Mark Wahlberg, Kurt Russell, Gina Rodriguez, John Malkovich, Kate Hudson, Dylan O’Brien, Ethan Suplee
Everyone remembers the images of the BP oil spill that dominated the TV news cycle back in 2010 – the Deepwater Horizon drilling rig engulfed in flames, the rivers of black crude oil spreading across the Gulf of Mexico – but not many people know the details of what actually happened. It remains the worst oil disaster in U.S. history, and director Peter Berg recreates it in stunningly authentic detail for his latest film. But while “Deepwater Horizon” is a pretty effective disaster movie with some decent thrills and enough explosions to make even Michael Bay jealous, it doesn’t seem to have a purpose. It works just fine as a dramatic reenactment of corporate greed gone horribly wrong, but unlike the real-life incident, it will quickly be forgotten.
There were a lot of heroes aboard the Deepwater Horizon on that fateful day, but Berg centers on a quartet of Transocean contractors – including chief electronics technician Mike Williams (Mark Wahlberg), crew chief Jimmy Harrell (Kurt Russell), bridge officer Andrea Fleytas (Gina Rodriguez) and floorhand Caleb Holloway (Dylan O’Brien) – to tell the harrowing tale. When Mike, Jimmy and Andrea arrive on the offshore drilling rig for a three-week shift, they discover that an important safety procedure has been ignored due to the project falling behind schedule. Adamant about the safety of his crew, Jimmy insists that they run some additional tests before anyone begins drilling, much to the annoyance of BP executive Donald Vidrine (John Malkovich). After the tests prove inconclusive, Vidrine pressures the workers into starting the job anyway, leading to the tragic accident that claimed the lives of 11 men and caused irreparable damage to the surrounding waters.
Jet setting is an excellent way to clear your mind and experience all that the world has to offer. In order for you to be able to get in touch with yourself during your journeys, it is a good idea to allow yourself the room to indulge a bit. A luxurious adventure awaits you when you know where to look for it. If you want to be sensible and stylish on your next trip, here are a few simple tips to get you going.
Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.
“Arrow: The Complete Fourth Season”
WHAT: After defeating Ra’s al Ghul in battle, Oliver Queen (Stephen Amell) leaves behind his vigilante persona and moves to the suburbs with Felicity (Emily Bett Rickards) to live a normal life. But when Star City is threatened by a terrorist organization called H.I.V.E., Oliver returns as the newly dubbed Green Arrow to stop the group’s leader Damien Darhk (Neal McDonough) – a man with mysterious magical abilities – from destroying what he’s worked so hard to protect.
WHY: The fourth season of “Arrow” is a real low point in the show’s history; it’s as clunky and poorly conceived as Diggle’s awful new helmet. Though past seasons have certainly had their share of criticisms, it’s never been quite this bad. The flashbacks are more pointless than ever, persisting with a plot device that’s no longer necessary, while the Oliver/Felicity romance is horribly mishandled. Even Damien Darhk’s involvement doesn’t seem very well-thought-out. Not only is he too powerful for Oliver and his team, but he only appears when it’s convenient for the plot, going through the same motions over and over until his lame defeat in the finale. However, the biggest problem with “Arrow” (and to a lesser degree, “The Flash”) is that there isn’t enough story to warrant 23 hours of television, resulting in a lot of unnecessary filler. That’s never been more true than in Season Four, and with any luck, it’ll lead to the show receiving a much-needed reset, or at the very least, a return to its grittier, humbler roots.
EXTRAS: In addition to the 2015 Comic-Con panel, there’s a trio of profiles on Damien Darhk, Vandal Savage and Hawkman and Hawkgirl, deleted scenes and a gag reel.
September is an odd time in the cinematic schedule, no longer part of the summer blockbuster season but still too early for the prestige awards bait of later months. It doesn’t even have a particularly well-known holiday like Halloween to gear towards programming. With that being said, the September slate is a mixed bag of some very promising films, most of them original (only two sequels and one remake in the bunch). Can “Blair Witch” live up to the original and the hype that’s been steadily building for it? And what about true-life stories like “Sully,” “Snowden” and “Deepwater Horizon?” Is there enough in each of those to tell a gripping tale? Only time will tell.
Who: Kate Mara, Anya Taylor-Joy, Paul Giamatti, Jennifer Jason Leigh and Brian Cox What: A corporate risk-management consultant has to decide and determine whether or not to terminate an artificial being’s life that was made in a laboratory environment. When: September 2nd Why: Made by Luke Scott (music video director and son of Ridley), this sounds like an intriguing, original sci-fi film that will be both entertaining to watch and actually grapple with some heavier, headier stuff. Also, the cast is pretty much stacked with talent, including Anya Taylor-Joy, who has proven to be an incredible actress at a young age with her performance in “The Witch” and whose role as the AI in question should be suitably captivating. This may be a retread of “Ex Machina,” but considering that was a brilliant film, that’s no knock on “Morgan,” which looks to be a mix of Alex Garland’s thriller, Luc Besson’s “Lucy” and an especially engrossing episode of “Black Mirror.”
Having a wager has been part of every culture since man first walked the earth. Through the ages, various games, sports and any other events where the outcome is uncertain have been used to gamble. Online gambling arrived on the scene in 1994 when a company called Microgaming, a software gaming developer who was based in the Isle of Man, and CryptoLogic, an online security company, joined forces to create a safe transaction environment, which led to the birth of online casinos. At the same time, a law was passed in Antigua called The Free Trade and Processing Act, which enabled licences to be granted to companies that wanted to provide gambling services on the Internet.