In case you need a friendly reminder, Father’s Day is approaching once again. On June 17th, millions of dads will wake up to ties, cards and decorative beer mugs for them to drown their unspoken gift disappointment sorrows with alcohol in.

But not your dad; not this year. This year, you are going to give dad the gift of gaming. In trying to help all sons and daughters with this task, I was shocked to discover that there are actually quite a few good games for dad available. While you can’t go wrong with classics like “Call of Duty,” “God of War,” “Uncharted,” or a genuine full-size arcade cabinet of “Cabella’s Big Buck Hunter,” these are the ten titles that I feel most dads would want most on their big day.

Red Dead Redemption

If you’re dad’s anything like mine, he can catch a Sergio Leone movie or “Unforgiven” rerun on TV with frightening accuracy and consistency. So what better gift than what is far and away the best western game ever made?

Whether it’s ropin’, ridin’, thievin’ or shootin’, your dad won’t need the letter “g” if you give him the game that lets him freely roam the west and re-enact his favorite moments from the great western genre. To make the gift even better, pack it in with the “Man with No Name Collection“, or the first season of “Deadwood” to insure that you put your dad in a deadly entertainment cycle that will be driving mom crazy for months to come.

Forza Motorsport 4

This is just a gimme. Featuring over 500 cars (well over half of which most normal people will never see with their own eyes) and an almost endless amount of customization, tracks, game options and other extra content, “Forza 4″ is simply the greatest racing game ever made. Even if for some reason your dad isn’t a car nut (the odds aren’t great there), “Forza 4″ is a game that is having so much fun with its subject that it basically becomes impossible to not get swept up in it.

The only way you can miss on this one is if dad doesn’t own an Xbox 360. Then your prospects get trickier. For PlayStation 3, you could always go for the stuffier but enjoyable “Gran Turismo 5” and just never let dad know there is a better option out there, and for the Wii there is always “Mario Kart.” Everyone loves “Mario Kart.”

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Chances are you have a lot going on in your life. Personal friendships, family, work, and hobbies all have you running in several different directions, and it never seems as if you have enough time to sit down and organize or schedule out your life. Advances in technology have made organizing and scheduling out your day as easy as turning on your smartphone.

Image Courtesy of Flickr

There are several different mobile apps that are designed with the intent to help you organize your daily hectic schedule. If you are finding it hard to balance your daily schedule, grab your prepaid Android phones, iPhones and other smartphones and start downloading the following mobile apps.

Evernote

Say good-bye to the old post-it notes, and say hello to Evernote. The Evernote app is a great way to help you make the world-famous ‘to-do’ list. These lists can list everything from items you need to pick up at the store, to places you need to go to for the day. Evernote allows you to leave three different types of notes including text, audio and pictures, which means there’s no reason you should forget to do something due to your busy schedule.

Pageonce Personal Finance

Sometimes when life gets so busy you honestly forget to balance your checkbook or keep track of your bank account balance. When you download the Pageonce Personal Finance app you will never face a situation where you are left wondering about your finances. Pageonce Personal Finance works by collecting all your information from bank accounts, credit cards, and other accounts, and displays it all at the touch of a button. This allows you to keep track of your personal finances even when you are on the go.

Google Calendar

Never miss an appointment or event again with the Google Calendar. Google Calendar can take numerous dates and appointments from your mobile phone, Outlook calendar, and other computer and phone applications, and places that information into one place. No longer will you have to page through hundreds of appointments to find out what is going on. When you download the Google Calendar you will have everything you need to know at the touch of a button.

Remember the Milk

Ever have a situation where you went to the store and couldn’t remember what you went there for? When you download Remember the Milk you can create numerous lists of items that you need to remember to pick up. The lists can be organized by date, content, or priority allowing you to make sure everything gets taken care properly. The best part is you can program Remember the Milk to send you reminders via text message or email, so there is no reason why you would forget to pick something up at the store.

Life really is like a three-ring circus. Numerous mobile apps can provide you with the tools you need to organize and optimize your busy, hectic and sometimes crazy daily life.

I recently had a conversation with a friend about picking up Tera, an MMO from En Masse that was making its way to the States. Tera’s big sell is a combat revamp from the typical MMO. Gone are the days of tab-targetting. Tera requires that you actually be facing your target in order to land your skills. It’s a nice concept, and it plays fairly well, but I still can’t justify buying the game. In a world of free-to-play, microtransaction games, the box cost just doesn’t play anymore.

