It’s been just over a decade since Arnold Schwarzenegger’s last major film role, but after dusting off the cobwebs in last year’s “The Expendables 2,” it’s hard to imagine a more perfect comeback vehicle than “The Last Stand.” Directed by Korean filmmaker Kim Jee-woon, the movie not only reintroduces Schwarzenegger as an older, wiser action hero, but it harkens back to earlier films like “Commando,” when you could get away with being silly as long as it was fun. The first half is a pretty slow burn as Kim patiently builds up to the climactic showdown between Arnie’s band of small-town cops and the bad guys, and though there are some entertaining set pieces along the way, the movie would have benefited from a stronger sense of urgency. Once the film arrives at its big standoff, however, “The Last Stand” is given a much-needed adrenaline shot that cranks up the intensity and violence, more than earning its R rating with some cool gunplay. The movie is far from Jee-woon’s best work, but it’s a mostly enjoyable U.S. debut that will hopefully inspire audiences to track down some of his previous films. It also serves as a welcome return for Schwarzenegger, because no matter how you feel about the man, Hollywood just hasn’t been the same without him.

Blu-ray Highlight: None of the extras are particularly memorable on their own, but Lionsgate has provided a solid collection that includes a behind the scenes look at making the movie, a short weapons featurette, and an in-depth breakdown of the cornfield chase sequence.

It’s a little upsetting to think that “Side Effects” could be Steven Soderbergh’s directorial swan song, because he’s proven over the last few years that while not every one of his movies is a success, his ability to jump between genres with ease makes him one of the more exciting filmmakers in Hollywood. In addition to reteaming the director with past stars like Jude Law, Catherine Zeta-Jones and Channing Tatum, the film reunites Soderbergh with “Contagion” screenwriter Scott Z. Burns for another medical-themed thriller that strikes a similar chord of paranoia and Hitchcockian suspense. Though it’s not nearly as great as it could’ve been due to a slow first act, once the mystery at the center of the story is revealed, the movie eventually hits its stride, even if that means suspending your disbelief at times. Law, who’s always been a surprisingly underrated actor, delivers another solid performance as the hard-done psychiatrist, while Rooney Mara proves that “The Girl with the Dragon Tattoo” wasn’t a fluke. It’s hardly one of Soderbergh’s more memorable movies, but “Side Effects” is an enjoyably old school thriller that serves as a worthy bookend to an impressive career cut far too short.

Blu-ray Highlight: There’s a faux behind the scenes featurette that’s good for a few laughs and a pair of fictional drug commercials, but unfortunately, that’s it.

With the exception of a few movies on his resume, director Taylor Hackford has generally been a pretty disappointing filmmaker, so it’s not at all surprising to find that his latest effort follows in those footsteps. Though “Parker” marks the first time that author Donald E. Westlake’s famous hard-boiled criminal (whose adventures have been adapted for the big screen several times before) is referred to by his real name, it doesn’t change the fact that the movie fails on numerous levels. Jason Statham is an incredibly likeable action hero, but his brooding presence just doesn’t feel right for the title character, while Jennifer Lopez is terribly miscast in a part that serves little purpose to the overall story. The rest of the cast is comprised of great character actors like Nick Nolte, Michael Chiklis and Clifton Collins Jr., but their talents are wasted in throwaway roles. Having never read any of the books in the Parker series, it’s hard to say whether the film lives up to the source material, but as a fan of Mel Gibson’s turn as the antihero in “Payback,” it pales in comparison.

Blu-ray Highlight: Director Taylor Hackford provides an informative audio commentary about making the movie, including an interesting recount of the on-the-fly creativity required to capture the opening heist sequence at the Ohio State Fair, but the rest of the bonus material is about as generic as it comes.

It may seem lazy to draw such comparisons, but “Beautiful Creatures” is about as close to a “Twilight” clone that Hollywood has produced, trading vampires and werewolves for witches, and although the film shows more promise than its spiritual predecessor in the early stages, its overdependence on the main love story prevents “Beautiful Creatures” from distinguishing itself as anything other than a “Twilight” wannabe. Of course, one thing the movie has that the vampire saga didn’t is a pair of likeable leads, and that’s credit to authors Kami Garcia and Margaret Stohl’s source material, as well as newcomers Alden Ehrenreich and Alice Englert for bringing them to life. The film also benefits greatly from the prestige that Jeremy Irons, Emma Thompson and Viola Davis bring to the project (particularly Thompson, who’s clearly having a ball hamming it up as the villain), although that doesn’t save the film from its own inadequacies. Characters drop in and out of the story with no explanation and there’s so much babble about destinies, curses and rules that it becomes a jumbled mess of boring exposition. The movie’s unexpectedly goofy sense of humor helps to keep things light, but “Beautiful Creatures” doesn’t feel like it was made by a studio that loved the books, but rather the idea of success that a film adaptation might bring – all business and no soul.

