Movie Review: “Sin City: A Dame to Kill For”

Starring
Mickey Rourke, Jessica Alba, Josh Brolin, Joseph Gordon-Levitt, Eva Green, Rosario Dawson, Bruce Willis, Powers Boothe, Dennis Haysbert, Jamie King
Directors
Robert Rodriguez & Frank Miller

Frank Miller and Robert Rodriguez bring the long-awaited “Sin City” sequel to audiences after nearly a decade’s absence. Unfortunately, “Sin City: A Dame to Kill For” proves that no matter how many clouds and thunder you put on a screen, it’s hard to catch lightning in a bottle a second time. The characters are engaging, the over-the-top violence is there in spades, but the magic that made fans scream for a sequel is somewhere between the pages of the graphic novel and the cutting room floor.

Everyone’s favorite jawline with muscles, Marv (Mickey Rourke), is back in full noir fashion. The film opens with him awakening to no memory of the cool trenchcoat he’s wearing and the not-so-cool injuries that came with it. Before he can put things together, he witnesses a guy being set afire by a bunch of frat boys. He teaches them a lesson that they’ll never forget in this world or the next. Just as in 2005’s “Sin City,” Marv is willing to nearly kill himself to bring people to justice. Although seemingly indestructible, he racks up scars by the dozens. Of course, with the six inches of prosthetics Rourke wears on his face, it starts to grow on you.

Joseph Gordon-Levitt joins the cast as the unstoppable gambler, Johnny. Levitt is continuing to fuel an argument as being one of the most versatile young actors in Hollywood. Expect this performance to only add to that. As the slick-talking Johnny, it’s easy to believe that he can do no wrong. He’s a suited force of nature, emptying slot machines almost without pulling the handle. But Johnny boy has his eyes on the sinister Senator Roark (Powers Boothe), and as bad guys go, Roark takes the cake and smashes you in the face with it. He doesn’t suffer fools or losing lightly and quickly shows Johnny why he’s feared by almost everyone with a pulse. Another guy on the wrong end of Roark is Dwight (Josh Brolin), a private investigator who uses his fists to get to the bottom of a case, especially when it’s involving a damsel in distress. And this particular damsel is the titular dame to die for: Ava Ford (Eva Green).

Read the rest of this entry »

  

You can follow us on Twitter and Facebook for content updates. Also, sign up for our email list for weekly updates and check us out on Google+ as well.

Blu Tuesday: The Amazing Spider-Man 2, Only Lovers Left Alive and Rosemary’s Baby

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Amazing Spider-Man 2″

WHAT: Peter Parker (Andrew Garfield) faces his biggest challenge yet as Spider-Man when an Oscorp employee named Max Dillon (Jamie Foxx) is transformed into the supervillain Electro and wreaks havoc on New York City. Meanwhile, Peter’s relationship with Gwen Stacy (Emma Stone) is tested just as his childhood friend Harry Osborn (Dane DeHaan) returns home seeking Peter’s help in curing a deadly disease.

WHY:The Amazing Spider-Man 2” isn’t nearly the disappointment that some have painted it as, but it doesn’t capitalize on the promise of its predecessor either. The problem with the film is that it’s bursting at the seams with material, and although there’s some cool world building along the way, just like “Iron Man 2,” it spends more time looking ahead to the future than focusing on telling the best story possible. But for as messy as the movie may be from a narrative standpoint, the performances are strong enough to keep you entertained, especially stars Andrew Garfield and Emma Stone. The former really seems to understand what makes Peter Parker and Spider-Man tick, and his chemistry with real-life girlfriend Stone continues to sparkle with charisma, even if the film wastes a lot of time reestablishing the Peter/Gwen romance. And while Jamie Foxx makes for a pretty dull villain (through no fault of his own), Dane DeHaan is fantastic as Norman Osborn, swinging between vulnerable and menacing, often in the same scene. It’s just too bad that Webb isn’t as adept at handling the superhero elements as he is with the human drama, because that’s one of the biggest obstacles standing in the way of the franchise’s continued success: making the costumed hero as interesting as the man under the mask.

