September is an odd time in the cinematic schedule, no longer part of the summer blockbuster season but still too early for the prestige awards bait of later months. It doesn’t even have a particularly well-known holiday like Halloween to gear towards programming. With that being said, the September slate is a mixed bag of some very promising films, most of them original (only two sequels and one remake in the bunch). Can “Blair Witch” live up to the original and the hype that’s been steadily building for it? And what about true-life stories like “Sully,” “Snowden” and “Deepwater Horizon?” Is there enough in each of those to tell a gripping tale? Only time will tell.
Who: Kate Mara, Anya Taylor-Joy, Paul Giamatti, Jennifer Jason Leigh and Brian Cox What: A corporate risk-management consultant has to decide and determine whether or not to terminate an artificial being’s life that was made in a laboratory environment. When: September 2nd Why: Made by Luke Scott (music video director and son of Ridley), this sounds like an intriguing, original sci-fi film that will be both entertaining to watch and actually grapple with some heavier, headier stuff. Also, the cast is pretty much stacked with talent, including Anya Taylor-Joy, who has proven to be an incredible actress at a young age with her performance in “The Witch” and whose role as the AI in question should be suitably captivating. This may be a retread of “Ex Machina,” but considering that was a brilliant film, that’s no knock on “Morgan,” which looks to be a mix of Alex Garland’s thriller, Luc Besson’s “Lucy” and an especially engrossing episode of “Black Mirror.”
Having a wager has been part of every culture since man first walked the earth. Through the ages, various games, sports and any other events where the outcome is uncertain have been used to gamble. Online gambling arrived on the scene in 1994 when a company called Microgaming, a software gaming developer who was based in the Isle of Man, and CryptoLogic, an online security company, joined forces to create a safe transaction environment, which led to the birth of online casinos. At the same time, a law was passed in Antigua called The Free Trade and Processing Act, which enabled licences to be granted to companies that wanted to provide gambling services on the Internet.
Chris Pine, Zachary Quinto, Zoe Saldana, Karl Urban, Simon Pegg, Anton Yelchin, John Cho, Idris Elba, Sofia Boutella, Joe Taslim
In 2009, director J.J. Abrams helped to successfully relaunch the “Star Trek” franchise, and his reboot remains an immensely entertaining adventure movie. Although its sequel, “Star Trek Into Darkness,” is not without its moments, it’s a disappointing follow-up that’s held back by some unfortunate twists and a misjudged villain. The film hardly slowed down this now 50-year-old franchise, however, which returns to the big screen with “Star Trek Beyond.” The Justin Lin-directed sequel quickly gets the crew back on track by delivering a very entertaining and often kind-hearted summer movie.
Captain James T. Kirk (Chris Pine) is tired of his five-year mission to seek out new life and explore new worlds. While on a diplomatic assignment with fellow crew members Spock (Zachary Quinto), Uhura (Zoe Saldana), Doctor “Bones” McCoy (Karl Urban), Sulu (John Cho), Chekov (Anton Yelchin) and Montgomery Scott (Simon Pegg), Kirk presents an alien species with a peace offering from the Federation. The gift is part of a deadly ancient weapon called the Abronath, but he has no clue what it is or what it’s capable of. Krall (Idris Elba), on the other hand, knows exactly what it can do. The face-changing villain is against everything the Federation stands for, so he dupes the Enterprise crew into going on a “rescue mission” to a distant planet, where he attacks them, leaving the crew completely torn apart. Even though they’re outnumbered and outmatched, Kirk and the gang are not alone in their fight against Krall, joining forces with an alien warrior named Jaylah (Sofia Boutella, who turns out to be a great addition to the series) to stop him from unleashing the Abronath.
Live poker streaming has become a hugely popular part of poker games and tournaments, with streams available to watch on television and now through internet/TV programs such as Twitch. However, with the development of new technology, live poker streaming is becoming even more immersive by allowing viewers to feel like they are actually in the game. Through the likes of Twitch, new technological developments such as 360-degree streaming, which was debuted in a poker room at an 888 event, and the newest, most advanced form of viewing and gaming technology, virtual reality, poker live streaming has begun to and will continue to boom.
Elle Fanning, Jena Malone, Christina Hendricks, Bella Heathcote, Abbey Lee
Nicolas Winding Refn
Following up on the polarizing “Only God Forgives,” director Nicolas Winding Refn has made a movie that’s bound to split audiences just as much as the unconventional revenge thriller starring Ryan Gosling. “The Neon Demon” is a beautiful, hypnotic nightmare that goes to some comical, horrifying and unexpected places – places not all audiences are understandably willing to go.
Jesse (Elle Fanning) has just moved to Los Angeles, but not to be a star like most people. Though the teenage girl’s past is a bit of a mystery, it’s obvious she’s always had to survive on her own. Even when Jesse starts to find some success in the modeling world, she’s still fighting to survive. Being the new girl on the scene and finding success so quickly, she makes enemies with fellow models Gigi (Bella Heathcote) and Sarah (Abbey Lee), who are less taken with young Jessie than their friend, makeup artist Ruby (Jena Malone). For the most part, Jesse is on her own in these cruel environments – whether in an off-putting nightclub, a photo shoot or a crappy motel – and surrounded by even crueler characters that want to devour her beauty.
Upon first viewing, Jesse’s journey doesn’t add up to much. The film, which Refn co-wrote with Marry Laws and Polly Stenham, relies more on atmosphere than plot, but the story isn’t as thin as it initially appears. There is a purpose to every scene and shot in “The Neon Demon,” and they’re always serving Jesse’s story. When a mountain lion trashes the teenager’s room, it seems random at first glance, but it’s a key piece of foreshadowing of what’s to come. Even a sequence that features two of the main characters showering together, which easily could’ve been laughable or gratuitous, reinforces the story Refn is telling – a story about animals.