Blu-ray Highlight: The two-disc combo pack includes a collection of mini-featurettes on everything from adapting the book for the big screen, to costumes and special effects, but they’re packed with so much filler that the bonus material feels like an afterthought.

Leave it to David O. Russell to create a romantic comedy as quirky, dark, funny and surprisingly touching as “Silver Linings Playbook,” because the movie is almost as crazy as its two leads. One minute a fiercely honest character study about a man coping with bipolar disorder, and the next minute a charming rom-com revolving around an amateur dancing competition, the film performs such an amazing tightrope act that it’s really to Russell’s credit that it doesn’t come crashing down like a house of cards. The movie wouldn’t be nearly as enjoyable if it weren’t for the risks it takes thematically, but none of that would matter without its incredible cast. Bradley Cooper finally gets the chance to show what he’s fully capable of in the best role of his career, and Robert De Niro has some great moments as Cooper’s superstitious father, but it’s Jennifer Lawrence (already so good at such a young age) who steals the show with a phenomenal performance fully deserving of her recent Oscar win.

Blu-ray Highlight: The making-of featurette, “The Film That Became a Movement,” does a great job of balancing the usual behind the scenes footage with cast and crew interviews promoting mental health awareness, while the Q&A highlights are worth watching for those who want to know more about the film’s production. And though most of the deleted scenes can be easily skipped, the alternate ending is a must-see for any fan of the movie.

You wouldn’t think that it’d be very hard for someone like David Chase – who helped reinvent the TV drama with “The Sopranos” – to get his feature film debut off the ground, but then again, “Not Fade Away” feels so hastily thrown together that it’s not surprising it took five years to do so. A good idea in need of a better script, Chase’s 1960s’set story about a kid trying to follow in the footsteps of The Beatles and The Rolling Stones to make it big as a rock n’ roll star doesn’t feature a single likable character. That makes enjoying its anticlimactic story even more difficult, because it’s hard to care what happens to anyone in the film when they’re as naïve, selfish and just plain boring as the characters here. James Gandolfini’s overbearing father is probably the most interesting (and levelheaded) of the bunch, and yet he’s portrayed almost like a villain. The music is good and the tale of failed stardom is more believable than most rock band movies, but that’s also what makes “Not Fade Away” so forgettable.

Blu-ray Highlight: Divided into three sections, “The Basement Tapes” offers a look at various aspects of the filmmaking process, including training the actors to play their respective instruments (with the help of Steven Van Zandt, no less), the 1960s setting and costumes, and the similarities between the story and David Chase’s teen years.

With the exception of her supporting roles in the two “Meet the Parents” sequels, it’s been 16 years since Barbara Streisand actually starred in a film, so it’s a little surprising that she chose “The Guilt Trip” as her highly anticipated return from semi-retirement. It’s not a bad movie by any means, but it’s one that left me feeling totally indifferent, and you’d expect more from someone as respected as the veteran actress. There’s just nothing particularly funny about anything that happens to Streisand and Seth Rogen’s characters over the course the film, and that’s mostly due to the fact that the material is really tame. Dan Fogelman’s script is incredibly formulaic, and apart from its somewhat twist ending, there are so few surprises that it would’ve been entirely forgettable without its two stars. You wouldn’t think that Streisand and Rogen would have such great chemistry, but they make the movie a lot more tolerable. Unfortunately, while “The Guilt Trip” may have sounded funnier on paper, it’s a fairly harmless mother-son comedy that fails to leave much of an impression.

Blu-ray Highlight: There aren’t any standout extras on the disc, but there’s a nice collection of behind-the-scenes featurettes and deleted scenes that should please fans of Barbara. If you can’t stand the sound of Seth Rogen’s annoying laugh, though, you might want to steer clear of the gag reel.

It’s been a while since Hollywood delivered a truly great mobster movie, and though “Gangster Squad” falls a little short of remedying that, it’s still an entertaining and welcome return to the genre, partially because it doesn’t take itself too seriously. Will Beall’s script does a good job of balancing the drama with brief moments of humor, while Sean Penn’s gleefully over-the-top turn as Mickey Cohen is just campy enough without being distracting. The action sequences are also really well done, although the unique visual style that Ruben Fleischer brought to “Zombieland” isn’t as prevalent here as it was in that movie. If there’s one thing that really makes the film worth seeing, however, it’s the killer cast. Josh Brolin is great as the leader of the titular squad, and it’s nice to see Ryan Gosling and Emma Stone rekindle their chemistry from “Crazy, Stupid, Love,” even if both parts are poorly underwritten. The other cast members don’t get as much to do, but having top-notch actors like Nick Nolte, Anthony Mackie, Michael Peña, Giovanni Ribisi and Robert Patrick in those supporting roles definitely elevates the material. The story is predictable, and it owes a lot to “The Untouchables,” but “Gangster Squad” is enjoyable in spite of all that.

