Movie Review: “Rogue One: A Star Wars Story”

Starring
Felicity Jones, Diego Luna, Ben Mendelsohn, Alan Tuydk, Riz Ahmed, Mads Mikkelsen, Forest Whitaker, Donnie Yen, Wen Jiang
Director
Gareth Edwards

With “Rogue One: A Star Wars Story,” director Gareth Edwards has made an entertaining and intense, if mildly frustrating, war picture set in a galaxy far, far away. As a huge blockbuster, its tone, morally ambiguous characters and often bleak resolutions set it apart from standard studio fare. The first standalone Star Wars picture is sometimes as admirable as it is enjoyable, but it also has some glaring problems that are clearly holding the movie back from reaching its full potential. The good news is that it’s still a fine start to this new branch of standalone Star Wars stories.

The story opens with a young Jyn Erso (Felicity Jones) seeing her father, Galen Erso (Mads Mikkelsen), being taken away by the Empire’s Orson Krennic (Ben Mendelsohn) in order to complete construction on a powerful space station called the Death Star. After her father is kidnapped, Jyn is raised by rebel-turned-extremist Saw Gerrera (Forest Whitaker), a standout character who’s barely human. Chris Weitz and Tony Gilroy’s script then cuts to an older, more dangerous Jyn in custody of the Empire. She’s been living much of her life under pseudonyms until she’s intercepted by Rebel forces and commanded to lead them to Saw Gerrera. Leading the mission are Captain Cassian Andor (Diego Luna), who doesn’t trust Jyn, and a quippy, rewired Imperial droid named K2-SO (Alan Tudyk), who calculates that the odds she will betray them are strong. In the end, however, Jyn agrees to join the small band of rebels in an attempt to steal the plans for the Death Star.

Read the rest of this entry »

  

You can follow us on Twitter and Facebook for content updates. Also, sign up for our email list for weekly updates and check us out on Google+ as well.

Movie Review: “Mississippi Grind”

Starring
Ben Mendelsohn, Ryan Reynolds, Sienna Miller, Analeigh Tipton
Director
Anna Boden & Ryan Fleck

Gambling addiction has been explored to terrific results on film, with two of the finest examples being Robert Altman’s “California Split” and “The Gambler,” both the original film starring James Caan as well as the overlooked Mark Wahlberg-led remake. The tropes of gambling films are well-established, and writing/directing duo Anna Boden and Ryan Fleck (“Half Nelson”) aren’t afraid to acknowledge those conventions in their newest and deeply human film, “Mississippi Grind.”

At the start of the story, Gerry (Ben Mendlsohn) has already hit rock bottom. The gambling addict has a rightfully bitter ex-wife, a job as a real estate agent that he’s no good at, and he owes money to everybody. His luck quickly changes when he meets Curtis (Ryan Reynolds), a younger, more charming and luckier fellow. Curtis is a people person, and he wants to help Gerry out, so the two gamblers decide to team up and go on a road trip through the South, hitting up all the big games and casinos together, with Curtis bankrolling Gerry.

This might be Boden and Fleck’s best collaboration to date. Their script is dense yet loose, hugely influenced by Altman’s approach to “California Split.” In fact, the first half of “Mississippi Grind” almost plays out as an unofficial remake of the 1974 film, sharing more than a few character traits and story beats in common. But what could’ve been a recycled, pale imitation of Altman’s film ends up standing on its own. “Mississippi Grind” features fully realized characters, from the film’s stars to the small supporting roles. We get snippets of other gamblers’ lives, whether at the poker table, or in a friendly and seemingly random exchange with Gerry and Curtis, and these discussions create a lived-in, believable atmosphere – one filled with highs and lows, desperation and joy.

Read the rest of this entry »

  

Movie Review: “Starred Up”

Starring
Jack O’Connell, Ben Mendelsohn, Rupert Friend, Peter Ferdinando, Sam Spruell
Director
David Mackenzie

Anyone that watches movies for a living must constantly keep their finger on the pulse of what’s happening in cinema, but it’s easy for one to slip through the cracks, which is why it’s so exhilarating when a small indie like “Starred Up” comes out of nowhere and knocks you flat on your ass. Penned by first-time screenwriter Jonathan Asser, who spent time working as a therapist within the British prison system, the film is scary in just how realistic it feels at times. From the cell block politics, to the crooked authorities supposedly in charge of keeping the peace, “Starred Up” doesn’t pull any punches in its tough and gritty depiction of prison life.

The movie’s title refers to the act of transferring a young offender from a juvenile detention center to an adult penitentiary prematurely, and in the case of 19-year-old Eric Love (Jack O’Connell), he’s been relocated two years early due to the frequency and severity of his violent outbursts. When his volatile temper quickly earns him enemies among both the guards and fellow inmates, Eric is approached by a volunteer psychotherapist (Rupert Friend) about attending his anger management class, which he believes will provide hope to the young man that he can someday function normally in society. But while his estranged father Neville (Ben Mendelsohn), who also happens to be doing time in the same prison, encourages him to accept the free help, his constant meddling causes Eric to wonder whether he’s actually there to protect him or contribute to the abuse.

Read the rest of this entry »

  

Related Posts