The coming of a new year always has a strong effect on the music industry. Artists, labels and music publishers often focus their efforts on prepping releases and building hype, and it usually starts well before the holidays. 2014 is no different, with a handful of near-future releases already drumming up a great deal of excitement among music fans. Narrowing down which albums might actually be worth hearing, though, isn’t always easy given the plethora of releases scheduled for the coming six months.

2013 was certainly a great year for music, but there are plenty of reasons to believe that 2014 may even be more packed with top-caliber releases.

Here are 5 of the most anticipated major label releases scheduled to come out over the course of the next year:

1. Bruce Springsteen – High Hopes

Everyone knows Springsteen is The Boss for a reason, and his upcoming album High Hopes has a great deal of hype surrounding it, even if it isn’t exactly a proper new release (it’s a collection of odds and ends from Springsteen’s career). Tom Morello from Rage Against the Machine guest stars, and there are also appearances from classic members of the E Street Band Clarence Clemons and Danny Federici. If you’re a Springsteen fan, this record will no doubt make you happy.

2. Dr. Dre – Detox

Hip hop fans hold Dr. Dre in high regard, and for good reason – he’s one of the godfathers of the genre. Given the history of his release schedule, though, it seems as if he has a hard time staying relevant. His first release in a handful of years, Detox is being called Dre’s return to the limelight, and will no doubt be one of the biggest rap releases in 2014. The record is full of cameos and even has its own blog for marketing and promotion purposes, making it one of the most anticipated releases for 2014. It’s still too early to tell whether or not it’ll be worth the hype though.

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We must give the music industry credit: just when it appears that they have completely run out of ways to spin their back catalogs into gold for the umpteenth time, they find a way. (They’re nothing if not survivalists, those guys.) In addition to featuring a number of big box sets this year, we’ve also included some excellent concert films, as well as one The Beatles’ most famous movies.

Click on the image next to each item to purchase it online, and for more gift ideas, check out the other categories in our Holiday Gift Guide.

Bob Dylan – The Complete Album Collection V.1

Box sets often make for great gifts, and this mega-set will put a smile on the face of any serious Bob Dylan fan. The CD set contains 35 studio titles (including the first-ever North American release of 1973’s Dylan album on CD), six live albums, and a hardcover book featuring extensive new album-by-album liner notes penned by Clinton Heylin and a new introduction written by Bill Flanagan. It also includes two “Side Tracks” discs that include a wealth of previously released non-album singles, tracks from various compilations and songs from films. This set is also available as a limited-edition harmonica-shaped USB stick containing all the music, in both MP3 and FLAC lossless formats, with a digital version of the hardcover booklet, but according to the reviews on Amazon, you should probably stick with the CD box set.

The Freddie Mercury Tribute Concert

Finally. After 21 years, the full April 1992 show featuring the surviving members of Queen fronted by a murderer’s row of early ‘90s rock star gods (and Liza Minnelli) is seeing the light of day, and on Blu-ray, to boot. (Inexplicably, the DVD of the set is still missing a few songs.) Extreme’s medley of Queen tracks has been added, as have sets by Metallica, Guns ‘n Roses and even Saint Bob Geldof (and Spinal Tap appears on the Blu-ray). The main show features one showstopper after another, whether it’s James Hetfield singing “Stone Cold Crazy,” George Michael singing “Somebody to Love,” Def Leppard’s Joe Elliott banging out “Tie Your Mother Down,” or Elton John and Axl Rose teaming up to take on “Bohemian Rhapsody.” The bonus featurettes from the 2002 DVD release are here as well. For the Queen fan in your life (or even the Muse fan in your life), this is a slam dunk.

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The first time I ever heard Necro was the winter of 1999 in East Chicago, Illinois hanging out with a bunch of hip hop heads. While Brittney Spears, Lou Bega and TLC were dominating the radio, these guys were listening to underground hip hop artists like El-P, Non-Phixon and Necro all the time. And it blew my mind.