Blu-ray Highlight: It’s a shame that Warner Bros. didn’t include the original movie theater shootout sequence among the deleted scenes, but the rest of the bonus material is pretty good. “The Gangland Files” collects many of the disc’s extras (including Focus Point mini-featurettes, historical trivia and other bits) into a picture-in-picture track that plays alongside the film, while the audio commentary with director Ruben Fleischer is informative but not terribly engaging.

Based on the true story of the Alvarez-Belon family – who were separated by the 2004 Indian Ocean tsunami while vacationing in Thailand, only to overcome incredible odds and be miraculously reunited – the aptly titled “The Impossible” is a stunning second feature by Juan Antonio Bayona that blends physical filmmaking with raw emotion. The tsunami sequence is a remarkable technical feat that perfectly captures the danger and desperation of being caught in the storm, and the scenes that follow are every bit as harrowing and intense as any horror film. That’s because “The Impossible” is essentially a real-life horror movie, although one that features some soul-baring performances by its cast. Naomi Watts and Ewan McGregor both deliver some of the best work of their careers as the two parents stuck in a difficult situation, while newcomer Tom Holland announces himself to the world with a star-making turn as the couple’s eldest son. The end result is not only an extremely well-made survival thriller, but a poignant celebration of the human spirit that deserves to be seen by all.

Blu-ray Highlight: Though the audio commentary with director J.A. Bayona, writer Sergio G. Sanchez and real-life survivor Maria Belon isn’t nearly as interesting as you’d expect considering the subject matter, there is a short but sweet behind-the-scenes featurette titled “Realizing ‘The Impossible’” that provides a cool look at filming the tsunami sequence using a combination of practical effects, models and CG.

The direct-to-video market has really improved over the last five years or so, with many films now featuring well-known actors keen to make a quick payday. But while the presence of these stars certainly makes the movies more appealing, there’s usually a good reason why they didn’t get a theatrical release, and in the case of “Pawn,” it’s down to some bad writing. Though the crime thriller starts out fairly promising, it doesn’t take long before the film devolves into a poorly scripted mess filled with stupid characters, contrived plot twists and one of the worst rush job endings you’ll ever see. The movie tries really hard to be clever, but it just comes off as unnecessarily complex, with strange decisions on both sides of the camera. Michael Chiklis, sporting a Cockney accent for some strange reason, is the best thing about the film, but unfortunately, the rest of the big names (like Forest Whitaker, Stephen Lang and Ray Liotta) don’t have nearly as much to do. With a better script, “Pawn” could have been a lot more enjoyable, but instead, it’s just another example of good actors stuck in a bad movie.

Blu-ray Highlight: The only extra on the disc is a 23-minute behind the scenes featurette that’s pretty hard to sit through. Not only does it include the usual self-congratulatory interviews with the cast and crew, but it’s done in such a confident and overenthusiastic manner that you’d think they were making a future Oscar winner.

Though the director doesn’t make very many films, when Tarantino does release a new one, it’s always met with the same kind of crazed excitement usually reserved for summer tentpoles, and that’s because his movies are practically big events themselves. After dabbling in just about every genre at this point in his career, it was only natural that he would eventually try his hand at making a Western, even if “Django Unchained” is more of a genre mash-up between a spaghetti western and a blaxploitation film, complete with all the musical cues, whip pans and other stylistic flourishes. The film also reveals itself to be somewhat of a buddy comedy, and this is when “Django Unchained” is at its best, delivering some of Tarantino’s funniest dialogue and anchored by yet another show-stopping performance from Christoph Waltz. By the time Leonardo DiCaprio’s charming but villainous plantation owner is introduced, however, the movie starts to lose steam. Though DiCaprio is a lot of fun to watch in the role, the second half of the film drags on for too long, and that’s coming from someone who usually welcomes Tarantino’s tendency towards excess. “Django Unchained” is propped up by a pair of fantastic performances and is filled with plenty of classic Tarantino moments, but it’s hard not to feel a little letdown, because it simply doesn’t live up to the high standards set by his previous films.