Gaming is a zero-sum hobby at this point. If I want to pick up a game like Tera, it means subbing one of the games I’m currently enjoying out of rotation. Strangely enough, it hasn’t always been this way. Ten years ago, there just weren’t as many high quality games. With the proliferation of quality indie titles and the accessibility of those free-to-play games, though, I have plenty of titles to play. So why pick up a game like Tera?

This may seem a little clinical, but it’s the best system I’ve been able to devise. When I’m considering a new game, I basically break down the game’s entry cost. It’s not just the monetary cost. I also consider the amount of time I need to invest learning the game before I can really enjoy it (for some games this is a fair amount of time). For Tera, it looks a little something like this:

$50 box cost
$15 monthly fee
5+ intro hours

Is that really worth it? When I consider it against another game I’ve been playing lately, it becomes pretty clear. For Tribes Ascend, the cost looks more like this:

1 intro hours

And even that is a little aggressive. I was having fun with Tribes in the first 30 minutes, but if you haven’t played any of the previous titles you might take a little more time. Now granted, Tribes and Tera aren’t exactly analogous titles, but the list of top quality games with low entry costs continues to grow. And that says nothing of the changing face of the MMO. Players aren’t as dedicated to single titles, so does it really make sense to charge a box cost and a sub? Not to me.

I realize publishers want to recoup some of their investment with an initial return, but the box cost is actually keeping me from buying the game at all. I’d gladly throw $15 at the first month of a game, but $50 on top? I don’t think so.

As more games embrace MMO-style play without MMO subscriptions, the box + sub model just won’t be sustainable. Take a look at Diablo 3 – Blizzard could easily ask a sub for that game, but it’s box cost only. They aren’t even working in a microtransaction model (granted, they’re looking to get a cut of the real money auction house). It’s not just top-tier publishers; even the alpha-funding model upstages Tera-style pricing. I can pay as little as $10 to fund the development of an indie title and receive the full thing on release.

As the quality of games continues to improve, publishers are going to have to consider more flexible pricing structures. Like I said, gaming is a zero-sum hobby. I only have so much time to dedicate to games. When the low-cost games are outperforming the high-cost, you can guess what I’ll be playing.

The makers of Captain Morgan Original Spiced Rum are setting sail on a brand new adventure, and this time, it involves a mobile device instead of a shot glass. The first of its kind for a spirits brand, “Captain’s Conquest” is a mobile social game that rewards players for real-life exploration, adventure and social influence by transforming cities into the open seas and encouraging players to navigate Captain Henry Morgan’s world.

The goal of the game is to rise through the ranks – from a Stowaway to the Captain of your own powerful fleet – ruling the high seas and reaping rewards through skilled digital gameplay and adventurous behavior in the real world. Players will earn points and gain status by mastering the in-game battle mode, conquering territory by checking in at real world locations and using the scope to scan Captain Morgan bottles.

At the onset of the game, players are given command of a ship, the initial size of which is determined by their influence on social platforms such as Facebook, Foursquare and Twitter. In the Captain’s world, size matters, as the magnitude of a player’s ship and the adornments acquired during their adventures influence their success in battle, and ultimately their rank. Using GPS and location-based technologies, the game populates the map screen with visual representations of other players’ ships in the area. Players have the option to interact with those around them by challenging enemy ships to battle.

The game is available for free in both Android Market and the Apple App Store.

The Red Bull LAN Gaming event kicked off this week at Full Sail University in Orlando and will feature three of North America’s top performing “Halo: Reach” players and over a dozen of the world’s best “Starcraft II: Wings of Liberty” competitors all teaming up to practice and prepare for the 2012 tournament season.

The Red Bull LAN at Full Sail University in Orlando offers Bachelor’s and Master’s degree programs that teach the art and technology of software development and design for games, making this the perfect location to kick start the Red Bull LAN circuit as it continues through 2012 with events in Austin, Seattle, Boston and Chicago.

You can watch the event live each day starting at 6 PM through 12 AM EST at the official Red Bull LAN website.

Neil Strauss may have had pop culture street-cred for his work as a journalist for Rolling Stone and The New York Times, but it wasn’t until he wrote The Game: Penetrating the Secret Society of Pickup Artists, that he became perceived as a “guy’s guy” journalist…for better or worse. Now, with the help of collaborator Adam Kornblum, The Game has been turned into a game itself. Strauss talked with Bullz-Eye about the unique entity that is Who’s Got Game? while taking additional time to discuss some of his other literary endeavors as well.

Bullz-Eye: So The Game is now officially a game.

Neil Strauss: Yes. In a matter of speaking. [Laughs.]

