Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

WHAT: After witnessing the 1998 U.S. embassy attacks in Africa, Chris Kyle (Bradley Cooper) enlists in the Navy SEALS, eventually getting deployed to Iraq where he earns the nickname, The Legend, after becoming the deadliest sniper in U.S. military history. But while Chris feels at home on the battlefield, he struggles to maintain a normal life with his wife (Sienna Miller) and kids while on leave from his numerous tours of duty.

WHY: For someone as prolific and revered as Clint Eastwood, six years is a long time to go without making a really good film (2008’s “Gran Torino” was his last), and sadly, “American Sniper” only extends that streak. It’s far from a bad movie, but there’s nothing really special that makes it stand out, either. Apart from Kyle’s impressive record, this is a story that’s been told countless times before, and in some cases, much better. Though it’s based on real-life events, a lot of what happens seems incredibly exaggerated, especially the ongoing battle of wits between Kyle and an Olympic medal-winning Syrian sniper, which feels like something you’d expect to see in a Jason Bourne film. The action sequences are handled really well, but the domestic drama is so boring and repetitive that the movie loses steam every time Kyle returns home. Part of the problem is that, with the exception of Bradley Cooper’s strong performance, the rest of the cast is underserved, especially Sienna Miller as his wife. “American Sniper” wants to have it both ways – as a war-on-terror fantasy and poignant PTSD drama – but while it doesn’t shy away from the physical and psychological horrors of battle, the movie is so heavy on pro-military propaganda that it doesn’t realize its dramatic potential until it’s too late.

EXTRAS: The Blu-ray includes a pair of featurettes about making the film.

FINAL VERDICT: RENT

WHAT: When Briton Motorcycle Club leader Cymbeline (Ed Harris) discovers that his daughter (Dakota Johnson) has secretly married humble orphan Posthumus (Penn Badgley) – despite already being promised to stepbrother Cloten (Anton Yelchin) – he banishes Posthumus from the outlaw biker gang, setting into a motion a series of events that threaten Cymbeline’s criminal empire amid a mounting turf war between the Britons and the crooked Roman police force.

WHY: Writer/director Michael Almereyda may have had minor success with his contemporary adaptation of “Hamlet” back in 2000, but this modernization of one of Shakespeare’s less popular works is an absolute failure. Not only has “Sons of Anarchy” already done the whole “outlaw bikers meets Shakespeare” thing, but there’s a reason why “Cymbeline” isn’t as well-known as the Bard’s other plays, and that’s because it’s not terribly engaging. Though it treads familiar Shakespearean territory with an array of secret affairs, false deaths, crossdressing women and betrayals galore, the story doesn’t make much sense in the context of its modern setting, especially with the preservation of the original dialogue. The movie boasts an excellent cast that includes Ed Harris, Ethan Hawke, Delroy Lindo, Anton Yelchin and John Leguizamo, but many of them are wasted in insignificant roles, including a messy-haired Bill Pullman, who appears in exactly one scene. No amount of talent could improve “Cymbeline,” although Almereyda certainly tries, because while it’s easy to see why the actors would be attracted to such material (they get to perform Shakespeare without the commitment of theater), the film version is an even bigger mess than the play itself.

EXTRAS: There’s an audio commentary by director Michael Almereyda and actor Ethan Hawke, a behind-the-scenes featurette and additional interviews with the cast and crew.

FINAL VERDICT: SKIP

Bradley Cooper, Sienna Miller, Luke Grimes, Kyle Gallner, Keir O’Donnell

Clint Eastwood

There are some amazing stories that have come from the ashes of the Iraq War, but so far, it appears that Kathryn Bigelow is the only person capable of making them pop on the big screen. Clint Eastwood’s “American Sniper” has a whale of a protagonist, a carefree good ol’ boy who gave up his easy-going existence to serve his country and became one of the most decorated soldiers in American history. Sadly, the movie about his life does little to separate itself from its Iraq War movie brethren, save for the occasional moments where our hero has qualms about killing complete strangers. It is perfectly enjoyable, and it is well made, but it doesn’t bring anything new to the table. To add insult to injury, the off-camera ending feels like a cheat.

From an early age, Chris Kyle (Bradley Cooper) was raised to be the kid who protected the bullies from the sheep. He was a good shot and, as an adult, he enjoyed his simple life touring as a rodeo cowboy, but after watching 9/11 unfold on his TV, he volunteers for military service. The recruiter suggests the Navy SEALS, and Chris impresses his superiors with his marksmanship. Chris is assigned to assist a troop of Marines as their eyes in the sky, as it were. The job was not easy – his first two confirmed kills are as brutal as it gets – but Chris excels at it, and before long, his fellow soldiers are calling him The Legend. The Legend, however, is having issues dealing with the moral dilemmas that come with his work, and the ‘don’t be a baby’ aspect of his military training leads him to internalize much of his anxiety, at the great expense of his wife Taya (Sienna Miller) and their children.

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