Blu-ray Highlight: A review copy wasn’t provided in time, but if other sources are to be believed, the included bonus material is a bit lackluster, with only a handful of extras (including featurettes on the film’s costumes, stunts and production designer J. Michael Riva) and no audio commentary by Tarantino.

Steven Spielberg has been trying to make a movie about Abraham Lincoln for so long that it seemed like it might never happen. But after years stuck in development, his passion project finally got made, albeit with a different actor in the title role. Though Daniel Day-Lewis is certainly no slouch, the prospect of Liam Neeson reteaming with his “Schindler’s List” director was a lot more exciting. Nevertheless, Day-Lewis proves himself a more than adequate replacement as the 16th U.S. President, commanding the screen with a vigor that combats the film’s languid pace. His Lincoln is stubborn and stoic, but also witty when the mood permits, and though he was the only cast member to win an Oscar for his performance, the acting is top-notch all around, including fellow nominees Tommy Lee Jones and Sally Field, and James Spader as a slimy lobbyist. While the more bureaucratic scenes drag on for too long, they’re a big part of what “Lincoln” is all about and provide some of the film’s best moments. The movie does get a little too caught up in the intricacies of the political process at times, but it’s an engaging behind the scenes look at one of the country’s most historic moments.

Blu-ray Highlight: A review copy didn’t arrive in time, but some quick research shows that there are two versions of the Blu-ray available: a barebones two-disc edition with a pair of brief featurettes and a four-disc edition with an additional 65 minutes of bonus material. If you’re a history buff, or you just really like behind-the-scenes extras, go with the latter set. Otherwise, the two-disc version should suffice.

Unlike his polarizing 2007 Western, “The Assassination of Jesse James by the Coward Robert Ford,” Andrew Dominik’s “Killing Them Softly” is much more accessible, despite the fact that it’s unlike your typical gangster movie. Though there’s a certain familiarity to the story, and it features the kind of violence and brutality that we’ve come to expect from the genre, the film is mostly comprised of lengthy, dialogue-heavy scenes that are almost Tarantino-esque in nature. They occasionally don’t go anywhere, and some drag on a longer than necessary, but the dialogue is so sharply written and the characters so richly imagined that it’s easy to be sucked into the seedy criminal underworld that Dominik has created. The movie can be a tad too political at times with its allegorical comparisons between mobsters and corporate America, but the film is just as enjoyable without all the commentary thanks to its fantastic ensemble cast. Of course, in making it feel like less of a gangster movie, “Killing Them Softly” actually feels oddly more genuine as a result. “Jackie Brown” is still the best when it comes to talky crime thrillers, but Dominik’s latest film at least deserves to be part of the discussion.

Blu-ray Highlight: Unfortunately, there aren’t many options in the special features department except for a small batch of deleted scenes and an all-too-brief making-of featurette. The actors all have nice things to say about director Andrew Dominik, but an audio commentary with Dominik or some of the cast would have been appreciated.

Like peanut butter and jelly, there’s something irresistible about the combination of Julia Louis-Dreyfus and TV. From “Saturday Night Live,” to “Seinfeld,” to “The New Adventures of Old Christine,” the actress has been making people laugh for the better part of the last three decades, and if the first season of the HBO comedy “Veep” proves anything, it’s that she’s still one of the funniest women in the business. Created by Armando Iannucci (“The Thick of It,” “In the Loop”), “Veep” is a lot more absurd than the biting political satire of his previous work, but it’s a consistently funny look at one of the strangest jobs in U.S. politics: Vice President, a surprisingly powerless position considering it’s only a heartbeat away from becoming the most powerful person in the country. Though Iannucci spends plenty of time exploring that concept in the eight-episode first season, he uses that platform as a way of lampooning the inner workings of the U.S. government as a whole as well. The jokes don’t always land, and the series gets increasingly more ridiculous by the episode, but with Louis-Dreyfus’ Emmy-winning performance to fall back on, “Veep” is the best place to find laughs on HBO until “Curb Your Enthusiasm” returns.

Blu-ray Highlight: It looks like HBO is finally starting to step up its game in the special features department. In addition to cast and crew audio commentaries on every episode (12 in total, with some episodes boasting multiple tracks), “The Making of Veep” is an enjoyable behind-the-scenes look at the series, covering topics like the creative process, the ensemble cast and replicating the Vice President’s office.