How weird was that? Was it an idea that you came up with, or did someone else pitch it to you?

Yeah, I don’t think I ever would’ve come up with that on my own. [Laughs.] But now I’m really into it. Now I really love it. There’s two elements. One, it’s really fun – Adam (Kornblum) made a game, and I made it into more of a game that I’d want to play with my friends – and, two, it’s just kind of fun to have a game. It’s kind of a childhood dream. It’s not just Monopoly or Sorry! or Mousetrap or Chutes and Ladders or…there’s this game 221B Baker Street, which is, like, a better Clue. [Laughs.] But all those games…I’d always wanted to do a game, but what I think really motivated me to want to do it was that Adam contacted me, and…I didn’t know him at all, but sometimes in the deluge there’s a compelling email where we sit around and think, “Maybe we should contact this guy.” And he had done a game for Hasbro, so he had some credibility there. He said he had made a game based on the books I’d done already that he’d been, like, taking out to bars and playing there just to meet women. So I thought, okay, this guy’s field-tested his idea, he’s not just writing about an idea that he’s come up with while he’s sitting in front of his email. I guess he’s now engaged, so obviously it worked to some degree. [Laughs.] Anyway, I thought, “Okay, let’s kind of entertain this and take it seriously.” And he sent it over, and I kept just playing it with different friends and then adding tweaks and changing it and adding new types of cards. Like, I really wanted the game to be something that you play in bars but, like, for example, when I’d go out, I’d end up bringing people back to my house and I’d be, like, “Fuck, now what do I do with them?” And the game’s kind of like social lubrication, a way to get to know people and having everybody having fun and laughing and bonding without any awkwardness.

You said Adam got the ball rolling, but when someone’s playing the game of The Game, what’s something that you personally added to the game?

I think a couple of my favorite things are the Neg cards, where, like, whoever has the worst driver’s license picture or the most wrinkled shirt loses points. [Laughs.] It’s, like, I thought, what’s fun is people laughing at themselves and their own foibles in a non-malicious way, where you’re teasing someone like they’re friends might tease them. Another favorite is the Secret cards, which are basically…it’s a secret social mission to pull off over the course of the game. For example, if you make up something conversationally and someone else in the group believes it’s true, you get two points. So all through the game there are these two layers: the game itself, and the social mission. And it’s a fun layer. It’s a fun form of manipulation, because you’re, like, “How can I get everyone to believe this and get my points?” The social dynamics part is something that, as far as I know, hasn’t been seen in a game yet. There are games with fun challenges, tests, points giving and taking, but where you’re actually trying to execute a social mission within the group…? That’s where it becomes unique.

It definitely seems that you don’t have to be single or on the market, as it were, to enjoy the game.

Oh, definitely not. In fact, we had a dinner party a few nights ago, it was about 12 people, and I’d say about eight of them were couples in serious relationships. So, no, it doesn’t matter at all. Either it’s good to get to know someone or it’s just fun to play with friends. But, I mean, my girlfriend and I play it all the time. It’s fun to go to a party and bring your own game. By the way, you only do that at parties with really good friends who are proud of you and can appreciate that you have your own game, and not with casual acquaintances who are, like, “Why is this asshole bringing his game to our party?” [Laughs.]

Having brought up the fact that you have a girlfriend begs a question about the original book: how quickly did you admit to her that you were the guy behind The Game? Or did she know from the get-go?

Uh, yeah, at this point, I think I’m kind of screwed. I kind of have to say it up front, because if I don’t, one of these things happens: they know the book already, their friends are going to tell them, or they’re going to Google me and find out. Better that I be the bearer of the news. [Laughs.] It can definitely make it more difficult as far as getting people to trust anything you’re saying. I think my only recourse is to be as sincere as possible, because everything is tainted with suspicion.

So what was the original impetus for writing The Game? You’d written in the medium of pop culture quite a bit prior to that, certainly, but…

I think the initial impetus was being a rock critic at Rolling Stone and The New York Times and going to all these shows, which are carnivals of flesh and sexuality, really. But that’s rock ‘n’ roll. [Laughs.] And I’m just the lonely guy with the notepad watching everybody else have all the fun, hoping that maybe some girl’s going to come up and talk to me because I’m writing something in my notepad. And then I’d say, “Oh, yeah, I’m going to this show next week and these other shows the following week, if you want to come with me,” and I assumed that was going to be a date, and…I remember once I met this girl at one, and she ended up making out with the guy sitting next to me. And I was, like, “What the fuck…? What’s wrong with me?” So it really came not from a desire to go underground and assume an identity and be an investigative journalist or even to write a book but, rather, to help get over my own problems with women. [Laughs.]

