Movie Review: “Alien: Covenant”

Katherine Waterson, Michael Fassbender, Danny McBride, Billy Crudup, Demián Bichir, Carmen Ejogo
Ridley Scott

Fans of Ridley Scott’s “Alien” can rest easy, because the director’s latest addition to the franchise contains much of the same bite of his classic 1979 film. “Alien: Covenant” is a vicious and thoughtful, albeit unwieldy and sometimes frustrating, piece of science fiction that provides Scott with an epic canvas on which to paint his terrifying vision, all while continuing the ideas that were first introduced in “Prometheus” and the rest of the series.

Set 11 years after the events of “Prometheus” and 17 years before the original “Alien,” the story follows the crew of the Covenant, a colony ship with thousands aboard waiting to wake up to their new home. On the way to the ship’s destination, first mate turned captain Christopher Oram (Billy Crudup) receives a transmission from an unknown planet. Despite protests from crew member Daniels Branson (Katherine Waterson), Oram decides to take a trip to the nearby planet to see if it’s habitable. Unfortunately, it just so happens to be home to some deadly Xenomorphs ready to rip through Oram’s crew, which consists of Covenant pilot Tennessee (Danny McBride), his wife Maggie (Amy Seimetz), Sergeant Lope (Demián Bichir), Karine Oram (Carmen Ejogo) and dutiful android Walter (Michael Fassbender). Along the way, Walter meets a familiar face when he crosses paths with David (Fassbender), the curious android with a god-sized ego from “Prometheus.”

Co-writers John Logan and Dante Harper’s screenplay answers more questions about the expanded universe than its predecessor, for better or worse. Intially, the movie provides answers to questions that aren’t of much interest, most notably regarding the Xenomorphs. “Alien: Covenant” doesn’t demystify the horrifying creatures, but what it does tell us about them can sometimes comes across as redundant in the bigger picture.

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