Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.
WHAT: When his wife (Rosamund Pike) disappears under mysterious circumstances, Nick Dunne (Ben Affleck) becomes the prime suspect in the investigation. But while the media and townspeople are quick to vilify him, Detective Rhonda Boney (Kim Dickens) senses that something isn’t quite right with the case.
WHY: It’s hard to imagine watching a film like “Gone Girl” having already read the Gillian Flynn novel on which it’s based, because the movie is a strikingly bold and unique murder mystery that hinges on the shock-and-awe nature of its dark, twisted story. You’d be hard-pressed to find a director more suitable for the material than David Fincher, and he handles the he-said/she-said dual narratives with razor-sharp precision. Ben Affleck and Rosamund Pike deliver excellent performances as the two leads (Pike, in particular, is sure to see her career skyrocket as a result), while supporting actors like Carrie Coon, Kim Dickens, and yes, even Tyler Perry, are all perfectly cast in their respective roles. That’s to the credit of Fincher as well, who makes even the strangest casting choices (like Perry and Neil Patrick Harris) seem like no-brainers in hindsight. Though the movie is a bit overlong and the ending feels rushed compared to the slow-burning first act, “Gone Girl” is the kind of the movie that you won’t soon forget. It’s not Fincher’s best work, but it’s an engrossing and clever thriller that will make you want to rush out and read Flynn’s novel the minute it’s over.
EXTRAS: There’s an audio commentary by director David Fincher and an Amazing Amy book titled “Tattle Tale.”
FINAL VERDICT: BUY
WHAT: A collection of intersecting stories about the dangers of the internet, including a middle-aged schlub (Adam Sandler) whose wife (Rosemary DeWitt) cheats on him using a dating website; a former star quarterback (Ansel Elgort) who’s coping with his mother’s desertion through an online role-playing game; a high school cheerleader (Olivia Crocicchia) who posts provocative photos to her modeling site; and a mother (Jennifer Garner) so obsessed with keeping her daughter (Kaitlyn Dever) safe that she tracks her online activity.
WHY: “Men, Women & Children” might as well have come with the subtitle, “Or Why the Internet is Really Bad,” because that’s pretty much the message that Jason Reitman is preaching in his latest film, an enjoyable but flawed drama about communication in the digital age. Of course, this isn’t the first time that the topic has been broached before. The little-seen 2012 drama “Disconnect” tackled similar material in its exploration of the muddled lines between reality and identity on the internet, and that film did a better job, partly because it had fewer storylines to juggle. Reitman handles the interconnected narrative remarkably well, but while “Men, Women & Children” has some interesting things to say, it doesn’t reveal anything that most people with a basic knowledge of the internet didn’t already know. Yes, going online can be dangerous, but there are plenty of beneficial things about it as well, and Reitman seems afraid to touch upon those aspects in fear that it will dilute his message. Is it a little heavy-handed and melodramatic as a result? You bet, but there’s enough good in the film – or at least good intentions – that it’s able to hold your interest even when it’s not firing on all cylinders.
EXTRAS: There are five deleted scenes (including an additional storyline), as well as a short behind-the-scenes featurette and interviews with director Jason Reitman and the cast about the effect of technology on our lives.
FINAL VERDICT: RENT
WHAT: Set in New York City during the late 1980s and early 90s, two Chinese immigrants (Justin Chon and Kevin Wu) are pressured into joining the Green Dragons gang, quickly moving up the ranks as the organization gains notoriety within the community.
WHY: With “Infernal Affairs” director Andrew Lau behind the camera, and Martin Scorsese serving as an executive producer, you’d be forgiven for thinking that “Revenge of the Green Dragons” might actually be decent. Instead, it’s a cliché-ridden gangster film posing as a sprawling crime saga that’s plagued by a lack of character development, unintentionally funny dialogue (sample line: “There’s a storm coming, and I don’t know of any umbrella that can keep the city dry.”), and cheesy guitar riffs that, while they certainly belong to the era, only add to the comedy. One of the big selling points of the movie is that it’s supposedly inspired by real-life events, but the historical bits are shoved to the background in favor of the more generic story involving Chon and Wu’s characters. Neither actor is very good, but Harry Shum, Jr. (“Glee”) takes the cake as the gang’s business-minded boss, whose performance comes across like a low-rate Bruce Lee impersonator. Though Ray Liotta’s appearance as the FBI agent investigating the Green Dragons is meant to lend some credibility to the film, it does the complete opposite, while the last-minute twist reeks so bad of desperation that it’s as if Lau is trying to recapture the success of “Infernal Affairs” for American audiences. The only problem is that Scorsese already beat him to the punch.
EXTRAS: There’s an audio commentary by directors Andrew Lau and Andrew Loo, a trio of production featurettes and some deleted scenes.
FINAL VERDICT: SKIP