EXTRAS: The Blu-ray release includes a six-part making-of featurette that runs just over 100 minutes, an audio commentary with writers Alex Kurtzman and Jeff Pinkner and producers Matt Tolmach and Avi Arad, seven deleted scenes and a behind-the-scenes look at scoring the film.

FINAL VERDICT: RENT

“Only Lovers Left Alive”

WHAT: Reclusive, depressed vampire Adam (Tom Hiddleston) has grown tired of living in a world populated by “zombies,” and sensing that he may be worse for wear, his centuries-old lover Eve (Tilda Swinton) leaves her home in Tangier to visit him in Detroit. But when Eve’s rambunctious sister Ava (Mia Wasikowska) shows up uninvited, she threatens to ruin the pair’s idyllic lifestyle.

WHY: I’ve never been a big fan of Jim Jarmusch’s work, but “Only Lovers Left Alive” is definitely one of the director’s better films. That might sound like damning with faint praise, but while the movie doesn’t work for me as a whole, there are bits and pieces that are actually quite good. In fact, the film gets off to a pretty solid start as Jarmusch explores the unconventional but fascinating relationship between Adam and Eve, going so far as to dress one in black and the other in white to symbolize their yin and yang bond. Unfortunately, the paper-thin plot becomes more noticeable in the second half, especially when Mia Wasikowska’s juvenile troublemaker enters the story. Wasikowska’s character doesn’t serve much purpose other than to create a problem that Adam and Eve must solve, which causes Jarmusch’s script to feel like it’s being stretched beyond its limits. Tom Hiddleston and Tilda Swinton are both great in their respective roles, and the pitch black humor delivers some unexpected laughs, but while “Only Lovers Left Alive” presents a unique and interesting take on the vampire genre, much like its immortal protagonists, the movie outlives its welcome.

EXTRAS: In addition to a 50-minute video production diary focusing on director Jim Jarmusch, there’s some deleted and extended scenes and a music video.

FINAL VERDICT: RENT

“Rosemary’s Baby”

WHAT: When Rosemary (Zoe Saldana) and her husband Guy (Patrick J. Adams) move to Paris for an incredible job opportunity, they’re befriended by a wealthy couple who present them with an offer they can’t refuse: an apartment at the most prestigious address in the city. But as Rosemary learns more about its haunted past, she begins to suspect her new friends are Satan worshippers hell bent on taking the baby she’s carrying.

WHY: Setting aside the popularity of Roman Polanski’s 1968 cult classic, this TV version of “Rosemary’s Baby” isn’t just a bad adaptation or remake, but a bad film period. Though presented as a two-part miniseries in an attempt to make it feel like more of an “event,” the bloated 170-minute runtime is completely unwarranted, as none of the new material adds anything to the story. The acting is also pretty dreadful for the talent involved, particularly Zoe Saldana, whose wooden performance only adds to the fact that her character is incredibly annoying. Rosemary’s constant mood swings (from hysterical in one scene, to abnormally calm in the next) occur without any explanation, and her decision-making skills are so terrible that she’s extremely difficult to root for. The rest of the cast doesn’t fare much better, save for Carole Bouquet, who delivers an enjoyably creepy turn as the maternal coven leader. Unfortunately, Bouquet is about the only good thing that this version of “Rosemary’s Baby” has going for it, which makes me wonder why anyone thought it would be a good idea to remake such a famous movie in the first place, especially one entirely lacking any sort of suspense.

EXTRAS: There’s a making-of featurette and a look at the film’s production design.

FINAL VERDICT: SKIP

  

Blu Tuesday: Muppets Most Wanted, Locke and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Muppets Most Wanted”

WHAT: After embarking on an international tour arranged by slick talent agent Dominic Badguy (Ricky Gervais), Kermit the Frog is framed by his evil lookalike, Constantine, and shipped off to a Siberian prison. Meanwhile, Dominic and Constantine plot to steal a series of artifacts that will enable them to pull off the ultimate heist, using the Muppets’ tour to cover their tracks.

