Movie Review: “Interstellar”

Starring
Matthew McConaughey, Anne Hathaway, Jessica Chastain, Casey Affleck, David Gyasi, Wes Bentley, Michael Caine, John Lithgow
Director
Christopher Nolan

A coworker of mine is hoping that he can convince his wife to take their two girls to see “Big Hero 6” while he ducks into another theater to see Christopher Nolan’s new film “Interstellar.” Here’s the irony: the moral of “Interstellar” is that he should see “Big Hero 6” with his kids instead.

This is both an impossibly dense movie, and a deceptively simple one. The quantum physics talk and the hypotheses regarding time and space turn out to be a bit of a red herring. The true essence of “Interstellar” is about love, and Anne Hathaway’s character sums it up perfectly: time can contract and expand, but it can’t go backwards. In a nutshell, Nolan spent $165 million and 169 minutes telling us to seize the day with our loved ones. That’s a great message, and he pulls a number of incredible technical achievements in the process, but with “Interstellar,” Nolan has fallen into a trap that has caught many before him: the pitfalls of autonomy.

Set in an undefined but presumably not-too-distant future, Earth is suffering another Dust Bowl period, crops are dying, and there is reason to believe that the children will be the last generation Earth will ever know. Former astronaut Cooper (Matthew McConaughey) has taken up farming to help the cause, but a series of strange events leads Cooper and his daughter Murphy (Mackenzie Foy) to an off-the-grid NASA facility, where a team is preparing to investigate a series of planets in a far-off galaxy, courtesy of a wormhole, to see if life is sustainable. They need a reliable pilot, though, and they ask Cooper if he will join them. Cooper is understandably conflicted, since there is no guarantee that he will return, but he ultimately decides that the salvation of the human race is the nobler goal, and he joins Amelia Brand (Hathaway), Doyle (Wes Bentley), and Romilly (David Gyasi) on a boom-or-bust mission to find another Earth.

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Friday Video – Guns n’ Roses, “November Rain”

Click here to listen to Guns n’ Roses’ Use Your Illusion I on Spotify

Because it’s November, and odds are, wherever you are, it’s raining.

Holy cow: this video has been played 66 million times. That’s amazing.

Happy Black Friday, everyone. We hope you weren’t stabbed with a box cutter at a midnight madness sale. You know, like this one.

  

Bullz-Eye’s 2011 Oscar Recap: Anne Hathaway of making us tingly

We love the Oscars. We just wish that they loved us back. Every year we get excited about the big show, and every year we feel a little sad when they’re over, and not because the show is over, but because they just can’t surprise us anymore. The major categories are all decided weeks before the show, and the non-award pieces, save the brilliant Auto-Tune bit, were pretty flat. At least there weren’t any dancers this year.

Ah, but the show did have its good points, along with some less than good points. Here’s the Bullz-Eye breakdown of the 2011 Academy Awards.

The Good

The show was short

It was over in three hours and 15 minutes, making it the shortest broadcast since 2005. And had Kirk Douglas not done that “You know…” bit over and over, it would have been five minutes shorter. But it’s hard to fault Douglas for that since it was one of the better improv moments of the evening.

Anne Hathaway

US actress Anne Hathaway arrives for the Vanity Fair Academy Awards Party at Sunset Tower in Los Angeles, USA, 27 February 2011. Photo: Hubert Boesl

Did we mention that she’s hot, as in ‘would look good in a suit of armor’ hot? And the bit where she poked fun at her own movie by saying, “You know, it used to be that you get naked, you get an Oscar. Not anymore.” Then, one more time, wistfully, “Not anymore.” Gold. And that last dress she wore…wow. We found it extremely difficult to take our eyes off of her breasts, which was surely the point.

Inception” won more Oscars than we were expecting

We knew the technical awards were a lock, but stealing the Cinematography Oscar from the Deke (that would be Roger Deakins, who shot “True Grit“) was a shocker. And yet, despite winning four Oscars and being nominated for Best Picture and Original Screenplay, the Academy didn’t see fit to nominate Christopher Nolan for Best Director. Ugh.

They weren’t afraid to make fun of Charlie Sheen

Though, as one of our Popdose colleagues observed, the show probably would have been a lot more entertaining had he hosted.

Randy Newman

God love him. Even he knows the score that if you’re on screen, you damn well better be entertaining. “I want to be good television!” The sad thing is that, as we watched him win his second Oscar – in 20 attempts – we had a horrible thought: if he came along today, no major label would even think of signing him.

Trent Reznor is an Oscar winner

And rightfully so, though in a perfect world, he and Atticus Ross would have been dueling it out with Daft Punk (“TRON: Legacy“) for Best Score. The Frenchies was robbed, we tells ya.

The Bad

James Franco

We love James Franco. He turned in our favorite performance of the year in “127 Hours.” But he was, um, off last night, leading some to speculate that he was high. Personally, we think Franco is way too smart to do something so boneheaded; just because he played a friendly stoner in “Pineapple Express” doesn’t mean he is one. Dude’s too busy to get high. But it seemed as though he was playing his character in “Freaks and Geeks,” as if that was at all a good idea.

Cate Blanchett’s dress

Australian actress Cate Blanchett for the 83rd Academy Awards, the Oscars in Los Angeles, USA, 27 February 2011. Photo: Hubert Boesl

Everything else about Cate was stunning. Cute hair, lovely figure, wry smile, ba-boom ba-boom ba-boom. But that dress…what the hell? It looked like a tablecloth, one that had lemon cream pie spilled at the shoulders.

Tom Hooper winning Best Director

There is an argument that there is no bad acting, only bad direction, and by that standard, Tom Hooper did an outstanding job directing “The King’s Speech.” And truth be told, he did do an outstanding job directing that movie. But look at what David Fincher had to put together, the number of moving pieces, and the dialogue that his actors had to get just right. He should have won, plain and simple.

Christian Bale plugging a web site in his acceptance speech

Tacky, and the crowd let him know it.

Celine Dion singing during the “In Memoriam” piece

There wasn’t anyone else you could have found to sing that song? Really? Anne Hathaway is sitting right backstage. She can sing. And she doesn’t look like an alien.

Susanne Bier

The Danish filmmaker just won her first Academy Award for her film “In a Better World,” and here was the reaction from one of our party guests: “She has pit stains!” Ow.

  

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