Vin Diesel, Paul Walker, Dwayne Johnson, Michelle Rodriguez, Luke Evans, Tyrese Gibson, Ludacris, Sung Kang, Gal Gadot, Gina Garano
Justin Lin
The “Fast and Furious” franchise is like popcorn movie kryptonite – it’s my only weakness. (Okay, maybe not my only weakness.) But for as cheesy, soapy and utterly preposterous as the movies can get at times, they’re also incredibly entertaining, especially following director Justin Lin’s retooling of the series. Though the sixth installment doesn’t quite live up to 2011’s “Fast Five,” which took the franchise to new heights in more ways than one, it still delivers everything that fans have come to expect over the years. Bigger and dumber but still tons of fun, “Fast & Furious 6” may have you rolling your eyes even more than usual, but that’s part of what make the series so great.
Picking up several months after the events of “Fast Five,” the movie finds Dominic Toretto (Vin Diesel) laying low in Spain when he’s visited by DSS agent Luke Hobbs (Dwayne Johnson) with some interesting news: his old flame, Letty (Michelle Rodriguez), isn’t quite as dead as previously believed. In fact, she’s working with a British soldier turned criminal named Owen Shaw (Luke Evans) who’s planning on stealing a top secret computer chip worth billions, and Hobbs needs Dom’s help to catch him. With the promise of full pardons for everyone involved, and the added incentive of finding out what happened to Letty, Dom enlists the rest of the crew (save for Puerto Rican jokesters Tego and Rico) and heads to London to face off against Shaw and his own team of street racing criminals.
Eric Raskin has put together an excellent oral history of the 2003 World Series of Poker in Grantland, one of the seminal events in the poker phenomenon that has grown over the years in the US and around the world.
In 1970, Benny Binion put together a publicity stunt to promote his casino in downtown Las Vegas. He sent out invitations to Johnny Moss, Doyle Brunson, Amarillo Slim Preston, and the rest of the world’s greatest card players and called it the World Series of Poker. Seven of them played cash games at Binion’s Horseshoe for three straight days, and when it was over, Moss was named “champion” in a vote of his peers. The next year, six entrants paid $5,000 apiece for the right to play in a no-limit Texas Hold ’em “freezeout” tournament, in which everyone started with the same number of chips and they played until one man had all the money. A year later, the buy-in doubled to $10,000. In the four decades since, the basic rules of the tournament and the amount of money required to enter have remained constant.
But the number of participants has not. The World Series of Poker main event surpassed 100 players for the first time in 1982. It cracked 200 in ’91, the first year in which the winner claimed a seven-figure cash prize. In 2002, 631 players entered, and the payout was $2 million.
Then came 2003. The 34th-annual World Series of Poker transformed the event into a pop-culture phenomenon. The numbers — by 2006, 8,773 players vied for a first-place prize of $12 million — illustrate how exponential the growth was. Poker went from a game understood by few and played in smoky backrooms to a television staple. In this 10th-anniversary oral history, more than 30 people who were part of the event explain what happened and what it meant for the poker business.
Check out the entire article for a very informative and entertaining read.
You can see the final hand above where Chris Moneymaker wins the tournament. Movies like “Rounders” from 1998 also helped fuel that game’s popularity, but that 2003 tournament helped fans the flames.
There are so many ways to enjoy gambling and poker these days at casinos around the country and online at Metro Play Casino and other great sites that it’s hard to think back to the days when most of the action was in Las Vegas and in back room poker games. Fortunately most people can now drive to a poker room or hone their skills online, and now the World Series of Poker is dominated by guys inspired by Chris Moneymaker. If you’re heading to Vegas and want to test your poker skills, you have to try your hand at this tournament.
Bradley Cooper, Ed Helms, Zach Galifianakis, Ken Jeong, John Goodman
Todd Phillips
After the last “Hangover” film left most people with a sour taste in their mouth, it was no secret that director Todd Phillips would have to change up the formula if he ever made another sequel. Unfortunately, despite heeding that advice on the latest installment, “The Hangover Part III” is a really bad movie (like, worst film of the year bad) – a joyless and humorless cash-in that bears little resemblance to the 2009 original except by name. Say what you will about the first sequel, but at least that one actually felt like a “Hangover” movie. I’m still not even sure if “Part III” is supposed to be a comedy, but the shocking lack of laughter would suggest otherwise.
The film opens with a silly gag involving Alan (Zach Galifianakis) buying and subsequently killing a giraffe while transporting it home, and it only goes downhill from there. (Sadly, that’s also just the start of the movie’s streak of animal cruelty.) When his latest antics cause his father (Jeffrey Tambor) to have a heart attack and die, it puts Alan in a bit of tailspin. Concerned about his well-being, the guys (Bradley Cooper, Ed Helms and Justin Bartha) stage an intervention and convince him to get help at a mental health clinic in Arizona. On the way there, however, they’re kidnapped by a surly gangster named Marshall (John Goodman), who blames them for introducing Leslie Chow (Ken Jeong) into his life. Apparently, Chow stole a lot of money from Marshall and has evaded him ever since, so he tasks the Wolfpack (minus Doug of course, who’s kept as collateral) to track him down, taking them from Tijuana to Las Vegas, the city where it all began.
SPOILER WARNING: Whether you’ve read all five books or only watch the series this post is for you. I have read the books (multiple times) but I will not go beyond the scope of the TV series (save a wink or a nod every now and then that only my fellow readers will catch on to).All events that have occurred in the TV show up to and including yesterday’s episode are fair game. You’ve been warned.
Note: With the biggest cast in television it can be hard to keep all the names and faces straight. Thus the first mention of each character contains a link to a picture of them which will open in a new tab.
As I’ve often discussed in the past, I generally try to find unifying theme in each episode of Game of Thrones and base my blog around it. Sometimes it’s hard, and takes a lot of pondering to find. Sometimes, as in “Dark Wings Dark Words,” there isn’t one to be found, as the episode is linked by graceful editing rather than a theme. Other times, as in “The Climb” or “Second Sons,” the writers are kind enough to put the theme right there in the title (although this week didn’t offer a Littlefinger soliloquy to put it in neon lights).
A lot of “Second Sons” is about, well, second sons. We’ve got the literal second-born male children, like Stannis and the Hound, as well as “second-class” sons like Gendry, due to being a bastard. Not to mention Tyrion, who fits into both categories. And how could we forget ol’ Samwell Tarly, a de-facto second son. Recall that Sam’s father stripped him of his birthright (in favor of his actual second son) and relegated him to the Night’s Watch despite his being the eldest.
My Sword is Yours, My Life is Yours, My Heart is Yours