It was never going to be an easy job adapting “The Hobbit” for the big screen, especially after the success of the “Lord of the Rings” trilogy, and although that likely played a part in Peter Jackson’s initial decision to let another director take the reins, at the end of the day, it just wouldn’t have felt right with anyone else behind the camera. Not only does Jackson know the source material inside and out, but in keeping with the same tone and breathtaking visuals from the original trilogy, the movie feels like it’s part of a bigger story. Granted, “An Unexpected Journey” only covers about a third of Tolkien’s novel, and as a result, there are times when the movie seems to be holding back in fear that it’s covering too much too soon. Martin Freeman is perfectly cast as the young Bilbo, and Ian McKellan effortlessly slides back into the role of Gandalf, but the dwarves are another matter, with Richard Armitage’s leader the only one to really distinguish himself from the pack. However, the film’s real MVP is Andy Serkis, who delivers his best work as Gollum in perhaps the most memorable scene of all four movies. “An Unexpected Journey” still falls a bit short of “The Lord of the Rings” in the end, but it’s a delightfully fun trip back to Middle-earth whose biggest flaw is not knowing when enough is enough.

Blu-ray Highlight: It’s a bit disappointing that the only bonus material Warner Bros. saw fit to include on the Blu-ray are the two hours’ worth of video blogs that were already made available online in the lead-up to the film’s release. With that said, it’s an impressively in-depth look at the making of the first movie (back when it was only two parts), from location filming in New Zealand, to shooting in 3D and 48 fps, to the dwarves’ intricate makeup and costumes, and much more. Some newer extras would have been nice, but with the inevitable Extended Edition in the pipeline, it’s not much of a surprise either.

Regardless of how you feel about torture techniques or the controversial release of classified information to writer Mark Boal about the decade-long hunt for Osama bin Laden, it’s hard not to be totally engrossed by “Zero Dark Thirty,” especially since it represents a major moment in U.S. history. Jessica Chastain is brilliant as the CIA agent whose obsession with tracking down bin Laden helped lead to his eventual death, while Jason Clarke also delivers a standout performance as a fellow agent working the case. Though this ridiculously in-depth account of the CIA’s search for the al-Qaeda leader could have been an extremely dull affair in someone else’s hands, director Kathryn Bigelow injects the film with the same level of intensity and suspense that made “The Hurt Locker” so riveting. It certainly makes for some fascinating viewing material, and the final 20 minutes – comprised of the climactic attack on bin Laden’s Pakistan compound – are some of the most exciting of any movie released this year.

Blu-ray Highlight: The lack of an audio commentary by director Kathryn Bigelow or writer Mark Boal stings a little bit, and none of the included extras are necessarily must-see, but together they form a decent collection of bonus material that covers the construction of bin Laden’s compound, the authenticity of the SEAL Team 6 equipment (including the top secret stealth helicopters), and Jessica Chastain’s lead character.

It may seem a little suspect releasing another R-rated comedy about bridesmaids behaving badly so soon after Paul Feig’s Oscar-nominated film became a box office hit, but that’s pretty much where the similarities end between “Bachelorette” and “Bridesmaids.” In fact, those claiming that the former is just a cheap rip-off might be surprised to discover that Lesyle Headland’s directorial debut is actually based on her pre-“Bridesmaids” stage play of the same name. Unfortunately, despite its excellent cast and my indifference for the overrated Kristen Wiig comedy, “Bachelorette” is actually worse. For starters, there’s not a single likable character in the entire movie, and most of them are selfish, emotionally-stunted individuals who wouldn’t know how to exist in the real world. Though it’s great seeing Adam Scott and Lizzy Caplan reunited after the cancellation of “Party Down,” that’s about all the film has to offer. “Bachelorette” isn’t just mean-spirited and completely unfunny – it’s surprisingly boring as well. Maybe the story works better on the stage, because the film version isn’t nearly as entertaining as its cast seems to think.

Blu-ray Highlight: There’s not much in the way of special features, but if you don’t mind sitting through the movie a second time, writer/director Lesyle Headland’s audio commentary is worth a listen, especially for any aspiring filmmakers interested in what it’s like to shoot your first feature.

It’s hard to believe that it’s been 20 years since the release of Steven Spielberg’s “Schindler’s List,” but even after all that time, it remains one of the director’s finest films and arguably the best movie ever made about the Holocaust. Though the film is plagued by many of the typical Spielbergian problems – namely its bloated runtime, which is even worse than usual due to the somewhat meandering pace and useless subplots – Janusz Kaminski’s cinematography is superb (it looks even better in high definition) and the acting is great all around. Liam Neeson and Ralph Fiennes’ Oscar nominations were both fully deserved, delivering some of the best work of their careers as the heroic Schindler and psychotic SS officer Amon Goeth, respectively, while Ben Kingsley’s absence from the Supporting Actor category feels unjust in hindsight. Still, the movie walked away with seven Academy Awards that year – including Best Picture, Best Director and Best Original Screenplay – so it’s not like it didn’t receive its fair share of recognition, and now that it’s finally on Blu-ray, a whole new generation of moviegoers can finally enjoy Spielberg’s excellent drama the way it should be seen.