It’s important to note that internet music sharing services like Napster had just started, so aside from the radio and, increasingly less, MTV, the only way to get exposed to new music was passing cassette tapes or CDs among friends; what’s more underground than that?

Music at its optimum level dictates, or at the very least, reflects a culture. Every time I hung out with these “heads,” hip hop songs and artists I had never heard before were being pumped in the tape deck of an ’89 Oldsmobile that served as the communal vehicle. The music wasn’t being played because it was “cool” like what Puff Daddy was doing in marketing rap music, but because the music reflected the pace and events of life as it was happening.

Necro’s song “STD,” a narrative about an encounter he had with a female acquaintance, was in rotation at all times. The lyrical content was intense, cartoonish and something like I had never heard before. The production was stripped down and grimy, while the beats reflected the rolling drone of Necro’s New York roots.

Since ’99, Necro has been featured as a rapper or producer on 16 different albums. While the majority focuses on hip hop, Necro created a genre of rap called “death rap,” an homage to his love of death metal, his original musical influence. He even produced and directed a porn movie called “Sexy Sluts: Been There Done That.”

His 2007 album, Death Rap, featured appearances by Scott Ian of Anthrax, Dave Ellefson of Megadeth and even Jamey Jasta of Hatebreed.

As a rapper, Necro has been featured with the likes of Wu-Tang’s U-God, DMC from Run-Dmc, and Ill Bill from Non-Phixon and La Coka Nostra. As a producer, aside from producing all of his own tracks, Necro has created tracks for Raekwon of the Wu-Tang Clan, Cage of Eminem battle rap fame, and most recently, Kool G Rap, one of the most influential emcees in history and the original gangster rapper.

Necro’s latest project, The Godfathers, is a collaborative effort with Kool G Rap. Once Upon A Crime drops on November 19th.

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Miley Cyrus has a new music video out for “Wrecking Ball” that you can watch below. In only six days, it has become the fastest music video ever to reach 100 million views on Vevo. She broke her own record that she set for “We Can’t Stop,” which reached that milestone in just 37 days after it premiered.

Needless to say, her much criticized performance at the VMAs hasn’t exactly hurt her popularity when it comes to her videos. As you can see from the photos above and the video below, Miley can look incredibly sexy when she isn’t trying too hard to shock everyone with her twerking and tongue wagging.

Check out the video, as you might be the only person who hasn’t seen it so far!

Images courtesy of RCA

“Is this going to be like seeing The Four Tops or The Drifters at the county fair, with only one remaining member, but technically still the Four Tops or The Drifters?”

It was Sunday night and I was less than an hour from seeing Queens of the Stone Age. And I was nervous inside. Prior to the concert, I engaged my friend and musical mentor on a phone call, the man who got me into Queens in the first place. Thanks to several lineup changes since their creation, I told him I wasn’t as excited as I should’ve been to see them for the first time.

He laughed and said, “It’s still Queens, dude.”

And by god, was he right. It is still Queens, dude.

If I discovered a magical lamp with a hot genie (built like Barbara Eden) who asked what two acts I’d like to see on successive days that I’d never seen before yet loved for years, in perfect 70 degree weather, less than 10 miles from my home round trip, I would pick Atmosphere and Queens of the Stone Age on reflex alone, without even thinking, like a musical version of Pavlov’s Dog.

I spent Saturday night at the Kicking Up Dust Tour with Slightly Stoopid, Atmosphere and The Grouch and Eligh.

I wrapped up my weekend on Sunday night with Queens of the Stone Age and British newcomers Leo Gun. And I didn’t even need a magical lamp. Or a feeder bar.

The venue, Stir Concert Cove, is a great place to see a show; it is the ultimate intimate experience. Security is chill without being lax, allowing fans to unwind without anarchy ruling.

It may sound ridiculous to talk about acoustics for an outside venue, but the bowl shape of the enclosure wraps neatly around the stage and offers different experiences in sound, whether right in front of the stage or around the outer rim. The way it’s laid out lends itself to artist/fan interaction.

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