Breaking Bad 5.11 – “Confessions”

As happy as I am that Vince Gilligan has been given the opportunity to take “Breaking Bad” to its conclusion on his own terms, allowing him to end it now rather than a season or two down the road, each new episode of this final batch continues to further cement just what a tremendous, gaping hole is going to be left in my television viewing habits when the series is gone for good.

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I’m not trying to paraphrase the immortal Stiff Records slogan here—there are plenty of series beyond “Breaking Bad” that most certainly are worth a fuck—but no other show on television has ever…and I mean ever…grabbed me the collar the way this one does, making me so profoundly love and so deeply loathe its characters, often shifting between the two extremes within the same scene.

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Breaking Bad 5.10 – “Buried”

(CAVEAT: Portions of this review originally appeared in the AntennaFree.TV piece, ‘Breaking Bad’ Critics’ Thread: Secrets are Unearthed in ‘Buried’, which also features reflections from Joel Keller, Mike Moody, and Mekeisha Madden Toby, all of whom are pretty damned fine writers in their own right.)

When this week’s episode of ‘Breaking Bad’ kicked off, the only thing that was running through my mind was a comment I read somewhere last week: “Join us next time on ‘Breaking Bad’ when Walt breaks the uncomfortable silence and asks, ‘So, Hank, you, uh, gonna open the garage door?’” Before we reached that point, though, we had a quick pre-credits look at what happened in the wake of Jesse’s free-money spree. Last week, I wrote, “It’s only a matter of time before someone identifies the car and says, ‘Let’s see if he’s got any more,’” but that’s not exactly what happened, although someone did end up following the trail back to where it began.

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I was completely convinced we were going to follow the old man on his path of picking up packets of bills until he met up with someone else who was following the money trail from the other end, at which point things would go terribly wrong…but, no, the trail instead led straight to Jesse, literally going in circles on the playground merry-go-round. It’s a great overheard shot, and knowing this show, the whole going-in-circles thing is probably meant as a metaphor, since he’s clearly wracked with guilt and has no idea what the hell he’s supposed to do. We don’t actually see what happens after the old man stumbles upon him, but he clearly ends up in police custody at some point. (I’m just hoping the old guy ends up keeping a decent amount of cash for himself.)

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Breaking Bad 5.9 – “Blood Money”

“Breaking Bad” has always had a way with an opening shot, and the first image of the series’ final eight episodes is no exception, offering a slow, gradual pull-out from a bunch of skate rats to reveal that their choice of locate is the decidedly empty and apparently long-dormant White house. Moments later, when a heavily haired Walter White pulls up, it’s clarified that we’re back in the timeline established in the early moments of the first half of Season Five, when Walt purchased some serious firepower from his now-regular weapons guy (played by Jim Beaver). And, oh, what a dark timeline it must be, based not only on Walt’s haggard look, but on the graffiti he finds when he’s forced to break into his own house. If things are destined to reach a point where the world at large has not only identified him as Heisenberg but, indeed, has had his identify spray-painted across his living room wall…well, let’s just say these are going to be the longest eight episodes viewers have seen in a very long time.

Wandering through the wreckage that once was his house, Walt manages to confirm that, despite all the carnage surrounding him, one of his hiding places has remained secure: underneath the electrical outlet. I couldn’t quite see what he retrieved – was it the vial of ricin? – but I’m sure we’ll find out soon enough…much as we’ll find out exactly what the hell happened to make his poor neighbor Carol react in such a horrified fashion to the mere sight of Walt. Clearly, it’s no fun living next door to Heisenberg.

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Post-credits, it’s back into Walt’s bedroom, except we’ve flashed back to where we were when we last left “Breaking Bad.” It’s impossible to get completely inside Hank’s head, but we come pretty damned close with the help of director…Bryan Cranston? True. The man’s come a long way behind the camera, clearly learning as much as possible from the folks who’ve helmed past episodes of the series, because he nails the panic, anxiety, and horror in Hank’s gradual realization of what his brother-in-law has been doing for the past five seasons.