Blu-ray Highlight: The Blu-ray doesn’t actually feature any bonus material, but the accompanying DVD version does, although the only extra of note is a documentary from 2004 that combines archival footage with survivor interviews about the Holocaust. It’s just a pity that Steven Spielberg couldn’t be bothered to do an audio commentary.

It’s been quite awhile since I saw an animated movie that I really loved (the kind you can watch over and over again), but Disney’s “Wreck-It Ralph” is that good. Though it was unfairly snubbed at this year’s Oscars in favor of Pixar’s mediocre fairy tale “Brave,” Rich Moore’s directorial debut has a much better chance of standing the test of time, even if the early rumors of a sequel don’t exactly fill me with glee. After all, its wildly inventive premise is one of the many things that separate “Wreck-It Ralph” from other films in the genre, and the fact that it appeals to video game fans of all ages certainly doesn’t hurt. The digital cameos lend some authenticity to Ralph’s world and are smartly integrated into the story without drawing too much attention, while the casting is pretty much spot-on, especially John C. Reilly as the title character and Sarah Silverman as his spunky sidekick. Though it would have been fun to see Ralph game-jump into more than a few games, I guess something has to be saved for the sequel, no matter how bad of an idea it may sound.

Blu-ray Highlight: Hosted by Nerdist’s Chris Hardwick, Disney’s latest Intermission feature reveals some of the film’s Easter Eggs whenever the disc is paused, but the real highlight is John Kahrs’ visually stunning (and Oscar-winning) “Paperman” short.

As far as 1980s cult classics go, “Red Dawn” isn’t the most popular of the bunch, but it is one of the few movies to receive a remake that actually makes sense. Though it’s hard to beat the cast of the original, director Dan Bradley’s update boasts a solid group of young actors, including Chris “Thor” Hemsworth and Josh Hutcherson. The only real problem is Josh Peck, who isn’t terribly convincing as the impulsive star quarterback and falls flat in many of the film’s more emotional scenes. Thankfully, the movie doesn’t rely too heavily on the strength of its characters to move the story along, but when your lead is as bad as Peck is here, it’s hard to ignore. A lot of the film’s success ultimately comes down to the excellent action sequences, and that’s where having a guy like Bradley – who worked as a stunt coordinator and second unit director on several big movies – pays off. He may not get the best performances from his actors, but the action scenes are never lacking in excitement. Granted, the movie is about as subtle as a chainsaw, but it doesn’t try to hide what it is either, and that’s what makes “Red Dawn” such a fun guilty pleasure.

Blu-ray Highlight: A review copy didn’t arrive in time, but after the film’s theatrical release endured such a long delay, it’s hard to imagine MGM going all out for this one.

Aaron Sorkin’s “The Newsroom” may have been my favorite freshman series of last year, but when it comes to HBO, “Game of Thrones” is (appropriately) still king. There’s nothing else quite like it on television, and though Season Two wasn’t as good as the first season on an episode-to-episode basis, the payoff was arguably even better, showing the full complexity and richness of the universe that George R.R. Martin created. As anyone who watches the series can attest, there are a lot of moving parts to keep track of, and though several new faces were introduced in the second season, it’s the familiar ones that remain the best reason for tuning in, including Peter Dinklage as Tyrion Lannister, Kit Harrington as Jon Snow, and Maisie Williams as the cute but headstrong Arya Stark. Emilia Clarke’s Daenerys Targaryen is regrettably saddled with a boring subplot this time around, but Season One background players Alfie Allen and Richard Madden are given much more to do, and the show is ultimately better for it. The scope of the series also seems to grow with every season, and as a fan of what David Benioff and D.B. Weiss are doing with Martin’s source material, I can’t wait to see what they come up with next.

Blu-ray Highlight: Much like last season, there’s a wealth of extras on the five-disc set, including a roundtable discussion with several cast members and a look at shooting the Battle of Blackwater Bay. The real highlight, however, is the 12 audio commentaries recorded by various cast and crew. There’s one track for every episode except “The Ghost of Harrenhal,” and Episodes 3, 9 and 10 each have two commentaries a piece.