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Check this out and take a journey through Dubai and witness the aftermath of the most destructive sandstorm to hit civilization ever.

This post is sponsored by 2K Games

Jeremy Clarkson’s opening monologue for “Forza Motorsport 4″ explains that the car guy is an endangered species. Chased out of his natural habitat, cut down by laws and regulations, and ostracized from society at large due to his love of speed and adrenaline, he remarks that the only place left, the final frontier for this endangered species, is in the virtual world with “Forza 4.” The question then becomes if the virtual world can recreate the enjoyment of the physical one.

If you are judging by visuals alone, “Forza 4″ comes close. Crisp, razor sharp resolution and detailing highlight the unique aspects of every car in the game. This differs from “Gran Turismo 5″ since only a few “premier” cars got the high resolution treatment in that game. Also, there is the “Auto vista” feature. Here, you can take a painstaking look inside and outside of a variety of cars, taking in the minute details rendered in jaw-dropping detail.

Having a pretty face is one thing, but offering entertaining gameplay is a different matter entirely. Here, the “Forza” experience really starts to pull away from “GT5.” First off, you don’t need to be a car guy to enjoy the game. Game settings are adjustable from beginner to simulation levels so you can be comfortable in whichever level you fall under. Second, “Forza” doesn’t beat you over the head with technical bureaucracy. There are no license tests, long loading times, or a never-ending bog of petty races to get through before you get to the good stuff. Just hop in and drive.

Plus, you can drive whatever you want, wherever you want. Ferraris, Lamborghinis, muscle cars… nearly everything under the sun is available to you. You also don’t even need to race. You can take photos, create paint schemes, and participate in a multitude of other activities. Just like in the real world, you don’t necessarily need to be a speed freak to enjoy the hobby, but it does help.

When you do start driving, “Forza’s” fantastic physics engine really starts to shine through. Developer Turn 10 took simulating the cars so seriously, in fact, that they contacted Pirelli to be able use their tire simulation software for the game. This is the same equipment F1 teams use to develop their tires, so of course it is insanely accurate.

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This is too good not to share. T-Mobile set up a catapult in a Barcelona square where people playing Angry Birds on a phone were controlling an actual live-action version of the game. Booking a flight to Barcelona in 3…2…1…

We’re fussy about Red Carpet events here at Bullz-Eye central. That’s largely because as a lone, online writer you’re pretty much at the mercy of the publicity gods in terms of who you’re going to meet up with and you never know who that’s going to be. One condition we have is that we get to see the show/movie/what-have-you in question so, if all else fails, we can write about that or at least get a bit of entertainment and free food. In this case, that was a good thing. Not because we didn’t get to talk to anybody interesting, but because Spike TV’s “Guys Choice” presentation, which premieres on the network at 9:00 Eastern/6:00 PDT Friday is not your usual award show.

Right down to the sexy female dancers who liven up the breaks and its highly distinctive award statue, “the Mantlers,” it’s easily the most laid back and honestly silly awards show I’ve seen. It’s also the only award show we know of which contains R-rated profanity in one of its award titles: the “Funniest Motherf*cker” award, this year being given to Jim Carrey. It’s safe the say the show was completely irreverent about everything, except for its commendable commitment to drawing attention to the bravery and sacrifices made by members of our armed forces.

Speaking of Jim Carrey, the famed comic provided a remarkable bit of comedy dealing with the always absolutely never hilarious topic of..oh, Lord, we’d better just leave it alone. You don’t want to know. Carrey himself made it clear that children and other sensitive people were better off not hearing the routine before proceeding with a shocking and explosively funny performance, abetted by the sensitive stylings of violinist Neil Hammond.

More traditionally edgy and hilarious at certain points, but a lot longer, was a marathon bit by faux canine Triumph, the Insult Comic Dog, aka comic genius Robert Smigel. The latter merited a bad on-camera review from Sean Penn who between this show and his criticism of Ricky Gervais at Golden Globes, seems to be developing a side career as a real-time award show comedy critic.

Justin Timberlake less controversially proved himself to be, once again, no comic slouch, while promoting the charms of the co-star of his next flick, “Friends with Benefits,” the beautiful and talented Mila Kunis. Rolling Stones guitarist Keith Richards distinguished himself by simply being alive to pick up his award and being the innately humourous individual he is.

And so it went. I’ll have a few choice quotes from the show at the end of this piece. First, though, let’s talk about the folks we met on the Red Carpet.

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