WHY: Like many people, I walked into “Muppets Most Wanted” convinced that it would be a colossal disappointment. But while this follow-up to the 2011 Muppets reboot starring Jason Segel doesn’t quite live up to its predecessor, the movie comes surprisingly close. In addition to the screenplay by returning director James Bobin and co-writer Nicholas Stoller, which retains the Muppets’ trademark humor, charm and heart, Bret McKenzie provides half a dozen original songs that are incredibly witty and catchy, and among the film’s many highlights. The human co-stars aren’t as developed as Segel’s character, but Ricky Gervais, Tina Fey (as a Siberian prison guard) and Ty Burell (as a Jacques Clouseau-like Interpol agent) all fare remarkably well alongside their respective Muppet partners. If there’s one complaint, it’s that many of the supporting Muppets are relegated to the background in order to make room for all the new faces, though it certainly helps that Constantine is such a fun villain. It’s that sense of playfulness that makes “Muppets Most Wanted” such a success, and considering how bad things could have turned out, that’s a massive win for fans of Jim Henson’s felt-covered friends.

EXTRAS: The Blu-ray release includes an “unnecessarily extended” cut of the film, a blooper reel, music videos and some other goofy bits, but nothing really substantial.

FINAL VERDICT: RENT

“Locke”

WHAT: Ivan Locke (Tom Hardy) is a dedicated family man and successful construction foreman, but on the eve of the biggest job of his career, he receives a phone call triggering a series of events that threaten to shatter his seemingly perfect life.

WHY: By far one of the most unique moviegoing experiences of the year, Steven Knight’s “Locke” takes a relatively simple premise and squeezes every last drop from its pulpy body, to the point that it’s actually quite incredible just how much the director was able to do with so little. The single-location setting is a bit gimmicky, but it serves a purpose as you watch the life of an otherwise decent man – literally trapped in a horrible situation but determined to make it right the only way he knows how – implode before your very eyes. It’s nothing short of heartbreaking at times, and although the supporting cast (including Olivia Colman, Ruth Wilson and Andrew Scott, who appear as voices over the phone) is essential to making the film work, Tom Hardy is the heart and soul of the movie, delivering an absolutely brilliant performance that will leave you spellbound for the entirety of its taut 84-minute runtime. Though some of the plot turns feel contrived and it starts to drag in the final act, “Locke” is so immersive in its minimalistic approach that even the film’s flaws are more of a nuisance than a distraction.

EXTRAS: There’s an audio commentary by writer/director Steven Knight and a behind-the-scenes featurette on making the film.

FINAL VERDICT: RENT

Read the rest of this entry »

  

Movie Review: “Teenage Mutant Ninja Turtles”

Starring
Megan Fox, Will Arnett, William Fichtner, Alan Ritchson, Noel Fisher, Jeremy Howard, Pete Ploszek, Tony Shaloub
Director
Jonathan Liebesman

Jonathan Liebesman’s “Teenage Mutant Ninja Turtles” reboot has been the subject of much debate ever since it was announced, with fake script leaks and silly rumors inducing panic among the property’s fanbase (not to mention providing ammunition to a legion of snarky Internet commenters), most of which proved to be patently untrue. That’s not to say that the finished product is going to make everyone happy, but it also isn’t nearly the disaster that many feared it would be with Michael Bay involved. In fact, it’s actually quite entertaining at times provided you check your brain at the door and don’t mind that the film is basically feeding off the fumes of your childhood. “Teenage Mutant Ninja Turtles” delivers a slightly different take on the series – something that’s occurred with every rendition – and though it gets some things wrong along the way, it gets just as much right.