Ben Affleck may have proved that he was more than just a one-hit wonder with “The Town,” but for his next project, the multihyphenate moved away from the comforts of Boston to a much larger stage, delivering his best film in the process. A politically charged thriller that felt eerily timely in the wake of the U.S. embassy attacks in Libya, “Argo” is unique in that it also juggles a lighter Hollywood insider subplot in addition to its main story. By all accounts, it shouldn’t work, but Affleck makes the blending of the contrasting tones seem effortless. The comedy provided by Alan Arkin’s veteran producer and John Goodman’s makeup artist never undercuts the seriousness of the action in Tehran, and yet the strategically placed laughs help break up the tension that mounts over the course of the film. It’s been a while since a movie literally had me on the edge of my seat, but “Argo” is extremely taut and suspenseful, topped off by a fantastic nail-biter ending and one of the year’s best ensembles. The fact that it’s also based on a true story is simply the icing on the cake.

Blu-ray Highlight: There’s so much great material here that it’s hard to choose. The feature-length picture-in-picture track boasts interviews with the people involved in the event (like CIA operative Tony Mendes, former U.S. President Jimmy Carter, former Canadian ambassador Ken Taylor and the “house guests”), while director Ben Affleck and writer Chris Terrio discuss the actual making of the movie on the disc’s audio commentary. Also worth checking out is the excellent retrospective “Rescued from Tehran: We Were There,” which uses additional interviews with the real-life subjects about their memories of the event, and the making-of featurette “Absolute Authenticity.”

If there’s one director whose films I’ll watch no matter what the subject matter, it’s Joe Wright. The British-born filmmaker has a knack for making stuffy love stories interesting (see: “Pride and Prejudice” and “Atonement”), but unfortunately, even he falls short with his big screen adaptation of Leo Tolstoy’s “Anna Karenina.” Though the popular Russian novel has been adapted so many times that there really wasn’t a need for another interpretation, Wright at least brings something new to the material with his inspired theatrical setup. It’s like watching an acting troupe perform a play in your living room (complete with intricate, movable sets), and it’s an awe-inspiring piece of filmmaking… at least for the first act or so. By the midway point, Wright has pretty much given up on the theater gimmick in favor of a more traditional storytelling method, and it saps what little energy the movie had going for it. The main love story is insufferable and boring, and although there are some good performances from supporting players like Matthew Macfadyen and Domhnall Gleeson, it’s not enough to hold your interest. Still, it’s better than reading the book.

Blu-ray Highlight: There’s a good amount of bonus material on the making of the film – including a look at transforming a single theater space into the various sets and how it was accomplished during production – but listening to director Joe Wright explain the process and the reasoning behind it on the audio commentary is far more interesting.

Just like a good scotch, it’s amazing what a little time can do for a movie’s quality. After the disappointing “Quantum of Solace,” it was imperative that the next James Bond film didn’t follow suit, and although the MGM bankruptcy fiasco that put production indefinitely on hold was worrying, it turned out to be a blessing in disguise. Not only does the story feel more polished as a result, but it features one of the best Bond villains in the series’ history. Javier Bardem’s platinum-haired cyber-terrorist doesn’t appear until the midway mark, but the actor makes the most of his limited screen time, including a particularly memorable introduction. It’s hard to imagine Bardem would have even been interested in doing a Bond movie if it weren’t for Sam Mendes, and the same could probably be said for the rest of the cast as well. Though he was certainly an unconventional choice, having a director of Mendes’ caliber behind the camera is something the Broccolis should strive for more often, because it’s clear from the start that “Skyfall” is in a totally different class than past installments. It has everything you could want in a 007 film – action, intrigue, style and even a little humor – resulting in Daniel Craig’s best Bond adventure to date.

Blu-ray Highlight: A review copy wasn’t provided in time to sample the bonus material, but between the audio commentary by director Sam Mendes and the 13-part making-of featurette “Shooting Bond,” it’s a safe bet that diehard fans won’t be disappointed.

It’s not every day that the author of a critically acclaimed novel gets the chance to adapt their book for the big screen, let alone direct it, but after watching Stephen Chbosky’s “The Perks of Being a Wallflower,” it’s hard to imagine anyone else doing a better job. After all, Chbosky knows the material inside and out, and it definitely shows in this modest but heartwarming tale about finding your place in the world. It’s your typical coming-of-age story, but one that’s handled with a certain level of maturity rarely found in high school films, and though the comparisons to “The Breakfast Club” may be somewhat warranted, it’s one of the few movies about high school that actually gets it right. Logan Lerman, Emma Watson and Ezra Miller deliver excellent performances in their respective roles (especially Miller as the openly gay senior that takes Lerman’s freshman under his wing), and Chbosky’s deft script earns every emotional moment. It’s just a shame that “The Perks of Being a Wallflower” got lost in the awards season shuffle, because it’s one of 2012′s very best.

Blu-ray Highlight: In addition to a short but sweet featurette about the close friendships formed while making the film, the Blu-ray also includes a pair of audio commentaries. The first track with writer/director Stephen Chobsky is definitely the more informative of the two, but the second track with Chobsky and his young cast is more entertaining.

