Check out this unique video from Chevrolet and the Detroit-based blues-rock sensation, The Gentlemen Mutineers. Lead singer, Frankie Turner, recently used the 2014 Chevrolet Impala as a mobile studio to record a remix of the band’s Metro City pride anthem, “Detroit Throttle.” The new Impala is quiet by design, due in part to the Active Noise Cancellation technology used in high-end headphones.
This technology allows the engine to operate at the fuel-conserving range of 1,000-1,500 RPM and helps eliminate the need for some sound-deadening materials, all of which improves fuel efficiency. The new Impala also uses a variety of sound-buffering and -absorbing materials to minimize wind, road and engine noise, including acoustically laminated windshield and front-door glass, triple-sealed doors with acoustic perimeter water deflectors, sound-absorbing carpet and dash mat, and more.
There was a time when Ted Nugent was known only for his contributions to rock ‘n’ roll (one of the greatest of which, of course, is giving the world a song entitled “Wang Dang Sweet Poontang”), but that time has long since passed. These days, Nugent is certainly still well regarded as a rocker, but he’s at least as readily identified by his political stances and his profound enjoyment of hunting. Believe it or not…and I couldn’t believe it, so I looked it up, but, yep, it’s true…Nugent has been hosting his own outdoor series for 25 years now, and the series in question – “Spirit of the Wild” – is now back on the Outdoor Channel for another season. Bullz-Eye had the opportunity to chat with Nugent in conjunction with the series’ return, and you will not be surprised to hear that he had a great deal to say.
Bullz-Eye: Well, I’m sure you’re thrilled that “Spirit of the Wild” is back again, but it’s almost incomprehensible that this is its 25th season.
Ted Nugent: How ‘bout that? Am I adorable or what? [Laughs.] Isn’t there an award for being the most precious, adorable bow hunter in the world?
BE: Yes, I believe it’s called the Nugent.
TN: I believe you’re right! [Laughs.]
BE: I’m curious about the origins of the show, since the math makes it clear that it’s been around longer than the Outdoor Channel. How did it first come about? And how did it come to end up on the Outdoor Channel?
TN: Well, you know, this is a story that… I’m shocked. Well, I guess I’m not shocked. Barack Obama’s the President. [Laughs.] How much shock can we handle? Our Attorney General runs guns to Mexican drug gangs! Is there any shock left? Our government picks out people to harass with the tax agency! I guess my shock cup runneth over. But I’m equally shocked, I’ve gotta tell you, that this story has not been pursued.
With their 50 year anniversary at hand, the Rolling Stones will be touring in the US and Canada. The band really isn’t the same these days, but for die hard fans, or those fans who want take advantage of perhaps their last chance to see this legendary band, this will be welcome news.
Sometimes an interview opportunity comes along that you simply can’t resist. This is one of those occasions.
Belinda Carlisle added a delightful infusion of cuteness to the early days of MTV as the frontwoman for the Go-Go’s, then succeeded in departing the ranks of the band a few years later and forging an impressive solo career. Alas, she’s spent more time on the road than in the studio in recent years, bouncing back and forth between Go-Go’s tours and solo shows, releasing records with decided infrequency. Indeed, she hasn’t released a new album since 2007’s Voila, and given that the record in question consists of covers of her favorite French songs, it’s not exactly what you’d call representative of her usual work.
2013, however, marks the release of a new best-of set, Icon, and while it might not ordinarily be a major event, given that it’s the fourth such compilation of her solo work to be released since 1992, fans will be thrilled to know that it actually includes a new single, “Sun.”
It’s such a momentous event, in fact, that Carlisle opted to do a bit of press for the collection’s release, and when the opportunity to chat with her was pitched to Bullz-Eye…well, like we said, sometimes an interview opportunity comes along that you simply can’t resist.
Bullz-Eye: Icon isn’t your first best-of collection, but how much input did you have in selecting the contents of this one?
Belinda Carlisle: Oh, I did a lot, actually. The contents of the different collections have been predicated on the different countries who’ve had different singles, so when Icon was first presented to me… A lot of it had to do with catalog and a lot of the different “this music group signed with that music group” stuff, what was available and what wasn’t, so the track list went through a few different changes, because I wanted to include some of the stuff that maybe they didn’t include originally. So I had a big part, a big hand in it, actually.
BE: You revisit your old material whenever you do a show, but how is the experience of going back through the records to consider which songs needed a bit more of a shot at the spotlight?
BC: Well, because I work all the time, and especially in Europe, with all of the solo stuff, it’s not, like, “Oh, wow, I remember this song,” because I probably just did the song a few months ago…or even a week ago! [Laughs.] It’s fun for me to go through the catalog, but there’s no real surprises or anything. But it was interesting doing different track listings for different countries, because…well, for instance, for Russia, the song “California,” which is totally obscure here, was a big hit there. So you kind of go through the territories and change things around a little bit.