The general plot is pretty much the same. New York City is being terrorized by a criminal organization called the Foot Clan under the command of a shadowy figure known only as The Shredder (Tohoru Masamune). But there’s a group of vigilantes silently serving as the city’s protectors, and ambitious news reporter April O’Neil (Megan Fox) is determined to uncover their identities… only to find that the mystery men aren’t men at all, but rather oversized mutant turtles skilled in the art of ninjitsu. Raised by their sensei Splinter (voiced by Tony Shalhoub), the four turtles – Leonardo (Pete Ploszek), Raphael (Alan Ritchson), Donatello (Jeremy Howard) and Michelangelo (Noel Fisher) – were created in a test lab by a pair of scientists, Eric Sachs (William Fichtner) and April’s late father, who believed that they perished in a fire before the mutagen they were injected with transformed them. But when Sachs, now a powerful businessman secretly working alongside The Shredder, learns of their existence, the Turtles’ sewer home is attacked, forcing them to come out of hiding and take the fight to the bad guys.

Read the rest of this entry »

  

Blu Tuesday: Divergent, Need for Speed and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“Divergent”

WHAT: In a dystopian future where society has been divided into five factions – Abnegation, Erudite, Dauntless, Amity and Candor – 16-year-old Beatrice Prior (Shailene Woodley) discovers that she’s Divergent, one of the rare few with an aptitude for multiple factions. But there are those that feel threatened by her kind, so Beatrice joins Dauntless in an attempt to hide her secret, finding an unlikely ally in trainer Four (Theo James).

WHY: Yet another young adult book series adapted for the big screen, “Divergent” spends so much time trying to educate the audience on all the nuts and bolts of author Veronica Roth’s complex universe that it never quite gets off the ground. The mythology itself is pretty sketchy, with so many unanswered questions about how the faction system operates and the motivation behind certain characters’ actions that it’s difficult to fully invest in the story. Though there’s an interesting concept regarding government and societal classes at its core, “Divergent” ultimately feels like two and a half hours of (mostly boring) exposition – the setup to the bigger story that is seemingly explored in the other books. The problem, however, is that despite assembling a stellar cast of young up-and-comers, Oscar winners and veteran character actors, director Neil Burger fails to make you care enough to want to see those future installments. “Divergent” is apparently very faithful to the source material, and in that regard, fans won’t have much to complain about, but as a potential franchise-starter, it falls disappointingly short.

EXTRAS: The Blu-ray release includes a pair of audio commentaries (one with director Neil Burger and another with producers Douglas Wick and Lucy Fisher), a making-of documentary, a featurette on the five factions and some deleted scenes.

FINAL VERDICT: RENT

“Need for Speed”

WHAT: After an illegal racing accident lands small-town mechanic Tobey Marshall (Aaron Paul) in prison, he emerges determined to exact revenge on the man responsible, former rival Dino Brewster (Dominic Cooper), by competing in a top secret, invite-only race called the DeLeon. But before he can get justice, Tobey must race against the clock to get from New York to San Francisco in time for the event, all while evading the various law enforcement authorities hot on his trail.

WHY: It’s amazing that it’s taken this long for another studio to exploit the success of the “Fast and Furious” franchise with a racing movie of its own, but considering that Electronic Arts’ “Need for Speed” video game series predates the adventures of Dominic Toretto and Brian O’Connor by several years, you can hardly blame DreamWorks for wanting a piece of the pie. Unfortunately, apart from casting Aaron Paul in the lead role, there’s not much to like about Scott Walsh’s racing flick, which takes itself a little too seriously compared to the winking self-awareness of the “Fast and Furious” movies. “Need for Speed” is in desperate need of a lot of things – a better script, stronger direction, better pacing – but one thing you wouldn’t think it’d be lacking is excitement, and although the film has more its share of piston-pumping driving sequences, most of them are pretty tame, often dragging on for too long or cutting away to needless reactions from other characters. Gearheads will get some joy out of watching the assortment of beautiful cars speeding around the screen, but “Need for Speed” fails to be a worthy competitor to the “Fast and Furious” series, let alone a potential heir to the grease-streaked throne.

EXTRAS: The Blu-ray includes an audio commentary by director Scott Walsh and actor Aaron Paul, four production featurettes covering things like the car race sequences and sound production, a handful of deleted scenes and a short outtakes reel.

FINAL VERDICT: RENT

Read the rest of this entry »

  

Related Posts