Writer/director Ben Lewin’s “The Sessions” may sound like some really bizarre cross between “The 40-Year-Old Virgin” and “My Left Foot” – after all, it’s essentially about a disabled man (real-life polio survivor and journalist Mark O’Brien) trying to get laid for the first time – but this incredibly low-key and feel-good dramedy is about so much more, and that’s why it was such a big hit at last year’s Sundance Film Festival. Though it would have been all too easy to produce the kind of heavy-handed Oscar bait that you normally see with these types of true inspirational stories, Lewin never martyrizes his main character, instead relying on O’Brien’s charming personality and self-deprecating wit to lighten the mood. The sex scenes are also handled with a frankness and intimacy that you don’t see very often in films these days, and that, coupled with a pair of superb, award-worthy performances by John Hawkes and Helen Hunt, is what makes “The Sessions” such a joy to watch.

Blu-ray Highlight: Like “Skyfall,” a review copy wasn’t provided in time for press (blame Fox), but I’ll update this space as soon as I’m able to check out the bonus material.

Lee Toland Krieger’s Sundance hit is the antithesis of the traditional romantic comedy. Instead of telling a story about two people who meet cute and fall in love, it’s about a married couple who’s recently separated and is trying to move on with their respective lives, despite the fact that they can’t quite let the other go. It’s more mature than most Hollywood rom-coms, and to even label it a comedy would be a disservice to some of the bigger emotional beats that take place throughout the movie. Thankfully, the film isn’t nearly as depressing as it could have been, and that’s a credit to co-star Rashida Jones and Will McCormack’s well-balanced script, which is refreshingly honest in its depiction of love, friendship and marriage. Jones and Andy Samberg are both great as the title characters – especially the former, who’s written herself the best role of her career – while Elijah Wood fares the best of the large supporting cast. Although the movie ends almost as predictably as a majority of rom-coms, the journey there is much more entertaining and rewarding.

Blu-ray Highlight: The audio commentary with Rashida Jones and Andy Samberg may not be as fun to listen to as it clearly was to record, but the other track with Jones, co-writer Will McCormack and director Lee Toland Kreiger is much better, focusing more on the actual making of the movie. And though making-of featurettes are pretty hit and miss, the one included here is actually worth watching and features various cast and crew discussing the story, its themes and the actual events that served as inspiration.

The debate about film versus digital cinema has been really heating up in recent years, and it’s at the center of Christopher Kenneally’s documentary “Side by Side.” Narrated by Keanu Reeves, the movie examines the evolution of the digital format while speaking with various directors, cinematographers, editors and actors (some admittedly more reputable than others) about their thoughts on the matter. To my surprise, the documentary is pretty one-sided, with a majority of the subjects either big proponents of the digital format (like George Lucas, James Cameron, et al.) or ones that have gradually adopted it. The only well-known pro-film advocates are director Christopher Nolan and his longtime DP Wally Pfister, and they don’t get as much screen time as you’d hope. With that said, the movie is an interesting look at how far cinema has come in the last 20 years (looking beyond just the photography side at digital editing, color timing, 3D, projection and archiving) that any film geek will enjoy. As for the debate itself, it’s really just a question as to which one you prefer, because there’s no reason why both formats can’t mutually exist.

Blu-ray Highlight: There isn’t much in the way of bonus material, but the disc does include about 16 minutes of additional interviews, including one particularly interesting anecdote from Robert Rodriguez about making “Grindhouse” with Quentin Tarantino.

Like most Happy Madison productions, “Here Comes the Boom” isn’t very good, but when compared to Kevin James’ past starring vehicles, there’s no question that it’s a major improvement. That doesn’t make his latest film any less of a disappointment, but it does provide a sliver of hope that James has finally graduated from making juvenile comedies like “Paul Blart: Mall Cop.” In fact, it’s only because the actor is so likeable that the film almost manages to overcome its various problems, though he doesn’t get much help from his co-stars or the humorless script. For a movie about mixed martial arts, it’s also surprisingly light on action. There are a few fight scenes scattered throughout, but with the exception of the big finale, the sport never really gets the attention you’d expect, and at that point, you might as well just watch “Warrior” again instead. “Here Comes the Boom” certainly had the makings of a decent comedy, but when the laughs are so rare that you can count them on one hand, it’s not surprising that it leaves such a bland taste in your mouth.

Blu-ray Highlight: Sony definitely hasn’t skimped on the bonus material for the film’s Blu-ray release – which includes about 16 minutes of deleted scenes, a short gag reel and a series of production featurettes – but none of them are particularly memorable.