It’s not often that a romantic movie sparks a sequel, and even rarer when the sequels are set nine years apart. The relationship between actors Ethan Hawke, Julie Delpy and director Richard Linklater is just as unique as the characters Hawke and Delpy portray in their latest film, “Before Midnight.” The dialogue-heavy film focuses on the struggles of married life and the sacrifices that must be made. Recently, the trio sat down to discuss the collaborative effort involved and how they’ve managed to stay on the same creative page over the last 18 years.
BULLZ-EYE: The couple deals with the problem of moving to another country to be with their partner. Have any of you faced that kind of decision?
ETHAN HAWKE: Part of the idea of the movie is that it’s very easy to look at a romantic relationship when there’s an obvious bad guy. One person’s an alcoholic or one person is abusive, but what if you were to take two well-meaning people who actually love each other and want the best for each other? It’s still hard. We paint that portrait. I think anyone who’s been in a long term relationship, whether it feels as dramatic as Chicago and Paris, it’s whether or not your lives are still growing on the same road or does one need to change the road to keep growing.
JULIE DELPY: That’s what it’s about. There’s no bad guy, in particular. They still have to make compromises and they all feel like who’s making the most compromises and what compromise might jeopardize their relationship and their love. It’s all about finding the right road, and the road is this small not for it to fall apart. In a long term relationship, you always have to make choices. Actually, their relationship starts with a choice that Jesse makes, which is to follow his heart, but that comes with consequences. The film starts with the consequences of that choice. We find out that there’s a situation again where they have to make a choice. Jesse’s putting in her face that he might want to move back to the States, but it might jeopardize their entire life, so the life of a relationship.
RICHARD LINKLATER: That’s appropriate for where they find themselves in life. In the first movie, for instance, they’re unattached. You see how easily they get off a train and go home a day later and do whatever. You have that looseness. They both actually moved around a lot over the years, but when they were single and unattached. Now, you see how difficult that is to maneuver through life with the exact same person and stay on the same track. It’s tough.
ETHAN HAWKE: We will also take questions about your personal relationships and advise you. (laughs)
BE: What are the challenges of performing the long dialogues in the movie, especially the one in the car with the kids?
JULIE DELPY: Just mentioning that scene gives me a flashback of anxiety. (laughs) My heart is already beating slightly faster.