ryan Reynolds has had some really bad luck with blockbuster filmmaking (see: “Green Lantern,” “R.I.P.D.”), but he’s delivered some of his best work on the other end of the spectrum in small indies like “Buried” and “The Captive,” and that trend continues with “The Voices,” a flawed but amusing dark comedy that plays like a strange mix between “Doctor Dolittle” and “American Psycho.” The movie is unlike anything the actor has done before, channeling Norman Bates as the sweet but creepy schizophrenic in addition to voicing the pets that serve as Jerry’s very own shoulder angel and devil. It’s his interactions with them, as well as the reanimated severed heads of his victims that he keeps stored in the refrigerator, that produce some of the best moments, putting Reynolds’ deadpan comic delivery to great use while still allowing the actor to challenge himself in a more nuanced role. Though the film straddles a fine line due to its off-kilter tone, Reynolds and the supporting cast (including Gemma Arterton and Anna Kendrick) do just enough to make “The Voices” an enjoyably weird genre flick with an unexpected dash of humanity.
EXTRAS: There are four production featurettes that cover the making of the movie, the many voices provided by Ryan Reynolds and visual effects, as well some animatics, deleted and extended scenes, and a cast and costume sketch gallery.
FINAL VERDICT: RENT