As Hank and Marie drive away from the White house, Walt, Skyler, Junior, and Holly look like the perfect little family, don’t they? But then, the whole “appearances can be deceiving” has been Walt’s stock and trade since the beginning of his meth-making operation, and one could argue that the same premise applies to Hank as well. He started out as a loudmouth blowhard who seemed more like a former high school quarterback who kept his ego intact when he entered the work force, but we’ve seen several different sides of the guy now, and it’s never been more evident than it is in this episode that he’s a great goddamned detective. It’s hard to say that he’s applying Occam’s razor here, since the idea of Walt being the mastermind behind a major meth operation is the simplest explanation, but it’s a thing of both beauty and sadness to watch him work out everything that Walt’s been responsible for. It’s clear that he still doesn’t fully accept it ‘til the very end of the episode, but when that chilling exchange in the garage takes place…

Oh, but I’m getting ahead of myself.

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“True Blood” Season 5: A Bloody Mess

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The bar has been set very high for cable TV shows, and in its first several seasons “True Blood” easily met that standard. Yet it’s hard to keep things compelling as the years go by, and “True Blood” has slipped a bit over the years as practically every kind of creature from werewolves to shape shifters to fairies and more have been introduced with every kind of magic imaginable. Viewers can’t be surprised any more as something strange and bizarre emerges with every character. Some storylines are great, while others just take up time and keep some of the characters occupied. Fortunately, many of the characters remain compelling and the show hasn’t lost its sense of humor or sex appeal.

With Season 5 recently released on DVD and Blu-ray, “True Blood” is no longer one of the best shows on television and we’ve dropped it from our TV Power Rankings. Still, it’s a guilty pleasure with plenty of blood, humor, sex and of course more sex that is worth our time on Sunday nights or worth a Blu-ray or download purchase. For many guys like us, the parade of beautiful female characters who consistently find reasons to take their clothes off certainly adds to the appeal.

Fortunately, Russell Edgington returns in season 5 to provides loads of comic relief, but you’ll have to endure silly tangents like Terry Bellefleur’s Iraq nightmares as well. I won’t bother summarizing all of the storylines from this season, but I’ll touch on many of them as we look back at some of the beauties who get screen time. SPOILER ALERT: Don’t read on if you don’t want to know what happens!

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DVD Screen Shot

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Game of Thrones 3.09: The Rains of Castamere

SPOILER WARNING: Whether you’ve read all five books or only watch the series this post is for you. I have read the books (multiple times) but I will not go beyond the scope of the TV series (save a wink or a nod every now and then that only my fellow readers will catch on to). All events that have occurred in the TV show up to and including yesterday’s episode are fair game.  You’ve been warned.

Note: With the biggest cast in television it can be hard to keep all the names and faces straight. Thus the first mention of each character contains a link to a picture of them which will open in a new tab.

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Starks and their Honor

Don’t worry folks, I’ll get to the scene you want to talk about in a moment. I’m starting with Arya and the Hound a) to avoid spoilers prior to the jump and b) because within their scenes is a small nugget which represents the episode’s overarching theme: the family Stark and their unending honor. The dog and the wolf girl come upon a man trying to fix a broken wagon. He’s got to get to the Twins to deliver a load of salt pork, you see. The Hound intends to rob him, knocking his lights out before drawing a knife. Arya pleads with him not to kill the man. It’s wrong of course, and it will be plenty easy to rob him without slitting his throat. The Hound tells Arya that she’s very kind, and that it’s going to get her killed one day.

This, in a nutshell, is who the Starks are. They’re a kind and loving family who gives everyone the benefit of the doubt. They run into situations like this one, in a which a person who should be allowed to live is staring death in the eye, and they save him, even when simply killing them and being done with it would be far safer in the long run. In the case of the man and his wagon, nothing comes of it. But in that of the wedding I’ll discuss in a moment, well, you know.

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