For many, their kitchen is a temple, their favorite place. These people often have a strong affection towards cooking or baking. So in order to be the best you can be in the kitchen, you need the best gadgets, right? But if you are not sure what to get, this list of cool kitchen gadgets may give you some inspiration.

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If the name of this week’s drink sounds like the title of a mid-20th century pulpy crime thriller to you, you’re half right. It’s taken from a very classy, though entirely promotional, 13 minute neo-noir homage from Italian director Paolo Sorrentino, best known in the states for his all-star drama “Youth” and his Fellini-esque “The Great Beauty.” As booze commercials go, “The Killer in Red” is, typically for Sorrentino, rich in deep-dish eye candy, from it’s outlandish L.A.-centric decor to French-Swiss co-star Caroline Tilvlette, who motivates Clive Owen’s bartender to get involved in some ill-advised behavior.

The drink that the short promotes also has its sensual pleasures, particularly for lovers of Campari, like me. The fact that I’ve been getting free bottles lately from a shadowy representative of the aperitif really doesn’t enter it. (Really!) I love the stuff. And, since Campari’s flavor largely dominates today’s drink, I also pretty much love today’s drink. Let’s check it out.

The Killer in Red

3/4 oz. Campari
3/4 oz. chamomile gin or standard dry gin
3/4 oz. Cinzano 1757 Bianco (or another bianco)
1/2 oz. Grand Marnier
1 drop of rose water or rose essential oil (if you can find it)

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Matt Damon, Pedro Pascal, Tian Jing, Andy Lau, Willem Dafoe, Hanyu Zhang

Zhang Yimou

Over the last decade or so, China has grown to become the second largest movie market in the world (and is currently on pace to surpass the U.S. in the next few years), which explains why Hollywood has suddenly shown great interest in the region. But while pairing one of the industry’s biggest stars (Matt Damon) with esteemed Chinese director Zhang Yimou might sound like an exciting idea on paper, it lacks the prestige that such a high-profile collaboration warrants. “The Great Wall” is a fairly generic monster movie at its core (think “Starship Troopers” in Ancient China), and although it boasts some fantastic visuals and rousing action that’s entertaining in the moment, it’s ultimately pretty forgettable.

In 11th century China, European mercenaries William Garin (Damon) and Pero Tovar (Pedro Pascal) have ventured deep into the country in search of a mysterious black powder that will bring them riches back home. After surviving a monster attack the night before, they stumble upon a secret garrison of Chinese soldiers called the Nameless Order – each faction divided by brightly colored armor – that’s stationed at a massive wall designed to keep out invaders. Led by General Shao (Zhang Hanyu), the Nameless Order serves as the last line of defense against the Tao Tie, a colony of mythical creatures that crashed into China on a meteor 2,000 years ago.

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Charlie Day, Ice Cube, Tracy Morgan, Jillian Bell, Dean Norris, Christina Hendricks, Dennis Haysbert

Richie Keen

The first two-thirds of “Fist Fight” play like a Ben Stiller movie from the early 2000s. Our hero is kind but doesn’t assert himself and is perceived to be a loser by everyone around him, including the ones he loves (and supposedly love him). This part of the movie is less fun, because from a filmmaking standpoint (and in life), picking on the 98-pound weakling doesn’t take any courage or risks. When our hero finally sticks up for himself, the movie feeds off his adrenaline and begins to soar, culminating in a rather spectacular finish. The path to the ending is littered with dick jokes, but “Fist Fight” makes the early hardships worthwhile. Just barely, though.

It is the last day of the school year and Andy Campbell (Charlie Day) is a high school English teacher just trying to get through the day so he can help out his daughter at her talent contest. Andy tries to help Mr. Strickland (Ice Cube) get a video started, and when Andy discovers that a student is responsible for the repeated malfunctions, Mr. Strickland loses it, grabbing a weapon from the hallway and terrorizing the students. Andy and Strickland go before the principal, who lays an impossible ultimatum on the two: either one of them confesses or tattles, or they’re both fired. Andy’s wife has already missed her delivery date with their second child, so Andy rats out Strickland to keep his job. Strickland tells Andy that he’s going to fight him after school is out. Andy knows he’s going to get clobbered, so he tries everything he can to back out of it, failing miserably in the process.

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Thermal Imaging Cameras Bring Visibility to the Spectrum

Thermal imaging devices and cameras can make heat energy visible to the human eye. This allows for complete analysis of the environment or an object. The thermal image produced by these devices is a thermogram. The highly-sophisticated technology behind thermal cameras allows heat signatures to be reproduced in a format that features in the visible spectrum of light. Thermal imaging cameras do not indicate a single temperature for an object, rather they reflect temperature variations from cold through hot and display them in a spectrum of colours. As human beings, our vision is limited to visible light on the electromagnetic spectrum. However, this is but a small portion of all light that is available on the spectrum. A much greater percentage is infrared radiation, the spectrum of light that requires specialized thermal imaging cameras.

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